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December 16, 1960 – “Wildcat”

I love Lucy. Need I say more? And since we are talkin’ Broadway, that can only mean one thing: “Wildcat.” “Wildcat” is a musical comedy about Wildcat Jackson (Ball) and her sister who come to oil country to strike it rich. She runs into the prowess of Joe Dynamite, and a battle of the sexes and the oil tycoons ensues. “Wildcat” wasn’t written with the 48 year-old queen of comedy in mind, however, so when she showed interest, the script – by N. Richard Nash (“The Rainmaker”) – had to be radically re-written. At the start of the 1960’s Ball’s career was taking a new direction. She was leaving her TV personae Lucy Ricardo (as well as her real-life husband Desi Arnaz) behind for newer horizons. It was their company Desilu that would produce “Wildcat” with Lucy having say over who would be cast as her co-star. After several of her first choices proved not available (including Clint Eastwood), she settled on Keith Andes. Although Ball was not known for her singing (a fact she traded on in “I Love Lucy”) or her dancing (which she was far better at), she had the determination of Wildcat Jackson to attempt it eight times a week. Director and choreographer Michael Kidd – known for his athletic dances – would put Ball through her paces. The score was by Cy Coleman with lyrics by Carolyn Leigh, giving Ball the rousing anthem “Hey, Look Me Over!” and the tuneful “What Takes My Fancy.” This was to be Ball’s Broadway debut, although she nearly went to the Rialto in a play that started at New Jersey’s McCarter Theatre in 1937. Unfortunately, her leading man got seriously ill and the production was canceled. As for “Wildcat,” The out-of-town critics were mixed, but obviously adored the red-headed star. The show was headed up the New Jersey Turnpike in trucks headed for Broadway when a serious blizzard stranded the caravan, causing the opening night to be delayed. With just two previews under their belt, the show opened at the Alvin Theatre on this date in 1960. Box office was buoyed by audiences expecting to see Lucy Ricardo, not Lucille Ball as Wildy Jackson, so eventually Ball interpolated more and more of her trademark comic inflections into the character. Then, in an eerie similarity to her first stage show in Princeton, Ball took ill. She left the show for a bit with the idea to return and continue the run. But upon her return she collapsed on stage. Producers decided to close the show for as long as it took her to recover and resume when her strength and health had returned. But the musicians union insisted upon payment during the hiatus, which made the wait financially unfeasible. All in all, “Wildcat” lasted 171 performances. It wasn’t Ball’s only musical, however, in 1974 she took on the title role in the film of “Mame.” In added irony, she broke her leg in a skiing accident just before filming began! But it never showed. Once again cast older than the part was written and handling a score written for a musical theatre star, Lucy persevered. No wonder people who respect performers love Lucy.

55 years ago today, Lucy conquered Broadway.
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“Lucy Makes Room for Danny”

(LDCH S2;E2 ~ December 1, 1958) Directed by Jerry Thorpe. Written by Bob Schiller and Bob Weiskopf. Filmed September 19, 1958 at Ren-Mar Studios.
Producer Bert Granet won the Producer’s Guild Award for this episode. Former writers Madelyn Davis and Bob Carroll Jr. are credited as script consultants.

The working title of this script was “The Ricardos Rent Their House to Danny Thomas”. The final title “Lucy Makes Room for Danny” ideally includes both stars’ names and puns on the title of Thomas’ show.
Synopsis ~ Lucy and Ricky sublet their Connecticut house to the Williams’ family (of “Make Room for Daddy”). When Lucy proves an over-protective landlady, the families end up in court!

This is the second episode of the “The Westinghouse Desilu Playhouse” presentation of “The Lucille Ball Desi Arnaz Show” – known in syndication as “The Lucy–Desi Comedy Hour.”

This was the second TV cross-over for the series, having started with an appearance of Ann Sothern’s character Susie MacNamara from "Private Secretary” in “Lucy Takes a Cruise to Havana” (S1;E1).

Unlike most episodes, this show doesn’t feature any musical numbers or travel to exotic locales, but it does feature one hallmark of the series: the husband and wife guest-stars (albeit a TV marriage). It was filmed entirely in the studio, in front of a live audience with no location or second unit footage.
Desi Arnaz had always wanted Danny Thomas to guest star on "I Love Lucy,” but could never resolve sponsor conflicts because “Lucy” and “The Danny Thomas Show” (aka “Make Room for Daddy”) were bankrolled by competing cigarette companies. “Danny’s” original sponsor was The American Tobacco Company, especially its cigarette brands Lucky Strike, Pall Mall, and Tareyton. “I Love Lucy’s” original sponsor was Philip Morris.

Having the Williams’ move in to the Ricardo’s house is symbolic of “Make Room for Daddy” taking over “I Love Lucy’s” coveted Monday night at 9 time slot. The previous season “Daddy” had moved from NBC to CBS, and this schedule change was designed to boost ratings. In doing so, it effectively created a Desilu Block of Shows on Monday night from 9 to 11.

The night this “Comedy Hour” premiered, “Make Room for Daddy” concerned Little Linda’s tonsillitis, a subject previously covered by “I Love Lucy” in “Nursery School” (ILL S5;E9). Despite only a half hour passing for viewers, Little Linda is in perfect health when she arrives at the Ricardo’s.

"Make Room For Daddy” (aka "The Danny Thomas Show”) ran from 1953 to 1964. It started on ABC and moved to CBS in 1957, the same year “I Love Lucy” (the 30 minutes series) ceased production. Thomas initially chose Desilu Studios in order to take advantage of the three camera shoot method. The series followed the misadventures of the Williams family. Danny Williams, a nightclub entertainer, tries to strike a balance between family life and the entertainment business. Starting with the 1957 season, the cast and storyline underwent extensive changes. After a series of reunion specials with the original cast, a sequel series called "Make Room for Granddaddy” (back on ABC) with the original cast ran just one season.
It is apparent from their introductions that the Ricardos and the Williams’ have previously met, but it is not specified when or where. Both Ricky and Danny are nightclub performers.

This cross-over sets in motion a curious anomaly.
- Lucy Ricardo meets Danny Williams (Danny Thomas) and his TV family on this episode of “The Lucy-Desi Comedy Hour”;
- Danny Williams drives through Mayberry and meets Sheriff Taylor, which spawns “The Andy Griffith Show”;
- “The Andy Griffith Show” is where the Gomer Pyle (Jim Neighbors) character began before getting his own show;
- Gomer, although unnamed and uncredited, turns up on “The Lucy Show,” although here she is Lucy Carmichael, not Lucy Ricardo (even though both women share the maiden name McGillacuddy).
- The upshot of all of this is that Lucy Ricardo and Lucy Carmichael both exist in the same world.

The plot has the Ricardos leasing their house to the Williams’ when going to Hollywood for two months so that Ricky can make a movie. When the movie deal falls through, the Ricardos must move in with the Mertzes for the term of the Williams’ lease. Lucy, however, can’t help but snoop around the ‘big’ house to keep an eye on how her tenants are treating her beautiful home.
When Lucy hands Danny a list of her “rules for the house” it is so heavy that Danny compares it to the Sunday papers. The Sunday edition of most newspapers was stuffed with special features not found the other six days of the week such as a comics section (’the Sunday funnies’), magazines, TV and Radio Guides, Coupons and Sales Papers, and lots of human interest sections.

The Ricardos and the Mertzes moved in together twice before when living in New York City. The first time was when Ricky’s summer booking fell through in “The Sublease” (ILL S3;E31), and the second just before they moved to Connecticut in “Lucy Hates to Leave” (ILL S6;16).

Danny Thomas (Danny Williams) was born in 1912 to Lebanese parents as Amos Alphonsus Muzyad Yakhoob. This episode makes his first TV acting appearance with Lucille Ball, but he later made appearances on "The Lucy Show” (1965) and “Here’s Lucy” (1973). In 1976, Lucy guest starred on Thomas’ short-lived series "The Practice.” Off screen, Thomas founded St. Jude Children’s Research Hospital, which still thrives today, thanks to his daughter, "That Girl” star Marlo Thomas. Danny Thomas died in 1991.
Danny Williams later says that he was raised in Toledo, Ohio, just like Danny Thomas. This is similar to Lucy Ricardo and Lucille Ball sharing the hometown of Jamestown, New York.

Marjorie Lord (Kathy Williams) was the ‘second’ Mrs. Williams, joining the cast in 1957 as a nurse who cared for Danny’s son, Rusty. Lord was previously seen on stage and screen, several times with her friend Vivian Vance. She died on November 28, 2015, at the age of 97. She is the mother of actress Anne Archer.
During the filming Lord was suffering from severe dental problems.

Rusty Hamer (Rusty Williams) was born in 1947 in Tenafly, New Jersey. He was cast as Rusty after only one film and one TV role. He played the part for the entire run of the series as well as the reunions and sequel. After the sequel was canceled in 1971, Hamer fell into a depression that led to alcohol abuse. He took his own life in 1990 at the age of 42.
RUSTY (about living in the country): “I have a feeling I’m gonna miss the bright lights of Broadway.”
DANNY (to Ricky): “Don’t mind him, he’s one of the beat generation.”The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, and the rejection of materialism.

Angela Cartwright (Linda Williams) joined the cast in 1957 at the age of five. In 1965 she played the role of Brigitta in The Sound Of Music. That same year she played Penny Robinson on TV’s “Lost in Space.”
Oops! While Little Ricky is talking to Danny at the breakfast table, you can hear someone in the back round say “careful Linda.”

Little Ricky tells Rusty he has a sick goldfish, three lizards (or “gizzards,” as Linda calls them), a turtle and a frog. In “Little Ricky Gets a Dog” (ILL S6;E14) Lucy says that her son owns a frog, two turtles, two parakeets, two goldfish, and a lizard, who jumped out of the window. Curiously, Little Ricky makes no mention of Fred the dog, who is absent from all “Comedy Hour” shows.

The scene featuring Ethel quickly closing the Ricardo’s stubborn suitcase after Ricky’s struggle was edited for syndication in order to make it shorter. This is yet another joke about Ethel’s weight.
Ricky says it is a good thing they are not flying to California but does not mention if they are driving or taking the train or (less likely) the bus – all options explored for their first trip to California.
This is the second time that a Ricky Ricardo film project has been shelved. The same thing happened in “Don Juan is Shelved” (ILL S4;E21). Ricky made at least one movie in Hollywood after Don Juan was canceled, but like this proposed film, we never learn the title or even the subject matter.

After three days with the Mertzes, Ricky allows Lucy to make one last trip the ‘big’ house and she ends up taking back her ailing rubber tree, a large basket, Ricky’s guitar, Little Ricky’s conga drum, and the toaster, which still contains the Williams’ breakfast!

Lucy does her old trick of launching the toast from the toaster, just as she did many times during "I Love Lucy.” The miniature conga drum was also first seen during season one in “Lucy Plays Cupid” (ILL S1;15). This is, however, the first mention of Lucy having a green thumb.

The fireplace in the Ricardos’ bedroom has mysteriously disappeared and floorplan has changed since “Lucy Misses the Mertzes” (ILL S6;E17).

The left wall is structurally different, with two doors and a fireplace where the beds are in this episode. The fireplace was likely only there to allow Ricky to grab a log to ward off the suspected burglars.

Homesick Lucy wants to break the Williams’ lease and get back into her home. She had some previous experience with this in “Breaking the Lease” (ILL S1;E18). The lease again came up for discussion in “No Children Allowed” (ILL S2;E22) after Little Ricky was born.
Real snow was trucked in for use in the snow fight scene. It was mixed with a foreground of artificial snow.

Gale Gordon (Justice Philips) returns to the “Lucy” family for the first time since playing Alvin Littlefield, owner of the Tropicana, during two episodes in 1952. Gordon was part of Lucy’s radio show "My Favorite Husband” and was a front-runner for the role of Fred Mertz. He would re-team with Lucy for all of her subsequent series’: as Theodore J. Mooney in ”The Lucy Show”; as Harrison Otis Carter in “Here’s Lucy”; and as Curtis McGibbon on "Life with Lucy.” He was also seen on “Make Room for Daddy,” playing landlord Mr. Heckendorn from 1959 to 1961. Gordon died in 1995 at the age of 89.

The episode concludes with everyone suing everyone else on multiple charges – even the toaster is mentioned! The Ricardos and the Mertzes previously went before a Judge in 1952′s “The Courtroom” (ILL S2;E7). In that episode, Ethel tries to flirt with the judge by showing off her legs, just as she does here and Fred discourages it, just as he does here!

Fred mentions Alcatraz, a maximum security prison located on an island off the coast of San Francisco. Coincidentally, in the previous “Comedy Hour” Fred mentioned Devil’s Island, a notorious remote penal colony located in French Guiana.
Both prisons are mentioned in “Paris at Last!” (ILL S5;E18).

The the courtroom, Fred has frostbitten ears and can hardly hear and Lucy has laryngitis and can hardly speak, which gives her an ideal opportunity to testify by playing a boisterous game of charades with the judge, something Lucille Ball was extremely adept at. She previously pantomimed the entire story of Betty and Jack’s marital squabble with her mouth taped shut during “The Gossip” (ILL S1;E24). Lucille Ball also made several appearances on a charades-style game show called “Body Language.”
Toward the end of the trial, the kids step forward. The Judge asks whose children are whose.
RICKY: (Rises, indicates Little Ricky) “That one is mine.”
DANNY (Rises, indicates Rusty and Linda) “Those two are mine.”
ETHEL: (Rises, indicates Fred) “We raise chickens.”
Little Linda suggests the final verdict: that Fred take Ethel to Florida for two months. She reasons that it will (a) cure him of being a miser, and (b) thaw his frozen ears!

There were several long commercials during the episode, one featuring Betty Furness and the Arnazes presenting Westinghouse’s Christmas 1958 promotion “Royal Gifts for the Queen of the House.” They also presented an all-electric home outfitted with Westinghouse products located in Cheshire, Connecticut, just 40 miles from the Ricardo’s fictional Early American home in Westport.

FAST FORWARD!

In return for this appearance on “The Comedy Hour,” Lucy and Desi appeared as the Ricardos on “Make Room for Daddy” just a few weeks later (January 5, 1959). The story was very similar: Danny convinces the Ricardos to move to his Manhattan apartment during their shared nightclub engagement, hoping that Kathy will be a good influence on Lucy’s out-of-control spending. Fred and Ethel are mentioned, but are not seen. With different writers, the characters behave slightly differently, despite best attempts by Ball and Arnaz.
It looks like Lucille Ball is wearing the same outfit she wore in the courtroom episode of “Make Room for Danny”!

In December 1959, Danny Thomas was one of many stars on the lot who appeared in “The Desilu Revue” – a holiday show-within-a-show featuring the young actors of Lucille’s Desilu Playhouse workshop.

Lucy and Danny both appeared on a 1963 TV season preview called “General Foods Opening Night”.

In 1965 Lucille Ball guest starred on “Danny Thomas’ Wonderful World of Burlesque” on NBC, doing an aerial ballet!

Later that year, “Lucy Helps Danny Thomas” (TLS S4;E7) found Thomas playing himself on an episode of “The Lucy Show”.

In 1971, Lucille Ball played Lucy Carter in a cross-over between “Here’s Lucy” and Thomas’ sequel sitcom “Make Room for Granddaddy” in an episode titled
“Lucy and the Lecher” (S1;E16).

In 1973, Thomas played an eccentric Italian artist on the sixth season premiere of “Here’s Lucy”.

In 1976, Thomas talked about Lucy’s song and dance skills in “CBS Salutes Lucille Ball: The First 25 Years”.

That same year, Lucy played an eccentric hypochondriac on the second season premiere of Thomas’s sitcom “The Practice” (S2;E1).

Finally in 1976, Lucille Ball paid tribute to her friend on “The Dean Martin Celebrity Roast: Danny Thomas” (S4;E2).

When CBS marked their 50th Anniversary with a week-long tribute, Lucille Ball, Vivian Vance, and Danny Thomas were present to represent Monday nights.

After Ball’s death, Danny Thomas was part of 1989′s “Bob Hope’s Love Affair with Lucy” on NBC.
1958, Angela Cartwright, Courtroom, Danny Thomas, Desi Arnaz, Ethel Mertz, Fred Mertz, Gale Gordon, I love lucy, Keith Thibodeaux, Little Ricky, Lucille Ball, Lucy, lucy makes room for danny, Lucy Ricardo, Make Room for Daddy, Marjorie Lord, Richard Keith, Ricky Ricardo, Rusty Hamer, The Lucy-Desi Comedy Hour, tv, Vivian Vance, Westinghouse, William Frawley -
Lucy Does Moo Shu
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- In a 1952 episode of I LOVE LUCY, Ethel Mertz flirts with the Judge while testifying in court. Her husband disapproves.
- In a 1958 episode of THE LUCY-DESI COMEDY HOUR, Ethel Mertz flirts with the Judge while testifying in court. Her husband disapproves.
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“Don Juan is Shelved”

(S4;E21 ~ March 21, 1955) MGM gives Ricky the gate (or “the door in the fence,” as he puts it) when they cancel “Don Juan.” Naturally, Lucy has a scheme to make studio head Dore Schary see the error of his ways!
Forgetful Mrs. MacGillicuddy keeps asking “Who’s Dore Schary?” despite the fact that in “California Here We Come!” (S4;E12) she mentions how she plans to show him the book she’s written about her family.

When they think the Hollywood trip is over, Ethel is sad that she hasn’t seen Palm Springs and Fred is even sadder that he hasn’t seen Lana Turner! A month later, Ethel is “In Palm Springs” (S4;E26) meeting Rock Hudson and by trip’s end Fred has Lana Turner’s lipstick print on his handkerchief, a souvenir we see in “Lucy Visits Grauman’s” (S5;E1).
When Ricky learns that his picture has been canceled, he sarcastically says that the studio might use him one of the Marx Brothers’ pictures: “You know, Chico, Harpo, Groucho, and Floppo.” Just a few episodes later, “Lucy and Harpo Marx” (S4;E27) will feature the real Harpo, with Ricky dressing up as Groucho, and Fred as Chico.

Ricky wonders aloud if he could “borrow a couple hundred bobby-soxers from Sinatra.” Although he never actually guest starred on “I Love Lucy,” Frank Sinatra inadvertently appeared in “Lucy and the Dummy” (S5;E3) when a short clip of Guys and Dolls was shown just before Lucy sings “I Get Ideas” with dummy Ricky during the MGM Executive Show. The clip was not included in the syndication or the DVD releases.

While posing as a member of Ricky’s fan club, Lucy plays the ukulele. The DVD calls this “Lucy’s Ukulele Song.” Lucy first played the ukulele in “Ricky Loses His Voice” (S2;E9) and will do so again in “Little Ricky Gets Stage Fright” (S6;E4). She is idly playing the accompaniment to “Has Anybody Seen My Gal?,” the very same song she plays and sings in the other two episodes. It is possible, like “Sweet Sue” on the sax, this is the only song Lucy knows on the ukulele. Lucille Ball could actually play the instrument and would do so again with her daughter Lucie in an episode of “Here’s Lucy.”
While trying to hide his identity from Lucy and Ethel, Dore Schary says his name is George Spelvin, the pseudonym traditionally used in theater credits when an actor (for one reason or another) wishes to hide their true identity.

Dore Schary was born Isadore Schary in Newark, New Jersey, in 1905. After working on Broadway he went to Hollywood were he eventually became head of MGM in 1948, ousting its founder Louis B. Mayer. He would helm the studio until 1956 and was in charge during Lucy and Desi’s filming of The Long, Long Trailer and Forever, Darling. Shary’s last film as director and screenwriter was a 1963 adaptation of Moss Hart’s Act One in which he also figures as a character. He returned to Broadway where he added a Tony Award to his 1939 Oscar.
Schary was supposed to play himself in this episode, but he backed out at the last minute claiming an acute kidney infection. Some sources say he may have had second thoughts about appearing on camera, especially on television, a rival medium. Vivian Vance’s husband, Phil Ober, took over the role. Schary said that Ober would do a better job playing him than he could himself. Although Shary playing himself would have added an interesting dimension to the episode, the switch works because few people actually knew what Schary really looked like. This is reinforced when Bobby the Bellboy says he’s never even seen Dore Schary!

Philip Ober was the real-life husband of Vivian Vance for nearly the entire time she played Ethel Mertz. The two met in May 1940 while doing a short-lived Broadway play directed by Antoinette Perry, for whom the Tony Awards were named eight years later. Ober would do a dozen Broadway shows in all before coming to Hollywood with Vance to begin a film career. He was featured in “The Quiz Show” (S1;E5) and was pressed into service to play Dory Schary when the real Schary withdrew. According the book “Hollywood Babble-On,” Ober physically abused Vivian Vance, and when Vance came to the set with a black eyes, Lucille Ball told her that if she wouldn’t divorce him, then she [Lucy] would! Vance and Ober divorced in 1959. He had already filmed a small role in Lucy’s film The Facts of Life (1960) but that was the last time he would work with Ball. He died in 1982.

John Hart (Jim Stevens) makes his third and final appearance on the series, having first appeared as handsome furrier Tom Henderson in “Lucy Changes Her Mind” (S2;E21). He had just played the lifeguard at the Beverly Palms Hotel in “The Hedda Hopper Story.” Because he playing two different characters in back-to-back episodes, he was made to look noticeably different, wearing glasses, a suit and tie, and even a touch of gray in his hair!

Jody Drew plays Miss Balentine, Dore Schary’s secretary. This is one of only two screen credits for Drew.

Recurring performers Kathryn Card (Mrs. McGillicuddy), Bobby Jellison (Bobby the Bellboy) also appear in the episode. Although Lucy is seen picking up Little Ricky’s toys (including his famous Teddy Bear), the baby remains off-screen throughout the episode.

In the last scene, as Dore Schary is saying goodbye, a shadow can been seen quickly moving across the small high window as if a stagehand is carrying a long pole from one side of the set to another. Don’t blink!

The last of my ORIGINAL “I Love Lucy” blog entries! Updates to early episodes still to come!
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“Don Juan is Shelved”

(S4;E22 ~ March 21, 1955) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. Filmed on February 10, 1955 at Ren-Mar Studios. It was the 119th episode filmed. Rating: 51.5/69
Synopsis ~ MGM gives Ricky the gate (or “the door in the fence,” as he puts it) when they cancel Don Juan. Naturally, Lucy has a scheme to make studio head Dore Schary see the error of his ways!

The day after this episode was filmed, actress Ona Munson committed suicide at age 48. She is most remembered as Belle Watling in MGM’s Gone With The Wind, a role intended for Mae West and turned down by Tallulah Bankhead. Munson’s first husband was Edward Buzzell, who directed Lucille Ball in three films.

Forgetful Mrs. MacGillicuddy (Kathryn Card) keeps asking “Who’s Dore Schary?” despite the fact that in “California, Here We Come!” (S4;E12, above) she mentioned how she plans to show him the book she’s written about her family.

MRS. MCGILLICUDDY (about Dore Schary): “Well, just what does he do?”
FRED: “Oh, he’s the guy who twists the lion’s tail when they want him to roar!”Fred is sarcastically referring to Leo the Lion, the MGM mascot and corporate trademark that appeared before every MGM film. The Latin phrase “Ars Gratia Artis” translates to “Art for Art’s Sake”.
When they think the Hollywood trip is over, Ethel is sad that she hasn’t seen Palm Springs and Fred is even sadder that he hasn’t seen Lana Turner!

A month later, Ethel is “In Palm Springs” (S4;E26) lounging by the pool and by the trip’s end Fred has Lana Turner’s lipstick print on his handkerchief, a souvenir we see in “Lucy Visits Grauman’s” (S5;E1).

Lucy has the idea to flood the studio with Ricky Ricardo fan mail. She organizes an assembly line in her hotel room to turn out 500 letters. This is similar to the tactic Lucy used in “Ricky Asks For A Raise” (S1;E35) to convince Mr. Littlefield to re-hire Ricky. In that episode, the gang disguised themselves as Ricky Ricardo fans.

In this, and many previous episodes, Lucy’s writing implement of choice was Paper-Mate’s Deluxe Ballpoint Pen with retractable tip. It first came out in 1951 and was patented by the Frawley Corporation (no relation).

When Ricky learns that his picture has been canceled, he sarcastically says that the studio might use him one of the Marx Brothers’ pictures: “You know, Chico, Harpo, Groucho, and Floppo.” Just a few episodes later, “Lucy and Harpo Marx” (S4;E27, above) will feature the real Harpo, with Ricky dressing up as Groucho, and Fred as Chico.

Ricky wonders aloud if he could “borrow a couple hundred bobby-soxers from Sinatra.” Although he never actually guest starred on “I Love Lucy,” Frank Sinatra inadvertently appeared in “Lucy and the Dummy” (S5;E3) when a short clip of his new MGM musical Guys and Dolls was shown just before Lucy sings “I Get Ideas” with dummy Ricky during the MGM Executive Show. The clip was not included in the syndication or the DVD releases.

While posing as a member of Ricky’s fan club, Lucy plays the ukulele. The DVD calls this “Lucy’s Ukulele Song.” Lucy first played the ukulele in “Ricky Loses His Voice” (S2;E9) and will do so again in “Little Ricky Gets Stage Fright” (S6;E4). She is idly playing the accompaniment to “Has Anybody Seen My Gal?,” the very same song she plays and sings in the other two episodes. It is possible, like “Sweet Sue” on the sax, this is the only song Lucy knows on the ukulele. Lucille Ball could actually play the instrument and would do so again with her daughter Lucie Arnaz in an episode of “Here’s Lucy.”

Oops! Ricky phones the studio using the number TExas 0-3311. TE was the alpha phone exchange for 83, numbers from Culver City area. In “Hollywood at Last!” (S4;E16), however, Ricky dialed HOllywood 3-3349 (463-3349) to reach the studio.
While trying to hide his identity from Lucy and Ethel, Dore Schary (Phil Ober) says his name is George Spelvin, the pseudonym traditionally used in theater credits when an actor (for one reason or another) wishes to hide their true identity.

Dore Schary (inset photo) was born Isadore Schary in Newark, New Jersey, in 1905. After working on Broadway he went to Hollywood were he eventually became head of MGM in 1948, ousting its founder Louis B. Mayer. He would helm the studio until 1956 and was in charge during Lucy and Desi’s filming of The Long, Long Trailer and Forever, Darling. Shary’s last film as director and screenwriter was a 1963 adaptation of Moss Hart’s Act One in which he also figures as a character. He returned to Broadway where he added a Tony Award to his 1939 Oscar.
DORE SCHARY: “I don’t usually work this cheap, but things are tough, what with television and all.”
Schary was supposed to play himself in this episode, but he backed out at the last minute claiming an acute kidney infection. Some sources say he may have had second thoughts about appearing on camera, especially on television, a rival medium. Vivian Vance’s husband, Phil Ober, took over the role. Schary said that Ober would do a better job playing him than he could himself. Although Schary playing himself would have added an interesting dimension to the episode, the switch works because few people actually knew what Schary really looked like. This is reinforced when Bobby the bellboy says he’s never even seen Dore Schary!

Philip Ober (Dore Schary) was the real-life husband of Vivian Vance for nearly the entire time she played Ethel Mertz. The two met in May 1940 while doing a short-lived Broadway play directed by Antoinette Perry, for whom the Tony Awards were named eight years later. Ober would do a dozen Broadway shows in all before coming to Hollywood with Vance to begin a film career. He was featured in “The Quiz Show” (S1;E5) and was hired when the real Schary withdrew. According the book Hollywood Babble-On, Ober physically abused Vivian Vance, and when Vance came to the set with a black eye, Lucille Ball told her that if she wouldn’t divorce him, then she [Lucy] would! Vance and Ober divorced in 1959. He had already filmed a small role in Lucy’s film The Facts of Life (1960) but that was the last time he would work with Ball. He died in 1982.

John Hart (Jim Stevens) makes his third and final appearance on the series, having first appeared as handsome furrier Tom Henderson in “Lucy Changes Her Mind” (S2;E21). He had just played the lifeguard at the Beverly Palms Hotel in “The Hedda Hopper Story.” Because he plays two different characters in back-to-back episodes, he was made to look noticeably different, wearing glasses, a suit and tie, and even a touch of gray in his hair! Two years earlier, Hart had played the title role on TV’s “The Lone Ranger” for 54 episodes when star Clayton Moore was absent due to a pay dispute.

At the poolside is Vivian’s stand-in Renita Reachi, who often appeared on camera in crowd scenes.

Jody Drew plays Miss Ballantine, Dore Schary’s secretary. This is one of only two screen credits for Drew.

Recurring performers Kathryn Card (Mrs. McGillicuddy), Bob Jellison (Bobby the bellboy) also appear in the episode. Although Lucy is seen picking up Little Ricky’s toys (including his famous Teddy Bear), the baby remains off-screen throughout the episode.

Blooper Alert! In the last scene, as Dore Schary is saying goodbye, a shadow can been seen quickly moving across the small high window as if a stagehand is carrying a long pole from one side of the set to another. Don’t blink!
1955, Bobby Jellison, CBS, Desi Arnaz, Don Juan, Don Juan Is Shelved, Dore Schary, Ethel Mertz, Frank Sinatra, Fred Mertz, Guys and Dolls, Hollywood, I love lucy, Jody Drew, John Hart, Kathryn Card, Lana Turner, Lucille Ball, Lucy, Lucy Ricardo, Marx Brothers, MGM, Philip Ober, Ricky Ricardo, Teddy Bear, tv, Ukulele, Vivian Vance, William Frawley -
- In a 1955 episode of I LOVE LUCY, Lucy participated in a fashion show to help out designer Don Loper.
- In a 1968 episode of HERE’S LUCY, Lucy participated in a fashion show to help out her daughter Kim Carter.
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“Lucy Goes to Mexico”

(LDCH S2;E1 ~ October 6, 1958) Directed by Jerry Thorpe. Written by Bob Schiller, Bob Weiskopf, and Everett Freeman. Filming completed June 16, 1958 at Ren-Mar Studios.

Synopsis ~ While Ricky is in San Diego doing a U.S.O. show, Lucy and the Mertzes head to Mexico to shop but an unexpected stowaway causes them problems at the border. Maurice Chevalier guest-stars as himself.

This is the first episode of the second season what would become known in syndication as “The Lucy–Desi Comedy Hour.” The show (formerly sponsored by Ford), is now part of “The Westinghouse Desilu Playhouse”.

This the first episode without original writers Madelyn Davis and Bob Carroll Jr. who felt they had run out of ideas. This is Everett Freeman’s only series writing credit, having been a writer on the Lucille Ball films Miss Grant Takes Richmond (1949) and Ziegfeld Follies (1945).

If the idea of Frenchman Maurice Chevalier in an episode set Mexico seems odd, it is because the episode “Lucy Meets Charles Boyer” (ILL S5;E19) was written with Chevalier in mind. Although it is not known why Chevalier (a perfect fit for the Paris-set episode) did not do the show, it is likely because fellow Frenchman Charles Boyer was then appearing on CBS’s “Four Star Playhouse” which was in dire need of cross-promotion. Lucy and Desi kept Chevalier in mind and wrote him into this Tijuana adventure.
Unusually, some of the scenes in the episode utilize a laugh track while others conspicuously do not.

Westinghouse used the program to announce their ‘Westinghouse Desi and Lucy Fiesta of Values’ promotion with a 3-minute commercial featuring Betty Furness and the series cast. Although Lucy and Desi are referred to by their real names, Vivian Vance and William Frawley are still called Fred and Ethel. Not coincidentally, during the episode Ricky calls the finale of his show “the fiesta number.” Similar promotions were also structured around future Westinghouse / Lucy-Desi programs.

While this episode was being filmed, an un-aired Westinghouse corporate film (informally titled “Lucy Buys Westinghouse”) was made where Mrs. Lucy Arnaz, (the only time she is ever called by her married name on television) wants to outfit her dressing room with Westinghouse products. Vivian Vance and William Frawley portray themselves, although like Lucy, their characters behave more like their fictional counterparts than the actors themselves. The half hour film includes footage of “Lucy Goes to Mexico” being filmed as well as a helicopter tour of the newly-renamed (former RKO) Desilu Studios.

In the above studio-shot street scene from “Lucy Buys Westinghouse” (later colorized for video) that also appears in “Lucy Goes To Mexico”, a street vendor tries to get his ‘zonkey’ to move because it is holding up traffic. In Tijuana zonkeys are donkeys painted with fake zebra stripes, so that tourists will pay to appear in souvenir photos with them. The practice began in the mid-1930s but by 2003 there were only 3 zonkeys on the streets of Tijuana due to the decline in tourism. The city has a professional basketball team whose name is inspired by the zonkey as a mascot: the Tijuana Zonkeys.

The night this episode premiered (October 6, 1958) marked the debut of a new Desilu sitcom called “The Ann Sothern Show” (1958-61), a reformatted version of Sothern’s “Private Secretary”. Lucille Ball will play Lucy Ricardo on the season 2 premiere a year later. That night also saw a new episode of Desilu’s “The Danny Thomas Show” that starred Lucy favorites Bob Hope and Mary Wickes. Both Sothern and Thomas appeared on “The Lucy-Desi Comedy Hour” playing their TV characters in cross-over episodes.

There was a massive press presence for the second season premiere, including an article in Life Magazine the day the episode first aired: “The TV Production Empire of Lucy and Desi.”

The article inside is titled “$30 Million Desilu Gamble” and dealt with their purchase of RKO Studios.

The episode opens at San Diego’s iconic Hotel del Coronado. When it first opened in 1888, it was the largest resort hotel in the world. It is still the second largest wooden structure in the United States and has landmark status. It has been featured in at least a dozen films, starting with Coronado (1935) starring Andy Devine and Jack Haley, bt perhaps most memorably in Some Like It Hot, which premiered just a few months after this episode first aired. It is still in business today.

Maurice Chevalier was born in 1888 (the same year the Coronado opened) in Paris, France. He came to Hollywood in the 1920s but returned to France during World War II.

Lucy crushes Maurice Chevalier’s hat. She also crushed Uncle Alberto’s straw hat in "The Ricardo’s Visit Cuba” (ILL S6;E9).
The same year this episode was filmed Chevalier was seen in the film musical Gigi, which resulted in him getting a special Oscar in 1959 for his commitment to entertainment. Although an episode set in Mexico seems unlikely timing for Chevalier to guest star, Gigi was an MGM film, and Lucy and Desi had done two films for the studio, The Long Long Trailer (1953) and Forever, Darling (1956). Ricky Ricardo was employed by MGM while in Hollywood.



In his room at the Coronado, Chevalier rehearses “Something’s Gotta Give.” The song was written by Johnny Mercer for the 1955 film Daddy Long Legs starring Fred Astaire and Leslie Caron, who coincidentally co-starred with Chevalier in Gigi. Daddy Long Legs also featured Kathryn Card, who played Mrs. McGillicuddy (Lucy’s mother) on “I Love Lucy.” She will be seen (briefly) in the penultimate “Comedy Hour” in late 1959.
As he tries to rehearse, Ricky and Lucy are loudly arguing in the room next door, and Fred and Ethel in the room on the other side!

Eagle-eyed viewers will recognize the Edgar Degas painting “The Star” in Chevalier’s hotel room as the same one that hangs in the Ricardo’s hallway back in New York City. It also turned up in the Mertzes hotel room in Hollywood. Prints of famous works of art are frequently used to decorate hotel rooms.

Lucy threatens to horn in on Ricky’s act by imitating Chevalier singing “Louise.” The song was first sung by Chevalier in the 1929 film Innocents of Paris. On “I Love Lucy” it was sung by the Ricardos and the Mertzes during “The French Revue” (ILL S3;E7). In that episode Ricky also sang Chevalier’s signature song “Valentine.” Later on, in the hotel showroom, we see a dress rehearsal that features three variations on “Valentine” – the traditional French version starring Chevalier; a Latin-themed version led by Ricky; and a youthful circus-themed version with a drum solo by Little Ricky.

After the rehearsal, Desilu regular Louis Nicoletti pages Ricky to take a phone call from Lucy, who has been detained at the border.

The car that Lucy and the Mertzes drive over the border to go shopping is a white 1958 Buick Century convertible. The trunk is spacious enough to comfortably accommodate a small Mexican boy or an aging French singer! The episode also utilizes a 1958 Buick Limited Riviera 750.


Chevalier asks Lucy to bring back some French perfume just as Mrs. Trumbull did when Lucy went to Paris (”My Sin”). Lucy also had trouble crossing the border when she traveled from Italy to France in “Lucy’s Bicycle Trip” (ILL S5;E24).

A colorful visit south of the border would have benefited greatly by being seen in color.

Charles Lane (Customs Officer) makes his second “Comedy Hour” appearance after playing the Claims Officer in “Lucy Hunts Uranium” in season one. He did seven films with Lucille Ball and made four memorable appearances on “I Love Lucy.” He would go on to play the recurring role of Mr. Barnsdahl on the first season of "The Lucy Show."

Frank Nelson (another Desilu regular) also played a Customs Officer when the gang returned from Europe in “Return Home from Europe” (ILL S5;E26).

A shop owner (Vitto Scotti) tells his salesman that the pastimes of America are “baseball, basketball and bargaining.” Meanwhile, Lucy tells Ethel that the national pastimes of Mexico are “jai-alai, horse racing and haggling.”
Vito Scotti was born in Italy, which he betrays by the constant use of his hands during his brief scene. After this episode he had a small role in Lucy’s film The Facts of Life (1960) and did two episodes of “The Lucy Show.” He is probably best remembered for his recurring role as Captain Fomento on "The Flying Nun” (1967-69).

Anticipating going to jail for smuggling, Fred tells a shopkeeper to mail his change care of Devil’s Island, a notorious remote penal colony located in French Guiana. It was closed in 1953, nearly five years before this episode was filmed. It is also mentioned in “Paris at Last!” (ILL S5;E18).

To avoid being arrested, Ricky informs the Customs Officer that he was in the US Army. He also mentions that he received a Good Conduct medal. The time in which Ricky served in the military is unknown, but it’s most likely during WWII or at the very beginning of the Korean War.
Desi Arnaz enlisted in the US Army for active duty, but was relegated to stateside service in the USO.

After finding Alfredo and Chevalier hidden in the trunk of their cars, the Customs Officer asks Ricky if he has Brigitte Bardot in his trunk. Fred replies “We should be so lucky.” Brigitte Bardot was a French-born actress and one of the best known sex symbols of the 1950s and 1960s. Although she withdrew from the entertainment industry in 1973, she remains a major pop culture icon. While this episode was being filmed, Bardot and Maurice Chevalier appeared together on “The Ed Sullivan Show.”
Trying to get released in time for the show on the aircraft carrier, Ethel suggest contacting the Red Cross and Lucy suggests calling her mother! Mrs. McGillicuddy (Kathryn Card) will only make one appearance on “The Lucy-Desi Comedy Hour” in the penultimate episode.

Technically, the episode is comprised of studio filming, second unit footage with actor doubles, and stock footage (of the Hotel del Coronado and bullfighting arena). The main cast never traveled to Mexico or San Diego.

Although actual animals were used, the charging bull was accomplished by inter-cutting stock footage of an actual bullfight with bull’s horns mounted on the front of the camera dolly.
The mechanical bull malfunctioned and jumped off the tracks while Lucy was on it. She credits director Jerry Thorpe with "saving her life.” She previously credited him with the same thing after a mishap in “Lucy Goes To Sun Valley” (S1;E5).

During their stay in Hollywood, Lucy and Ricky did an act about a bullfight in “Bullfight Dance” (ILL S4;E22) in which Lucy was a rather feminine bull. In the “I Love Lucy Pilot” Desi Arnaz wore a a pajama top with a snorting bull on the back!

The bullfighting ring seen in the second unit footage is actually El Toreo de Tijuana. It first opened in 1938 but the year before the episode was filmed it was rebuilt as a steel structure with a capacity for 14,000 spectators. It was torn down in 2007, just one year from earning landmark status.

Ten year-old Alan Roberts (nee Costello) played Alfredo, the enterprising Mexican boy who wants nothing more than to see a great ‘flat top’ (air craft carrier). Two weeks after this episode aired, he appeared on “Leave it to Beaver” as a Spanish boy who is befriends by the Beaver. His last screen credit was in 1965 and he died in 2008 at the age of 59.

Dozens of extras were required for this episode, mostly to play Tijuana townspeople and bullfight spectators:
- Abdullah Abbas was also a guest at the “Country Club Dance” (ILL S6;E25) that introduced Barbara Eden.
- Audrey Betz played the large woman Lucy accidentally sits on in the bus during “The Tour” (S4;E30).
- Eumenio Blanco was born in Spain in 1891. This is his only “Lucy” credit.
- Mexican-born actors in the cast are Ray Beltram, Tony Roux and Joe Dominguez, who first appeared with Lucille Ball in 1939’s Panama Lady.
- Gene Coogan was seen with Lucy and Desi in The Long, Long Trailer (1953) but also was in such classics as Citizen Kane (1941), True Grit (1969) and The Asphalt Jungle (1950).
- Paul Cristo was a Greek-born actor who was in the audience of The Most Happy Fella in “Lucy’s Night in Town” (ILL S6;E22) and as one of the Cubans in the first “Comedy Hour” “Lucy Takes a Cruise to Havana.” He made two appearances on "The Lucy Show” in 1962 and was in Critic’s Choice with Lucille in 1963.
- Herschel Graham first appeared with Lucille Ball in Lured (1947) and went on to appear in the background of two episodes of “I Love Lucy” and two of “The Lucy Show”. He was also in The Facts of Life (1960).
- Bert Madrid was born in Texas, despite his surname. This is his only appearance with Lucille Ball.
- David O. McCall played a Mexican townsperson again for Desilu in a 1959 episode of “The Untouchables.”
- Addison Richards (below photo, as the American Consul) had done four films with Lucille Ball between 1939 and 1960. He was also the artistic director of the Pasadena Playhouse.
- Tony Urchel was a background player from 1937 to 1968.

At the end of the episode Chevalier and Ricky entertain aboard the aircraft carrier USS Yorktown.

The USS Yorktown is one of 24 Essex-class aircraft carriers built during World War II for the US Navy. She is named after the Battle of Yorktown of the American Revolutionary War, and is the fourth Navy ship to bear the name. The Yorktown was commissioned in April 1943 and participated in several campaigns in the Pacific earning 11 battle stars and the Presidential Unit Citation. Late in her career, she served as a recovery ship for the Apollo 8 space mission and was used in the 1970 movie Tora! Tora! Tora! On November 1, 1958 (just three weeks after this episode was first aired) she departed San Diego to return to the western Pacific. The Yorktown was decommissioned in 1970 and in 1975 became a museum ship berthed at Patriot’s Point, South Carolina. She is a National Historic Landmark.

The Admiral of the Yorktown says he’s been leery of actors ever since he saw The Caine Mutiny. The 1954 film starred "I Love Lucy” and “Comedy Hour” performers Fred MacMurray (“Lucy Hunts Uranium”), Claude Akins (“Desert Island” ILL S6;E8), and Van Johnson (“The Dancing Star” ILL S4;E27). The stage play The Caine Mutiny Court-Martial was mentioned by Miss Hanna (Ellen Corby) in “Lucy Meets Orson Welles” (ILL S6;E3) in 1956.

The performance on the aircraft carrier begins with Chevalier singing "Mimi” by Richard Rodgers and Lorenz Hart, which he first sang to Jeanette MacDonald in the 1932 film Love Me Tonight. Declaring his affection for the United States, he sings a French-infused version of “Yankee Doodle Dandy” that inserts mentions of Sophie Tucker and Marilyn Monroe, yet another mention of the blonde bombshell on the series. In 1977, Lucille Ball played Sophie Tucker on a Bob Hope special.

The Yorktown is flying a 48-star flag. Alaska officially became a state three months after this episode first aired, a fact that would be celebrated with the “Comedy Hour” episode “Lucy Goes to Alaska” in February 1959.

The episode ends with Lucy handcuffed to a sturdy sailor for safe-keeping. Viewers previously saw Lucy manacled in “The Handcuffs” (ILL S2;E4).

FAST FORWARD!
This episode was rerun on March 4, 1960, two days after the filming of the final episode of “The Lucy-Desi Comedy Hour”.

In 1970, Lucy Carter and Viv Jones also visited Tijuana, Mexico on “Here’s Lucy.” The episodes have some scenarios in common, especially their problems shopping and crossing the border. Finally, Mexico is in color!

The bull was on the other horn when Lucille Ball appeared on the game show “Body Language” in 1984 with exercise guru Richard Simmons as her partner.

On August 6, 2013 (Lucy’s birthday) the dress worn by Lucille Ball in this episode was sold at auction for $168,000!
1958, Bullfight, Charles Lane, Desi Arnaz, Ethel Mertz, Fred Mertz, Gigi, Hotel Del Coronado, I love lucy, Louise, Lucille Ball, Lucy, Lucy Goes To Mexico, Lucy Ricardo, Matador, Maurice Chevalier, Mexico, MGM, Mimi, Ricky Ricardo, San Diego, Something’s Gotta Give, The Lucy-Desi Comedy Hour, Tijuana, tv, US Navy, USS Yorktown, Valentine, Vivian Vance, William Frawley -
- In a 1955 episode of I LOVE LUCY, Lucy played a bull trying to charm the matador.
- In a 1958 episode of THE LUCY-DESI COMEDY HOUR, Lucy played a matador trying to charm the bull.
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- In a 1951 episode of I LOVE LUCY, Lucy fakes a seance to conjure up Tilly (Lucy) and Adelaide (Fred) for Mr. Merriweather (Jay Novello) while her husband (Desi Arnaz) sits nearby.
- In a 1972 episode of THE LUCY SHOW, Lucy fakes a seance to conjure up Napoleon (Harry) and Josephine (Lucy) for Mrs. Brady (Helen Hayes) while her daughter (Lucie Arnaz) sits nearby.











