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ROBERT STACK
January 13, 1919

Robert Stack was born Charles Langford Modini Stack in Los Angeles, California, but his first name, selected by his mother, was changed to Robert by his father. He spent his early childhood in Adria and Rome, becoming fluent in French and Italian at an early age, and did not learn English until returning to Los Angeles when he was seven. Stack took drama courses at Bridgewater State University. His deep voice and good looks attracted the attention of producers in Hollywood.

Stack’s first film, teamed him with Deanna Durbin: First Love in 1939.

His first role on television was for ABC’s “Pulitzer Prize Playhouse” in an episode titled “Broken Dishes” on February 9, 1951.

In 1956, Stack was nominated for an Oscar for his supporting role in Douglas Sirk’s film Written on the Wind. He lost to Anthony Quinn in Lust for Life.

Stack’s best known role of Elliot Ness came courtesy of Desilu, who presented “The Untouchables” as a two-part pilot episode of “Westinghouse Desilu Playhouse” in April 1959. The series was picked-up and began airing in October 1959 on CBS. The final episode was aired in May 1963. Stack was in all 119 episodes of the series.

Although he had nothing against comedy, Robert Stack always refused to play any sort of satire or parody of Eliot Ness. When his former boss (Lucy) asked, he made an exception and appeared on “The Lucy Show” in “Lucy, The Gun Moll” (TLS S4;E25) airing on March 25, 1966.

Reuniting nearly all the characters from the series, including Stack’s, are all given very different names than their “Untouchables” counterparts. Stack played Agent Briggs.

When the series premiered, Look Magazine put both Lucille Ball and Robert Stack on the cover of their September 27, 1960 issue celebrating ten years of television.

The role won him an Emmy Award in 1960. Here he poses with presenter Fred Astaire.

The now-defunct Movieland Wax Musuem in Corona, California, featured wax figures of both Lucille Ball and Robert Stack.

The phenomenal success of “The Untouchables” included Stack’s image being included on a variety of merchandise; everything from bubble gum cards to toys.

Although he never acted opposite Lucille Ball after “The Lucy Show,” they both appeared on the same award and variety specials together:
- “Frank Sinatra: The First 40 Years” (1980)
- “The 8th Annual People’s Choice Awards” (1982)
- “The 38th Annual Primetime Emmy Awards” (1986)
- “The Kennedy Center Honors” (1986)
- “Happy 100th Birthday, Hollywood” (1987)
- “AFI Tribute to Jack Lemmon” (1988)
- “The Princess Grace Foundation Tribute to Cary Grant” (1988)

In 1991, Robert Stack reprised the role he made famous in the TV Movie “The Return of Eliot Ness” on NBC.

From 1987 to 2002 he was the host of TV’s “Unsolved Mysteries.” He appeared in all 292 episodes of the docu-series. It earned him his third Emmy nomination.

Robert Stack died on May 14, 2003 of a heart attack. He was 84. He left behind a widow, actress Rosemary Bowe, after 47 years of marriage. They had two children.

In August 2003, Stack posthumously appeared in the documentary “The Desilu Story” for Bravo TV. Stack told a story about how the mob considered putting out a contract on Desi Arnaz’s life for creating “The Untouchables.”

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CHARLES NELSON REILLY
JANUARY 13, 1931

Charles Nelson Reilly II was born in the Bronx, New York. Reilly wanted to become an opera singer but abandoned this pursuit when he realized that he lacked the natural vocal talent to have a major career.
Most of his early career was spent on the stage. He appeared in many Off Broadway productions but his big break came in 1960 with the enormously successful original Broadway production of Bye Bye Birdie. Reilly had a small onstage part, and was Dick Van Dyke’s understudy / replacement in the leading role.
In 1961, Reilly was in the original cast of another Broadway show, the Pulitzer prize-winning musical How to Succeed in Business Without Really Trying. For his memorable origination of the role of Bud Frump, Reilly earned a 1962 Tony Award for featured actor in a musical.

In 1964, Reilly was in the original cast of Hello, Dolly!, another successful Broadway show. For originating the role of Cornelius Hackl, Reilly received a second nomination for a Tony Award for performance by an actor in a featured role in a musical.

Reilly made his film debut with an uncredited role in A Face in the Crowd (1957), starring Andy Griffith.

His television acting debut came in an episode of “Car 54 Where Are You?” in 1962. He did a second episode in 1963.

On September 13 1965, he was seen with Lucille Ball on the debut of “The Steve Lawrence Show” alongside Lucille Ball.

Lucy and Charles both did brief cameos on “The Dean Martin Christmas Show” on December 19, 1968. Two years later, they were back again on the show for the sixth season opener.

On TV his first regular role was as Claymore Gregg in “The Ghost and Mrs. Muir,” which ended its two-season run in 1970. The role earned him the first of his three Emmy Award nominations.

It was then that Reilly filmed an episode of “Here’s Lucy” titled “Lucy the Crusader” (HL S3;E5) on October 12, 1970.

He played Elroy P. Clunk, the clerk at a department store complaint counter.

Reilly is perhaps best remembered as a panelist on the game show “Match Game.” He appeared on every iteration of the game show from 1975 to 1991.
“When I die, it’s going to read, ‘Game Show Fixture Passes Away’. Nothing about the theater, or Tony Awards, or Emmys. But it doesn’t bother me.” ~ Charles Nelson Reilly

On “Happy Birthday, Bob” a salute to Bob Hope’s 75th birthday on May 29, 1978, Charles Nelson Reilly interviews “the President” (Fred Travalena) about his role in Bob Hope’s success – mostly on the golf course. Lucy reminisces and sings “Hey, Look Me Over” with specially written lyrics about Hope.

He did a week of shows with Lucille Ball on the game show “Body Language” in 1984.
Also in 1984, Reilly and Ball were part of the “36th Annual Primetime Emmy Awards”. On April 5, 1987, the both were part of “The Annual Friars Club Tribute Present a Salute to Liza Minnelli.”
Charles Nelson Reilly died in 2007 at age 76.

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EXECUTIVE SESSION
January 12, 1957

Lucille Ball was on the cover of TV Guide (volume 5; number 2) on January 12, 1957. This is Ball’s 7th (of 39) covers of the National TV Guide. Before 1957 is done, she will grace her 8th cover. The close-up photo is by John Engstead (1909-83). Engstead had photographed Lucille Ball for the cover of Time Magazine in 1952.

Coincidentally, the previous week Arthur Godfrey was on the cover. In 1951, Arthur Godfrey’s “Talent Scouts” was the lead-in to “I Love Lucy,” airing just prior to the new sitcom, which he promoted on the air. Ball would later credit Godfrey for much of the show’s success. In 1957, “Talent Scouts” is still “Lucy’s” lead-in.

The inside article was titled “Lucy and Desi’s Million Dollar Corporation”.
DESI: (looking at his awards) “It’s ridiculous! Just plain ridiculous!”

The article includes a list of the 1957 Desilu shows:
- “I Love Lucy” (1951-57)
- “December Bride” (1954-59)
- “The Sheriff of Cochise” (1956-59)
- “The Life and Legend of Wyatt Earp” (1955-61)
- “The Lineup” (1954-60)
- “The Brothers” aka “The Box Brothers” (1956)
- “The Danny Thomas Show” (1953-65)
- “Wire Service” (1956-57)
- “DuPont Theatre” aka “Cavalcade of America” (1952-57)
- “The Adventures of Jim Bowie” (1956-58)
Partly Owned by Desilu:
- “Willy” (1954-55)
- “Those Whiting Girls” (1955-57)
Audition (aka Pilot) Films made by Desilu – as of January 12, 1957:
- “Just Off-Broadway” (1955) – did not go to series
- “Adventures of a Model” – did not go to series; pilot aired in 1960
- “Country Doctor” (1954) – did not go to series
- “Mr. Tutt” – did not go to series; pilot aired in 1958
- “Mystery Theater” – anthology series pilot later aired under another title
- “Orson Welles Theater” aka “The Fountain of Youth” (1956) – aired in 1958
- “Whirlybirds” (1957-60) – series premiered one month after article was published.
Filmed at Desilu Studios:
- “Our Miss Brooks” (1952-56)
- “The Loretta Young Show” (1953-61)
- “Ray Bolger Show” (1958)
- “The Jimmy Durante Show” (1954-56)
- “Red Skelton Show” (1951+)
- “It’s Always Jan” (1955-56)
- “My Favorite Husband” (1953-55)
- “Hot Stove League”
- “Date With the Angels” (1957-58)
- “The George Gobel Show” (1954-60)
- “The Jack Benny Program” (1950-65)
- “A Christmas Carol” (1954)
- “High Tor” (1956)
- “Official Detective” (1957)
Audition (aka Pilot Films) made at Desilu Studios – as of January 12, 1957:
- “The Aldrich Family” (1949-53)
- “Father Duffy at Hell’s Kitchen” (1956)
- “The Long Highway”
- “The Web”
- “Buckley”
- “Hart of Honolulu” (1956)
- “Beesemeyer’s Bungalow” (1956)

The photo feature “Do You Remember?” includes a photo from the “I Love Lucy” pilot episode filmed in June 1951, despite the fact that the program was not aired until 1990!

This TV Guide contains the listing for “The Jackie Gleason Show: At 65" airing Saturday, January 12, 1957 – a tribute to Eddie Cantor on his 65th birthday (which is actually a few weeks later) in which Lucille Ball participates.

This TV Guide contains the listing for “Lucy and Superman” (ILL S6;E13) ~ first aired on Monday, January 14, 1957.

On April 8, 2013 TV Guide’s 60th anniversary reprised this cover in a digital format, one of six commemorative covers.
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LUCILLE BALL FINDS LIFE AN OBSTACLE RACE
January 11, 1953




“Life is an obstacle race,” says Lucille Ball, but she’s still running in the money. Miss Ball, who has overcome any number of setbacks along the road to stardom, passes another milestone in her career in her new television comedy series, “I Love Lucy” in which she costars with her husband, Desi Arnaz.
At the end of he first year in dramatic school, Lucille was told she was wasting he money. Her first four Broadway jobs, as a chorus girl, ended in four prompt dismissals. Just a she began to gain recognition as a model, she almost lost her life in an automobile accident and was told she would never walk again. It took her eight months in bed and three years of persistent, painful effort to reverse the doctors gloomy prediction. And from then on, her luck changed and she skyrocketed to the show business goal on which she had her eye since early girlhood.
Born in Jamestown, N.Y., August 6, daughter of Fred and Desiree Ball, mining engineer (1) and concert pianist, respectively, Lucille was taken at the age of 2 to Wyandotte, Mich.

Daughter Start Early
Mrs. Ball started her daughter’s music lessons at the age of 5 then enrolled her in the Chautauqua Institute of Music for two seasons. At 15, Lucille entered the John Murray Anderson Dramatic school in New York City and was told at the end of her first year of study that she’d be better off applying her energies in some other field.
Determined to show her teachers that she could make good in show business, Miss Ball landed a chorus job in the third road company of “Rio Rita” – and lost the job after five weeks of rehearsal. Three other chorus jobs followed, none of which lasted longer than the rehearsal period. Her first “real job on Broadway” was as a soda jerk in a drug store.
A jobs as a $25-dollar-a-week model for a wholesale dress company led to a modeling job with Hattie Carnegie. Then came that tragic accident in Central Park and three years and eight months of learning to walk.
Back to work as a model, Lucille was featured in magazine and billboard cigarette advertisements, and Hollywood scouts brought her to the film capital for a showgirl role in Eddie Cantor’s “Roman Scandals.”

Wins Movie Contract
Columbia Pictures gave her a contract as a stock player, and Lucille, convinced that her luck finally had turned, sent for her mother, grandfather, and sister, to join her in California. But it turned out to be just another stumbling block. The morning she wired her family, the studio decided to dissolve its stock company. When the family arrived, Lucille was working as an extra at Paramount.
Bit parts and extra roles kept Lucille busy, but not prosperous, until she was cast in “Roberta.” RKO officials, impressed by her work, gave her a contract. When not before the cameras, she was a mainstay at the studio’s Little Theatre.
Her performance in the second lead in “The Girl From Paris” (above) drew Broadway’s attention to Miss Ball, and she was offered the lead in the musical “Hey Diddle Diddle.” After satisfying her yen for performing on the Great White Way, (2) she returned to Hollywood for “Stage Door” and “Too Many Girls.” In the latter picture she was co-starred with Desi Arnaz. They were married on November 30, 1940, in Greenwich, Conn.

First Big Break
Back from her honeymoon, Ball walked into her first really big break, a role in “The Back Street” based on a story by Damon Runyon. Overnight, it made her a star. In it, she played a showgirl who was paralyzed from the hips down. Her own three and a half years in a similar predicament enabled her to play the role so convincingly that she had every studio bidding for her services.
She signed with M-G-M on her birthday in 1942. Her first role at M-G-M was the Technicolor production, “Du Barry Was a Lady.“ Stellar roles followed in "Best Foot Forward” and “Meet the People.” After completing “Easy To Wed” with Van Johnson she headed for New York to be with her husband, then out of the Army, and on his way to success in the orchestra biz.

Like Their Boat
Shortly after completing “Her Husband’s Affairs,” Miss Ball went on tour as star of Elmer Rice’s play, “Dream Girl.”
Between pictures and stage appearances. Lucille and her husband live at Desilu, their five-acre ranch at Chatsworth, Calif. They raise cattle, chickens, dogs and cats, and dabble in farming. Enthusiastic fishermen, they spend a lot of time on their boat.
Lucille, who is 5 feet 6 inches tall, weighs 120 pounds, sleeps in a bed seven by seven feet. She likes spicy dishes and enjoys knocking around the house in dungarees. In her role as Lucy Ricardo in “I Love Lucy,” she is starred as the feminine half of a closely knit married couple. And that’s the role she plays in real life.
~FOOTNOTES~
(1) Although Lucille Ball is now admitting to being born in Jamestown, rather than in Butte, Montana, her father’s career is still being said to be mining engineer, when in fact Henry Ball was a lineman for the Bell Telephone Company. Henry Ball’s death certificate lists his profession as “laborer”. Interestingly, although Ball’s birthdate is given, her birth year remains a mystery.

(2) Although Ball was cast in the Broadway-bound play Hey Diddle Diddle in 1937, the play never got to Broadway (aka The Great White Way) due to the illness of its leading man, Conway Tearle. It would take Ball until December 1960 to “satisfy that yen for performing on the Great White Way” with the musical Wildcat.
~ TRIVIA ~

The day after this article was printed (January 12, 1953), “Lucy Becomes a Sculptress” (ILL S2;E15) was first aired on CBS TV. In real life, the show was still on hiatus for Lucy’s pregnancy leave and would not resume filming until mid-March. Eight days after this article was published, Lucille Ball gave birth to her son, Desi Jr., and Lucy Ricardo gave birth to Little Ricky.
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SAM HARRIS
January 11, 1877

Sam Harris was born on January 11, 1877 in Sydney, Australia. From 1928 to 1966 he appeared in roughly 770 films and television episodes, nearly all in uncredited background appearances. If Bess Flowers is the Queen of the Extras, then Harris is the King!

His film career started in 1928 with The Spirit of Gallipoli, a silent film made in his native Australia.
Harris appeared with Lucille Ball in 14 films from 1934 to 1956:
- Kid Millions (1934)
- Old Man Rhythm (1935)
- Having Wonderful Time (1938)
- Annabel Takes a Tour (1938)
- Dance Girl Dance (1940)
- The Big Street (1942)
- Thousands Cheer (1943)
- Abbott and Costello in Hollywood (1945)
- The Dark Corner (1946)
- Lured (1947)
- Miss Grant Takes Richmond (1949)
- Fancy Pants (1950)
- Ellis in Freedomland (1952)
- Forever Darling (1956)

His first television appearance was on an episode of “Racket Squad” on February 28, 1952.
As a background performer, he was often seen at parties and society functions, wearing a suit or tuxedo. He sometimes sat with his back to the camera or was in the distant background.

On “I Love Lucy” Harris was in the audience for “Over the Teacups” in “Ethel’s Birthday” (ILL S4;E8).

He played a subway passenger in “Lucy and the Loving Cup” (ILL S6;E12).

He was quickly glimpsed in a Paris café in “Lucy Meets Charles Boyer” (ILL S5;E19) first aired on March 5, 1956.
He was in the airport when “The Ricardos Go to Japan” (LDCH S3;E2) first aired on November 27, 1959.

Sam Harris appeared on six episodes of “The Lucy Show,” starting with “Lucy is Kangaroo for a Day” (TLS S1;7) on November 12, 1962. Harris was one of the diners at the sophisticated Cavalier Restaurant.

“Lucy Enters a Baking Contest” (TLS S2;E28) on April 27, 1964 as a member of the Danfield Bank Board of Directors (above right).

Harris was a courtroom spectator when “Lucy is Her Own Lawyer” (TLS S2;E23) on March 9, 1964.

Harris is on the board of directors (chaired by Gale Gordon) of Consolidated Pictures in the Lucille Ball / Bob Hope TV special “Mr. & Mrs.” aired on April 19, 1964 on CBS.

Harris was at the country club formal dance when Lucy rolls in during “Lucy and the Good Skate” (TLS S3;E1) on September 21, 1964.

He was at the Embassy Ball (above left) in “My Fair Lucy” (TLS S3;E20) on February 8, 1965.

His final appearance with Lucille Ball is as a casino patron when “Lucy Goes To Vegas” (TLS S3;E17) on January 18, 1965.

For Desilu or at Desilu Studios he appeared on “Our Miss Brooks” (1956), “The Adventures of Jim Bowie” (1957), “The Real McCoys” (1959), “The Ann Sothern Show” (1959), “The Westinghouse-Desilu Playhouse” (1960), “The Untouchables” (1960-61), “The Andy Griffith Show” (1961), and “The Dick Van Dyke Show” (1962-63).

His final screen appearance was in the Disney film The Ugly Dachshund, released on February 16, 1966. The cast included “Lucy” veterans Charles Lane, Bobby Jellison, Parley Baer, Dorothy Konrad, and Leoda Richards.
Sam Harris died on October 22, 1969 at age 92.
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LUCILLE BALL REVEALS HER BEAUTY TREATMENT
January 9, 1942


On January 9, 1942, Lucille Ball discussed her beauty regimen with Jacqueline Hunt. In an odd coincidence, Lucille Ball’s maternal grandfather Fred was also named Hunt. In an even odder coincidence, he died exactly two years after this article was published, January 9, 1944.

In January 1942, Ball’s film Look Who’s Laughing was still in cinemas and her new film Valley of the Sun would be released a month later.

THERE’S hardly an aspect of beauty on which slender, blue-eyed Lucille Ball isn’t an authority. The film star’s silky hair of reddish-gold and her long tapering fingernails are her favorite ‘assets,’ however, and get more pampering than everything else put together. Hair especially takes a lot of care because it is one of her nicest features. It is also her greatest liability, for it is inclined to be dry and to break off or get crimps to it from the least bit of rough handling. Lucille always carries a small but efficient hairbrush in her handbag and uses it constantly. Every time she removes her hat, she gives her locks a brisk brushing upward and out-ward, then back off the hairline, leaving the long ends attractively fluffy and free.

When working on a picture, her hair must be shampooed daily. One light soaping followed by a thorough rinse is given and then her hair is set the same as it was on the previous day, dried and arranged. Because this tends to take so much of the life out of her hair, the minute her work is finished and she can get away from the studio for a few weeks, she shampoos as little as possible, depending on brushing alone to keep her hair bright and clean and to bring back the natural oils. Occasionally she dampens the ends slightly and rolls them on soft curlers to make the ends more fluffy, but mostly she depends on a loose permanent (in the ends only), repeated every four months or so.
Omits Bobby Pins
The actress insists that hair always should be left loose and free at night. She wouldn’t think of wearing a net or cap, and she never uses pins or bobby pins. as they put kinks in her fine hair and cause it to break off.
Occasionally she has a henna rinse to accent the reddish tones of her naturally blond hair. This not only adds highlights, but also, she feels, is good for the hair, softens it, adds body and generally makes it more manageable.
Her pretty nails are something of a problem, too. They are inclined to be dry and break easily, especially when she is in the East. Lucille’s greatest complaint, however, is that she rarely has time to stop for a complete manicure. Consequently, wherever she goes she carries a small kit which is equipped with manicure implements and the shades of polish she likes to wear. She has mastered the technique of removing old nail polish and putting on a fresh coat in no time flat. Cuticle softener worked around the nails every night simplifies her nail grooming problems. She is careful always to have the right polish for each costume and adores a rich mahogany.
One rarely meets a more color-conscious young lady. Lucille is careful to avoid all purplish colors in make-up or costume. Her favorite color is red – soft brownish reds or brick. Soft neutral shades like beige are good, too, as a foil for her reddish-gold hair.
Cleans With Cream
The treatment of her clear fair skin is both simple and drastic. Because the heavy screen makeup tends to clog pores and encourage oiliness, she cleanses with cream then steams her face with a hot wash cloth to relax the pores before she washes with hot soapsuds and rinses well. Away from the set, she uses very little makeup, often just a light film of pancake foundation which gives a nice finish to the skin, plus lipstick.
Brushes and more brushes are another of Lucille’s beauty secrets. She uses them for nails, hands, elbows, feet and back, having a special kind for each purpose. She uses them briskly to remove dry flakes of skin and bring up the circulation. She adores hot baths, but since her doctor has forbidden her to take them, she settles for a hot shower, two or three times a day. This means she has had to give up such luxuries as bath salts and bubble baths, so she concentrates on scented soaps and has an eau de Cologne or toilet water to match each of her favorite perfumes. Favorite scents are many – pine, blue grass and other simple flowery fragrances and the exciting contrast of lush oriental perfumes all thrill her. She doesn’t care so much for the dry sophisticated types.

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FERNANDO LAMAS
January 9, 1916

Fernando Álvaro Lamas y de Santos was born in Buenos Aires, Argentina.
He studied drama at school in his native country and later enrolled in a law course at college. He abandoned his studies to take up horse riding, winning trophies fencing and boxing and becoming the South American Freestyle Swimming Champion of 1937. While still in his teens he appeared on stage, then on radio, and by the age of 24 in his first motion picture.

It was the 1950 film The Avengers, shot in Argentina, that brought Fernando Lamas to Hollywood. His first time on television was in a “Lux Video Theatre” production of “Hold Back The Dawn” based on the 1941 film, which aired on September 16, 1954.

In 1956 he went to Broadway to star with Ethel Merman in the musical Happy Hunting for which he was nominated for a 1957 Tony Award. It was his only Broadway show.

In 1958, he guest-starred in “Lucy Goes To Sun Valley” (LDCH S1;E5) filmed on location in Sun Valley, Idaho, in February 1958, and first aired on April 4, 1958.

Lucille Ball co-starred with virtually all of Hollywood’s Latin-American heartthrobs: Desi Arnaz, Cesar Romero, and Ricardo Montalban.

Although Lucy was a skier and Lamas was a champion athlete, the stunt skiing sequence was filmed in the studio and performed on location with stunt doubles!

Like Cornel Wilde and Robert Cummings, Lucy liked to interrupt Hollywood’s leading men while in the bath or shower!

Lamas got a shiner fighting for Lucy’s virtue!

His final screen appearance was in the 1980 TV mini-series “The Dream Merchants” based on the Harold Robbins novel.
- Lamas was married to Argentine actress Perla Mux in 1940 and they had a daughter, Christina, before divorcing in 1944.
- His second marriage was in 1946 to Lydia Babacci (or Barachi); this marriage also produced a daughter, Alexandra. They were later divorced in 1952.
- His third wife was the American actress Arlene Dahl. They were married in 1954. They were later divorced in 1960. Out of this marriage was born a son, Lorenzo Lamas (born January 20, 1958).
- His longest marriage was to swimmer and actress Esther Williams in 1969, and they remained married until Lamas’s death in 1982.
Fernando Lamas died of pancreatic cancer in Los Angeles, aged 66.



























