• “Ricky’s Screen Test”

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    (S4;E7 ~ November 15, 1954) Directed by William Asher. Written by

    Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed September 26, 1954 at Ren-Mar Studios. Rating: 45.0/63

    Synopsis ~ During his screen test for the role of Don Juan, Lucy can’t help but try to upstage her husband!   

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    The date this episode first aired, venerable actor Lionel Barrymore died at age 76.  Just eight months earlier, Barrymore appeared with Lucy and Desi on the “MGM 30th Anniversary Tribute” hosted by Ed Sullivan. 

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    At the start of the episode, Lucy is giving an uncooperative Little Ricky (the Mayer Twins) impromptu acting and dancing lessons hoping he’ll be the next Jackie Coogan. She does a quick soft shoe while humming “The Sidewalks of New York”, a song composed in 1894 by vaudeville actor and singer Charles B. Lawlor.

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    Jackie Coogan was one of the biggest child stars of the 1920s. He married Betty Grable (also mentioned in this episode) in 1937. Although he never appeared on “I Love Lucy,” he made two guest appearances on “The Lucy Show” as well as the 1975 special “Lucy Gets Lucky.” He is probably best remembered as Uncle Fester on “The Addams Family” (1964-66). Unfortunately, this improvised little scene between mother and son was cut from syndication and has only recently resurfaced.

    After this short scene, the baby is pawned off on Mrs. Trumbull, who does not appear in this episode.  Another unseen character is Marge, one of Lucy’s favorite phone-a-friends. When talking on the phone to someone to relate a plot point, Lucille Ball would generally direct her comments to “Marge”.  On her radio show “My Favorite Husband” there was a character named Marge Van Tassel, which is possibly where the name is derived from.  

    In the episode, a long list of Hollywood names are dropped including:

    • Bing Crosby
    • Louella Parsons
    • Hedda Hopper (“I adore that hat!”)
    • Clark Gable
    • Grauman’s Chinese Theatre
    • The Brown Derby
    • Romanoff’s
    • Alan Ladd
    • Marilyn Monroe
    • Ava Gardner
    • Jane Russell
    • Betty Grable
    • Yvonne De Carlo
    • Arlene Dahl
    • Lana Turner

    Out of all these, Lucy visits both Grauman’s and the Brown Derby, but only get to meet one of the stars – Hedda Hopper (that we see, that is).  Ricky lunches at Romanoff’s but no scenes are set there. They will eventually meet Betty Grable, but that won’t be until 1958 on “The Lucy–Desi Comedy Hour.” 

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    Lucy reads in a movie magazine that there is a vacant lot next to Clark Gable and dreams of living there and swimming in her in-the-ground pool in the shape of a conga drum! The magazine used on air is the November 1954 issue of Modern Screen with Debbie Reynolds on the cover. Coincidentally, Louella Parsons, who Lucy mentions in her Hollywood reverie, is also mentioned on the cover.

    The dialogue of the screen test scene is the same dialogue Ricky practiced in “Ricky’s Movie Offer” (S4;E6).

    SIGNORA LORENZO: “Hark! Do I hear a footfall? Is that you, Don Juan?”
    DON JUAN: “Yes, it is I, O lovely one. Would that I had the power to tell you what is in my heart tonight.”
    SIGNORA LORENZO:
    “What do you mean, my dearest?”
    DON JUAN: “I have come to say farewell.“
    SIGNORA LORENZO:
    “No, say not so.”
    DON JUAN: “Would that I could ask you to fly with me, but I know that you’re devoted to your husband, Count Lorenzo.”
    SIGNORA LORENZO:
    “Yes, much as I love you, I must stay with him. He is old and feeble and he needs me.”
    DON JUAN: “But for him, I would sweep you into my arms and carry you over yon garden wall.”
    SIGNORA LORENZO: “Oh, that I could cut these ties that bind me!”
    DON JUAN: “Do not cry, my dearest. It was not meant to be. I had no right to win your heart. I had no chance to win your love. So, now, I’m afraid I must say farewell."

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    Lucy reads that Variety reports that Ricky’s Don Juan is scheduled to have a $3 million budget and be filmed in color. Errol Flynn played Don Juan in Adventures of Don Juan in 1948, which was also in color and budgeted at 3.5 million dollars. Douglas Fairbanks played the character in 1934, and John Barrymore was in a 1926 version that featured a young Hedda Hopper, before she turned to journalism!

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    Oops!  Desi seems to have ‘cheat sheet’ affixed to his copy of Variety, doubtless so that he could read the names of the starlets correctly and get the joke right.  

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    …and the rest is motion picture history! 

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    When Lucy’s acting ambitions get out of control and she thinks she’s sure to be discovered, Fred calls her “the next John Bunny.”  John Bunny (1863-1915) was one of the first movie stars of silent films, as well as an early example of celebrity. At one time he was billed as "the man who makes more than the President”.  

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    Lucy manages to get a part in Ricky’s screen test. There is a smattering of applause and a “weeee” from the studio audience when Lucy enters the sound stage in her costume.

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    Before doing the scene with Lucy, Ricky is filmed performing “Canta Guittara” in Spanish and playing the guitar, with two uncredited back-up vocalists and guitar players standing to his side. “Canta Guitarra” was written by

    Ángel Ortiz de Villajos, Alfonso Jofre de Villegas, and Mariano Bolaños. 

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    The Director is played by mild-mannered Clinton Sundberg, who had appeared in MGM musicals like Annie Get Your Gun (1950), Easter Parade (1948), In the Good Old Summertime (1949), and The Barkleys of Broadway (1949). Not coincidentally, Ricky’s Don Juan will also be an MGM production. The slate (clapstick) says that the director of the test is named Aldworth. Jack Aldworth was the Assistant Director of this episode of “I Love Lucy.” Curiously, the slate lists Empire Productions as the company filming the screen test. The cameraman is listed as Wester

    The loud, barking Assistant Director (“Roll ‘em!”) is played by Ray Kellogg, who later appeared in “Bullfight Dance” (S4;E22), seven episodes of “The Lucy Show,” and two of “Here’s Lucy” (most all of them as policemen). The Clapstick Man (Allan Ray) was also in “Hollywood at Last” (S4;E16) and “Nursery School” (S5;E9), plus four appearances on “The Lucy Show.”  Louis Nicoletti, a frequent background player and Desilu staffer, played the boom (microphone) man. 

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    Blooper alert!  When the Director is yelling at Lucy, you can catch a glimpse of the the cabinets and refrigerator of the Ricardo kitchen over his right shoulder!

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    Although Lucy is only supposed to “fid” Ricky the lines and not show her face, naturally she finds a way to get some prime camera time. 

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    The episode ends in true vaudeville comedy style – with Ricky in his underwear! Ricky also lost his trousers at the end of “The Pleasant Peasant” in “The Operetta” (S2;E5).

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    FAST FORWARD

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    Little Jackie Coogan grew up to play a disagreeable tenant of Lucy Carter’s on a 1973 episode of “Here’s Lucy.” 

  • “Ricky’s Movie Offer”

    (S4;E6 – November 8, 1954) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed September 16, 1954 at Ren-Mar Studios. Rating: 47.4/66

    Synopsis ~ A Hollywood talent agent wants to audition Ricky for a part in a film. Naturally, everyone in the building wants to get into the act! 

    This storyline kicks off the gang’s adventures in Hollywood. The writers were looking to freshen up the show and get them out of the New York apartment. Taking the Ricardos and the Mertzes to California would bring new plot possibilities as well as lots of famous guest stars. This is also the first mention of Don Juan, the character that he is eventually slated to play in a film. 

    The episode begins with Fred installing new locks, even though he had just done so less than a year ago.  

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    Little Ricky (one of the Mayer Twins) actually speaks!  He says “hi” to Fred and then “gracias” (although the latter sounds a lot like “grazie” or “thanky”).  

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    Oops!  After Fred secures the chain lock to the front door, with the chain mounted onto the frame of the door, he then slides the chain into the door’s slide-catch to demonstrate how strong it is. When Ethel barrels through the door the chain is ripped off the frame, leaving the chain (and the piece that was screwed to the frame) dangling from the slide-catch attached to the door, but in Ethel’s closeup the chain is still mounted to the door’s frame. The scene was likely edited from different takes. 

    Fred’s new-found security obsession comes from Ethel reading a newspaper article about burglars disguised themselves as salesmen. 

    LUCY: “Most door-to-door salesmen I’ve met are very honest.” 

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    Lucy has a short memory. She’s forgetting about Harry Martin (played by Sheldon Leonard), who sold her various Handy Dandy products including a vacuum cleaner in “Sales Resistance” (S2;E17). Not to mention slick second-hand furniture salesman Dan Jenkins (Hans Conried) in “Redecorating” (S2;E8).

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    Ethel mistakes the talent scout Ben Benjamin (the ubiquitous Frank Nelson) for an intruder and Lucy conks him on the head with a vase. This is the second time a talent scout has visited the Ricardo apartment. The first was Mr. Murdoch (John Brown) in “The Mustache” (S1;E23). Like Murdoch, Benjamin is in for a rough time!  

    Although it seems like a made-up name, Ben Benjamin was actually the name of Madelyn Pugh and Bob Carroll, Jr.’s (the show’s writers) real-life agent. Nelson had a propensity for alliterative names playing Freddy Fillmore, Dickie Davis, and Ralph Ramsay. This is Nelson’s seventh guest appearance on the show.

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    Another Fine Sieg Heil! Lucy and Ethel then do a ‘Weekend at Bernie’s’ by sitting the unconscious talent scout upright on the sofa like nothing had happened. Ethel combs his hair, and for a few seconds puts the comb under his nose making the lifeless Benjamin looks exactly like Adolf Hitler.  Some more optimistic viewers claim he looks like Oliver Hardy. What do you think?

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    During the fracas, Frank Nelson’s trousers get a tear on the right leg. When Benjamin comes to, Lucy tries to act casual, as if in mid-conversation.

    LUCY: “Do you mean to tell me that Elizabeth Taylor looks just as pretty off screen as she does on?” 

    Hollywood starlet Elizabeth Taylor will be mentioned again in “Hollywood Anniversary” (S4;E23) along with her husband Michael Wilding. Lucille Ball will find out if she really is as pretty off-screen as on when she and husband Richard Burton guest star on a 1970 episode of “Here’s Lucy.” 

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    When Ricky hears that Hollywood wants him to star in a picture about Don Juan, he asks “Is it going to be cinemascopy and stereonopic?”  Lucy translates that he means “CinemaScope” and “Stereophonic”, motion picture technology for picture and sound replication. CinemaScope allowed movies to be filmed and shown in widescreen. It was barely a year old at the time of filming and lasted until 1967. Stereophonic refers

    using two or more channels of transmission and reproduction so that the sound seems to surround the listener and to come from more than one source.

    Sitcom Logic Alert! Ricky must have been keenly focused on Mr. Benjamin’s arrival, else why doesn’t he at least notice (let alone comment on) the badly broken door frame and many shards of pottery on the floor?

    “It doesn’t make you an actor just because you’ve been shouting ‘Babalu’ and beating on a cowhide!”  

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    Practicing his script for the audition (the same lines that will be heard in the following episode “Ricky’s Screen Test”), Ricky even tries out the dialogue imitating Humphrey Bogart.  

    When Lucy tries to give Ricky line readings, he replies:

    RICKY: “Who do you think you are? Sarah Bernhardt?” 

    Sarah Bernhardt (1844-1923) was a French stage actress who starred in some of the most popular plays of the late 19th and early 20th centuries. She also played male roles, including Shakespeare’s Hamlet. She made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures.

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    But the episode is best remembered for Lucy’s impersonation of Marilyn Monroe. Fred incorrectly guesses she is supposed to be Humphrey Bogart in a wig! 

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    To impress Benjamin she pours herself into a tight-fitting, off-the-shoulder fushia velvet gown with pink fox sleeves. 

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    Hal King helped Lucy with her Marilyn make-up.  A platinum blonde wig completes the look. 

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    Although Lucy never worked with Monroe, she did meet her a year earlier at Ciro’s Nightclub on Sunset Strip, along with Betty Grable, and Red Skelton.

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    Coincidentally, on the same day this episode was first aired, Monroe was on the cover of Tempo Magazine. 

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    When Pete the Grocery Boy asks Lucy what she’s supposed to be in her Marilyn outfit, Fred replies “Gorgeous George,” a professional wrestler known for his flamboyant style and blonde hair. Churning butter in “Pioneer Women” (S1;E25) Ethel says her grandmother must have had arms like Gorgeous George!

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    Mrs. Trumbull

    (Elizabeth Patterson)

    visits Lucy on the premise of returning a cup of sugar she had borrowed, which is an old TV trope to give a character a reason to enter. Mrs. Trumbull bursts into a frail version of “Ah! Sweet Mystery of Life” from the 1910 operetta Naughty Marietta by Victor Herbert and Rida Johnson.  

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    Before you know it the word is out and everyone wants to get in the act: Ethel shows up as a Spanish dancer singing “The Habanera”, Fred is dressed as a matador, Mrs. Trumbull wears a mantilla and sings “Cielito Lindo,” and Pete the grocery boy (James Dobson), plays a perfunctory rendition of “In A Little Spanish Town” on the trumpet. This was Dobson’s only appearance on the series, although he was seen on a 1965 episode of “The Lucy Show.”  

    PETE“When I play the trumpet, I’m real gone, man.”
    LUCY: “Then go, man, go.” (shoos him out the door)

    The Dictionary of American Slang and Colloquial Expressions defines “real gone” as “really cool; mellow and pleasant.”  At the time, slang like this was most often heard from jazz and blues musicians.  

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    In the original script there was also a little neighbor boy named Jimmy O’Malley, who was famous for singing "When Irish Eyes Are Smiling.” For various reasons, the lines were cut from the script after the dress rehearsal. In the original script, Lucy quips: 

    “When he sings, Irish eyes are the only ones that ARE smiling!" 

    Instead of Mrs. O’Malley pitching her Irish son, it was changed to Mrs. Sawyer pitching her French poodle. Lucy tells Mrs. Sawyer on the telephone, 

    "I’m sure he [Mr. Benjamin] wouldn’t be interested in your French poodle. You see, this is a Spanish picture.” 

    After a day of impromptu auditions, Lucy says: 

    “I never knew this neighborhood was so full of frustrated performers. At last I found out where vaudeville went to die!”

    STAR-STRUCK FAST FORWARD

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    Marilyn Monroe was mentioned in at least 5 episodes of “I Love Lucy” with the plots of  “Second Honeymoon” (S5;E14), “Changing the Boys Wardrobe” (S3;E10), and “Mr. and Mrs. TV Show” (S4;E5) indirectly referring to her without using her name. 

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    Although Lucille Ball and Humphrey Bogart never acted together, he was mentioned prominently on “Here’s Lucy” in October 1969, December 1969, and in February 1971 (above). 

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    Famed actress Sarah Bernhardt was mentioned on “Here’s Lucy” in December 1972 as well as being the subject for poster art used throughout the series. The art deco poster by Alphonse Mucha (1897) turned up in several different episodes.

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    Next to her diamond ring, Elizabeth Taylor was perhaps the biggest guest-star ever to appear on “Here’s Lucy.”  

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  • “The Diner”

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    (S3;E27 ~ April 26, 1954) Directed by William Asher. Written by

    Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. Filmed March 18, 1954 at Ren-Mar Studios. Rating: 51.1/77

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    Synopsis ~ Tired of show business, Ricky suggests that the Ricardos and Mertzes go into business together.  They pick a diner but then can’t agree on how to run it!

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    This episode has a plot similar to “The Girls Go Into Business” (S3;E2) except that the foursome all go in on the scheme together to buy a diner instead of the girls going in on a dress shop. Like that episode, they cannot decide on a name and end up selling the business. 

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    Interestingly, “The Diner” and the “The Black Wig” (S3;E26) had their filming and broadcast order switched so that set for Bill’s Diner ended up becoming the set for Tony’s Restaurant where black wig Lucy and Geisha/American Indian/Eskimo Ethel meet Ricky and Fred for their fake blind date.

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    The 1950’s saw the proliferation of diners and American-style fast food. Burger King first franchised in 1954, and McDonald’s was by then well on its way to world domination. 

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    In 1954 a New York City eatery called Veselka Diner opened in the East Village and is still in operation today. Also in 1954, photos of film star James Dean in a diner were published. 

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    Lucy and Ethel popped into a corner diner during 1953′s “Ricky and Fred Are TV Fans” (S2;E30) in order to use the payphone. 

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    Ricky had a bad night at the Tropicana when there was a blackout and the audience went across the street to see Liberace, who performs by candlelight! Flamboyant showman and musician was noted for having a candelabra on his piano. During a 1970 episode of “Here’s Lucy,” Lucy Carter’s son Craig (Desi Arnaz Jr.) ‘borrowed’ one of Liberace’s candelabras for a school scavenger hunt. Liberace plays himself in the episode. He was also mentioned in two season 4 episodes of “I Love Lucy.” 

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    When Ricky is looking in the newspaper for business opportunities, he first mentions a delicatessen (”Ricky Ricardo’s Cuban blintzes?”) which everyone agrees isn’t a fit. 

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    He then reads “Cocktail lounge” to which Ethel flatly replies “No.” with a passing glance at Fred.  This little exchange may indicate Fred’s (and William Frawley’s) propensity to indulge in drink or just Fred’s wandering eye. In the 1950s cocktail lounges were not known for their wholesome atmosphere. In any case, this funny delivery by Vivian Vance is sadly often cut in syndication.  

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    The Ricardos and the Mertz’s decide that Lucy and Ricky have ‘the name’ so will work the front (hospitality) and that Fred and Ethel have ‘the know-how’ so will be in the back (cooking). 

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    The “Fly To Gay Havana” poster next to the front door is for Mexicana de Aviacion, an affiliate of Pan American World Airlines. It was first issued in 1940. The artist is unknown.  The Ricardos and Mertzes travel on Pan American World Airways in “Return Home From Europe” (S5;E26). They will also use Pan Am when flying from Miami Beach to Havana in “The Ricardos Visit Cuba” (S6;E9).

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    Fred and Ethel reveal they were once stranded in Indianapolis and got a job in a diner. There they learned ‘diner lingo’ like: 

    • “Adam and Eve on a raft – wreck ’em!” (scrambled eggs on toast)
    • “Walk a cow past the stove and don’t cry over it!” (a rare hamburger without onions) or – as Ricky interprets it – “Bring the bull in the ring and laugh in its face!”
    • “There’s a gambler in the house!” (hash)
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    But dividing the labor doesn’t last long, and soon the foursome have split the restaurant in half (much like they did with their apartment in “Men Are Messy” (S1;E8)

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    The Mertz side is named ‘Big Hunk of America’ and the Ricardo side is called ‘A Little Bit of Cuba.’ 

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    In the story line, the diner is owned by Mr. Watson, who turns out to have ulterior motives for selling. 

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    The character is played by James Burke, who had appeared with Lucy in four films: Blood Money (1933), The Bowery (1933), Joy of Living (1938), and The Affairs of Annabel (1938). He was also seen in The Maltese Falcon (1948), and would go on to make an appearance on “The Lucy–Desi Comedy Hour” (1958).

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    The gastronomic battle between ‘America’ and ‘Cuba’ is fought using a drunk played by Fred Sherman. Sherman is credited with more than 130 films and TV shows, most of them Westerns. One of his first films was Wildcat with William Frawley. BTW, the film is not related to the Broadway musical that starred Lucy in 1960.

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    The Pie Delivery Boy is played by Don Garner, who also was a delivery boy in “Bonus Bucks” (S3;E21). Little Ricky is played by the Mayer Twins. Nick Escalante, Alberto Calderon, Joe Miller, and Marco Rizo, members of the Ricky Ricardo / Desi Arnaz Orchestra, play diner patrons. When Calderon enters, Lucy asks “How’s Pura?” – a reference to Alberto’s wife.

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    The episode ends in true vaudevillian comic style with everyone getting a cream pie in the face. When the drunk finds out that Mr. Watson makes money by buying and selling the diner to naive entrepreneurs, even he gets a taste of his own custard!


    Fast Forward!

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    Lucy and Viv go into the restaurant business in a 1964 episode of “The Lucy Show.”  Just like on “I Love Lucy,” when customers are scarce, they change the concept. 

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    Lucy Carter and Mary Jane go into the frozen custard business in a 1973 episode of “Here’s Lucy.”  Just like on “I Love Lucy,” the plot features a trouble-making drunk. 

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    On May 6, 1980 “Laverne
    & Shirley”
    presented an episode also titled “The
    Diner” (S5;E2) where the girls (who were often compared to Lucy and Ethel) take over a diner and are overwhelmed by the workload and the demanding patrons. It starred Penny Marshall (Laverne), Cindy Williams (Shirley), David Lander
    (Squiggy), and Michael McKean (Lenny).

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    A Little Bit of Cuba in Freehold, New Jersey.  I doubt that they offer Ricky’s famous special: a hamburger patty smothered in Tobasco sauce and mashed bananas between two tortillas!

  • “Bonus Bucks”

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    (S3;E21 ~ March 8, 1954) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. Filmed on February 4, 1954 at Ren-Mar Studios. Rating: 57.8/83

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    Synopsis ~ Lucy finds the winning dollar bill in the newspaper’s Bonus Buck contest, but lets it slip through her fingers. Now she has only a few hours left to get it back to qualify for the cash prize! 

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    This episode revolves around a newspaper contest: win $300 if your bill’s serial number matches the one published in the paper. These contests were quite common in the 1950s, and were also sponsored by car dealerships, radio stations and other businesses, but they were generally called Lucky Buck contests. 

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    Due to their sponsorship by Philip Morris, the writers were discouraged from using the word ‘lucky’ prominently on the show, afraid that it would be a subliminal message to viewers to go out and buy Lucky Strike, a competing cigarette brand. During season five, Van Johnson’s affiliation with Lucky Strike delayed his guest appearance from “The Star Upstairs” (which went to Cornel Wilde) to “The Dancing Star” (S4;E27). 

    A few months earlier, the “Amos and Andy” radio show had aired an episode called “Lucky Bucks Contest” (December 27, 1953).

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    Ricky mentions that the odds of finding one are pretty remote as there are 8 million people in New York City, a number that has risen to 8.4 million today. 

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    Lucy mentions that she is due for a win after having failed to guess the number of jelly beans in a jar at the drugstore and not winning the Irish Sweepstakes. The Irish Sweepstakes were created in Ireland in the 1930s to help fund hospitals. Despite tickets being illegal outside Ireland, millions of tickets were sold in the US, the UK and Canada, where lotteries were generally illegal. 

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    Fred holds out hope by claiming to have found a diamond ring in a box of Cracker Jack. When Lucy thinks he’s kidding, Ethel holds up her wedding ring. This is the second of several references inferring that Ethel’s ring is so cheap that it was found inside the box as one of their famous ‘prizes’. The first was in “Breaking the Lease” (S1;E18). Ethel makes a similar joke several years later in “Building a Bar-B-Q” (S6;E24).

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    FRED: Cancel our subscription.”
    ETHEL: “We don’t take this paper.”
    FRED: “Well, order a subscription, and THEN cancel it!”

    The fact that the Ricardos and Mertzes subscribe to different newspapers was common at the time. During the heyday of newspaper publishing, New York City had as many as seven daily papers, some with morning and afternoon editions. In the pre-cable TV and internet age, newspapers and magazines played an important role in daily life and hence – in “I Love Lucy” as well. 

    Despite the odds, Ricky finds a Bonus Buck in his wallet but decides to let Lucy have the thrill of discovering it for herself. Ricky warns Fred not to tell Ethel, who Fred calls “Miss Walkie-Talkie”. 

    When secretly putting the bill in her purse, he finds a dozen random items, including one of Little Ricky’s toys, 

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    and a safety pin chain!  This is a gag about the unusual items found in women’s handbags.  It is also a clutch purse, making it like a ‘clown car’ moment.  Ricky must cram the items back in the tiny purse after hiding the bill. 

    Oops!  When Lucy stirs in bed, Ricky suddenly ducks and one of the emery boards from Lucy’s purse falls on his head and lands on the floor. This stray item could unravel Ricky’s plan. If Lucy woke up and saw her emery board on the floor, she would know someone (Ricky) had been in her purse.  The jig is up! But since this is a blooper, that didn’t happen!

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    When showering, Ricky tucks the bill into the pocket of his pajama top. This scene gives us a rare glimpse of the Ricardo bathroom (which has a bathtub, but no toilet) and Ricky’s bare chest! 

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    When the laundry man (Tony Michaels, last seen in “Be a Pal” S1;E2) comes to the door, Lucy grabs the pajama top and stuffs it into the laundry bag. Little Ricky is played by the Mayer Twins. Although Mrs. Trumbull is mentioned (someone has to mind the baby while the chaos ensues), she is not seen in this episode. 

    Oops! Why Lucy is sending out laundry when Ricky just bought her a brand new washing machine a few episodes back (“Sales Resistance” S3;E17)?

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    The grocery delivery boy was played by Don Garner, who also played a delivery boy in “The Diner” (S3;E27).  Perhaps it wasn’t customary, but Lucy fails to tip the delivery boy, counting out exactly $3.85 for her delivery. If the market was close enough for Lucy and Ethel to exchange their checked dollar bills for unchecked ones, why do they need delivery service?  

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    Although the Ricardos and Mertzes read different papers, they both smoke Philip-Morris Cigarettes!  A carton is sticking out of both of the delivery boy’s boxes. 

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    Interestingly, Lucy has on a different dress to go to the laundry than she had on that morning, one that would match the specially-built starched costume of the show’s hilarious fade-out.

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    The Laundry Checker at Speedy Laundry was played by Frank Jaquet, a short, paunchy, character actor who specialized in playing pompous windbags and villains. He appeared in nine Broadway shows from 1934 to 1945. 

    CHECKER: “Now, please, just one of you tell me your story in just plain English. You.” (points to Ricky)

    RICKY (In one big breath): “Well you see I found a Bonus Buck and I brought it the house last night I wanted to surprise my wife with it Y la senora se lo dio al grocer and then he took it downstairs he gave it to the manager of the apartment who’s Mrs Mertz in the change and then when they come up she said she had found the Bonus Buck actually well Bonus Buck que le puse en la cartera anoche and then we had a big fight and then we tore it up she had a half and we had a half and then we decided together maybe we’d go down to the newspaper office and win the $300 y entonces yo fui a un shower y la puse en el top de la pajama se lo dio al muchacho del laundry and it’s here… we got to get it back.” 

    (Blank stare from the Checker)

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    LUCY (Simply): “Look, you you picked a fine one to tell you in plain English. There’s a little slip of paper that’s worth $300. It’s in the pocket of my husband’s pajamas and I sent it to the laundry.” 

    CHECKER (Incredulously, to RIcky): “Is THAT what you was trying to say?”

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    The episode allows Lucille Ball to do what Lucy did best: physical comedy. She is buried in a laundry pile and climbs a ladder onto a moving conveyor belt, all while being chased by a woman with a crowbar.

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    Oops! In a rare blooper, when Ricky bursts into the laundry room the crowbar falls off the wall and the laundry sorter (Patsy Moran) had to look for it on the floor. Patsy Moran appeared in 1944’s Meet the People with Lucy, a film made by RKO, the studio that would become Desilu.

    Oops Again! When Ricky and the Checker barrel through the doors just in time to stop the sorter from bashing Lucy on the head, the door opens wide enough that viewers catch a glimpse of the backstage and crew members. 

    When Ricky wants to tell Lucy which of the many laundry bags to find the half Bonus Buck, he says “The blue one, honey!”  While all the other laundry bags are white, the Ricardos is deliberately colored blue (or what the viewers saw, dark gray) to help the plot and provide visual continuity. This is where the 2019 colorized version is particularly helpful.  

    Because the episode was so riotously funny, the actors had to keep shouting “starch vat” over and over again because the studio audience was laughing so hard that it was difficult to hear the lines. If the audience didn’t understand where Lucy ended up, the episode’s comic ending wouldn’t have made any sense. 

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    The man at the newspaper office is played by John Frank.  

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    After all the expenses of the adventure are deducted… 

    • -$29 for the taxi cab
    • -$25 extra for the cab driver to go really fast 
    • -$50 for a speeding ticket for going really fast
    • -$10 for overalls to wear into the laundry 
    • -$185 for repair of damage to the laundry 

    A very starchy Lucy’s ‘bonus’ is a single (bonus) buck! 


    FAST FORWARD

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    In 1957, a short clip from this episode was used in a short animated film by Terrytunes called “Depth Study.” Meant as a CBS sales film, it was designed to explain the impact television has in shaping the country’s outlook toward the ntertainment and live historical events it presented (via CBS, naturally).

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    In a 1964 episode of “The Lucy Show,” “Lucy and the Missing Stamp” (TLS S3;E14), Lucy Carmichael also hides in a sack and fights a losing battle with a conveyor belt – this time in a post office while searching for a rare stamp. 

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    A custom doll creator named Dolls By Maria created a Lucy doll inspired by this episode. 

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    CBS announced two newly colorized episodes of “I Love Lucy” to ease your post-Tax Day blues! “Bonus Bucks” will be joined by “The Million Dollar Idea” (S3;E13) first broadcast January 11, 1954, under the umbrella title of “Funny Money Special.” This brings the total number of colorized episodes to 16 of the 180 episode catalog. 

  • “Sentimental Anniversary”

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    (S3;E16 ~ February 1, 1954) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. Filmed December 17, 1953 at Ren-Mar Studios. It was the 82nd episode filmed. Rating: 61.1/82

    Synopsis ~ It’s the Ricardos’ wedding anniversary and Lucy and Ricky plan a romantic dinner at home. Fred and Ethel, however, have other ideas.

    [Note: Despite the color photo above, the episode has never been fully colorized.]

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    This episode was filmed just two weeks after Desi surprised Lucy with a 13th wedding anniversary party at the Mocambo. Both the Ricardos and the Arnaz’s were married on November 30, 1940. This was also the last episode filmed before the Christmas 1953 break.  

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    Happy Birthday! The day this episode first aired (2/1/54), actor Billy Mumy was born in San Gabriel, California. Ten years later, he co-starred with Lucille Ball in an episode of “The Greatest Show on Earth.” 

    The day this episode was filmed (11/17/53), musician Dean Paul Martin Jr. (aka Dino) celebrated his second birthday.  At age 13 he joined Desi Arnaz Jr. and Billy Hinsche in the pop group Dino, Desi, & Billy, which had a few minor hits between 1965 and 1968.  Lucille Ball and his father Dean Martin were friends and frequent co-stars. 

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    The afternoon this episode premiered, CBS debuted the soap opera “The Secret Storm.”  It was seen on the network for the next 20 years, leaving the airwaves in 1974, the same year “Here’s Lucy” came to an end. 


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    Just like “Lucy Becomes a Sculptress” (S2;E15), the episode opens with insert shots of the Ricardo family photo album. The writers specifically wanted to use pictures of Lucy and Desi on their real wedding night and honeymoon. They knew that Lucy had these photos in her dressing room and specified exactly which ones to use in their script. The photo of the newly married Mertzes, however, is actually a prop created using two different snapshots of Vivian Vance and William Frawley in their youth. 

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    Vance had a terrible cold the night this show was filmed. If you listen closely, you can hear it in her voice. We learn that the Mertzes live in apartment 3C.

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    Lucy convinces Ethel to show her where Ricky has hidden her anniversary present – expensive Stone Marten furs. After much wheedling (and some blackmail about her domestic economizing), she helps Lucy find her surprise. 

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    Lucy’s gift to Ricky (hidden in the closet) is a set of MacGregor golf clubs and the company logo is clearly visible for a few moments. MacGregor Golf was founded in 1897 and is the second oldest golf company in the United States after Spaulding. MacGregor clubs were used by famous 1950s golfers like Jimmy Demaret, who played himself in “The Golf Game” (S3;E30) later that season. In that show, Ethel says that the reason the boys are so devoted to golf is because Lucy bought Ricky golf clubs for their anniversary.

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    Desi Arnaz himself was crazy about golf and that year even built a home in Palm Springs, California, adjacent to a golf course so that he could play on weekends. In the episode prior (“The Charm School” S3;E15), Ricky and the men are in the kitchen talking about golf. 

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    Lucy shows Little Ricky the album of family photos. Michael and/or Joseph Mayer play the role. Mrs. Trumbull (Elizabeth Patterson) is mentioned, but does not appear in the episode. 

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    For the special occasion, Lucy buys a brand new dress. If the show had been in color, audiences would have seen that it was an elegant chocolate brown outfit with a periwinkle blue bodice. She also wore it to ‘21’ in “Mr. & Mrs. TV Show” (S4;E9) and to the theatre in “Ethel’s Birthday” (S4;E8). In 2004, it was one of the outfits chosen to be part of “The Official ‘I Love Lucy’ Paper Dolls” book based on the original designs of Elois Jenssen.    

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    To assure that they have privacy for their intimate dinner at home, Lucy fibs and tells the Mertzes that Ricky has a business dinner with Rodgers and Hammerstein. This is one of several series mentions of the famous Broadway composing and producing team.  What Lucy and Ricky were to 1950s television, Rodgers and Hammerstein were to 1950s Broadway.  The foursome (plus Viv and Bill) appeared together in 1953′s “Dinner with the President.”

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    In a short scene set in the hallway, there is a print of “Woman in White Dress” by Leonard Campbell Taylor (1874–1969) on the wall. This is one of the few scenes to take place in the apartment’s hallway. 

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    Seeing the card table is already set up, Ethel says “They must have been playing Scrabble.”  Just before “Tennessee Ernie Visits” (S3;E28, above) Lucy and Ricky are playing the game, although the scene was often cut in syndication. Scrabble was first marketed in 1938 and is still one of the world’s best selling board games. The year this episode was filmed there were major changes to the game’s rules. 

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    The Mertzes give the Ricardos a silver cigarette lighter. Although Fred is shocked to see the price tag says $32.50, Ethel admits the the real price was $4.95. 

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    Fred is rightfully shocked, in today’s economy (accounting for inflation) $32.50 is like more than $300!  Lucy is equally appalled to discover that Fred’s skinflint ways have rubbed off on her best friend!

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    While Lucy and Ricky are trying to have their romantic dinner in the closet, they have lit the candles. Lucille Ball’s eyes occasionally dart nervously toward the lit candles as they totter atop the suitcase perched on their laps. The balancing act pays off, but is a bit distracting. 

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    When Fred goes to open the champagne, he is chided by Ethel. Although it is never blatantly stated, it is sometimes inferred that Fred Mertz, like William Frawley himself, had a problem with alcohol. When reading the newspaper for possible new business opportunities in “The Diner” (S3;E7, above), Ethel quickly shoots down the mere mention of a cocktail lounge, much to Fred’s chagrin. 

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    For their surprise party, Fred and Ethel invite the usual gang of extras, including Lucy and Desi’s camera and lighting stand-ins Hazel Pierce and Bennett Green. The pair are often given small roles and even have a few lines of dialogue from time to time. 

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    Also on the guest list is Lucille Ball’s good friend Barbara Pepper (center) and Vivian’s stand-in Renita Reachi (black hat). Pepper was one of the front-runners for the role of Ethel after Bea Benadaret passed. 

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    ETHEL: “Isn’t that a beautiful cloth?!” 

    A Wilendur Dogwood print tablecloth takes center screen when the Mertzes set the table for the surprise party. Wilendur is a popular vintage brand of tablecloth. Ethel, however, brings paper napkins, not the matching cloth ones pictured here.  

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    Oops!  Lucy gets a fur for her anniversary present, but leaves it laying on the chair in their apartment instead of wearing it out to dinner. Ethel didn’t seem to wonder why Lucy wouldn’t have worn her new fur for such an important occasion. 

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    Oops! In the wide shot of the Ricardos’ return, the camera catches both the studio lights in the ceiling and the plaster line (where the ‘apartment’ carpet ends) on the floor.  These errors were computer fixed on the DVD but can still be seen in syndication prints.

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    Unusually, it is Ricky who saves the day – not Lucy – by throwing a champagne bottle from the closet through the open kitchen shutters to create a diversion. During the confusion, Lucy and Ricky sneak out the front door and they quickly return to shouts of… 

    “Surprise!”

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  • “Too Many Crooks”

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    (S3;E9

    ~

    November 30, 1953) Directed by William Asher.  Written by Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed October 29, 1953 at Ren-Mar Studios. Rating: 60.1/85

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    Synopsis ~ The police are looking for Madame X, a mysterious female cat burglar. Lucy is suspected by the Mertzes, and Ethel is suspected by the Ricardos.

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    On November 30, 1953, Desi Arnaz threw a surprise 13th wedding anniversary party for Lucille Ball at Hollywood’s glamorous Mocambo nightclub. After a towering cake was served, a TV set was wheeled in and guests watched (what else) “I Love Lucy”! It was Monday night, after all. The evening later partly inspired the episode “Hollywood Anniversary” (S4;E23).  But on November 30, 1953, the episode the party guests viewed was “Too Many Crooks”.

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    November 30, 1953, also saw the publication of this issue of Tempo Magazine, which featured Lucy and Desi on the cover and an inside story on “Bringing Up Baby” (aka Desi Jr.). 

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    At the time this episode was filmed there were five movies titled Madame X and an equal number titled Too Many Crooks

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    …but the plot of this episode bears no resemblance to any of them!

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    Ethel says that the burglar has robbed "the Ackerman apartment across the street.” In real life Harry Ackerman was a CBS executive who helped create “I Love Lucy” even appearing in a cameo in “The Audition (S1;E6). 

    Lucy and Ethel compare coverage of the Madame X case in the newspapers: the News and the Mirror.  These are real-life New York dailies. The Mirror ceased publication in 1963 while the Daily News continues to this day.

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    While out on the fire escape spying on Lucy, Fred calls Ethel “Sherlock”.  This is a reference to one of fiction’s most famous private detectives, Sherlock Holmes, who was created by writer Sir Arthur Conan Doyle in 1887 and was the subject of numerous books, films, radio shows, and television programs.  

    This is the only episode to mention Fred’s birthday!  When Ethel insists Fred replace all the tenant’s door locks, Fred sings “The Birthday Song” with new lyrics: “New door locks for Fred. New door locks for Fred.”

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    Madame X is played by Alice Wills. This was her second and final acting credit. Wills was really a make-up artist and the wife and mother of stuntmen. 

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    She must have learned a trick or two at home because she does a spot-on tumble over the sofa in the final scene. 

    Naturally the police are called, and when a policeman was needed on “I Love Lucy,” he was usually played by Allen Jenkins. He first wore blue for Desilu in “New Neighbors” (S1;E21) and then again in “Ricky and Fred are TV Fans” (S2;E30), just five months prior to this episode. 

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    David Allen Curtis Jenkins was born in New York in 1900. He studied at the American Academy of Dramatic Arts. In his first stage appearance, he danced next to James Cagney in the chorus line of an off-Broadway musical. Between 1923 and 1944 he appeared in eight Broadway plays including The Front Page (1928). His big break came when he replaced Spencer Tracy for three weeks in The Last Mile. He originated the character of Frankie Wells in the Broadway production of Blessed Event and reprised the role in the 1932 film adaptation. He made a career out of playing policemen and tough guys in numerous films of the 1930s and 1940s. Allen Jenkins was labeled “the greatest scene-stealer of the 1930s” by the The New York Times. He was in 42nd Street (1933), Five Came Back (1939, with Lucille Ball), Pillow Talk (1959), and It’s a Mad, Mad, Mad, Mad World (1963). 

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    He later voiced the character of Officer Charlie Dibble on the cartoon “Top Cat” (1961–62). Jenkins went public with his alcoholism and was the first actor to speak in the House of Representatives and the Senate about the subject. He helped start the first AA program in California prisons for women and was the seventh member of the Screen Actors Guild. Eleven days before his death at the age of 74, he made his final appearance in Billy Wilder’s remake of The Front Page (1974), which was released posthumously.

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    In his first scene, he is accompanied by other tenants of 623 East 68th Street, all in their nightgowns and pajamas, including Mrs. Trumbull (Elizabeth Patterson). Lucy and Desi’s camera and lighting stand-ins Hazel Pierce (second from right) and Bennett Green are also there, along with Vivian Vance’s camera and lighting stand-in Renita Reachi (3rd from right). They all turn up again the episode’s final moments.

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    Little Ricky is played by one of the Mayer Twins, Joseph or Michael. 

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    This is the second of six times Lucy will wear this Elois Jennsen pant suit, which is dressed up with a blousy, French-cut shirt.  It was sometimes worn with large cufflinks and a watch fob, too!  A bronze statue of Lucy Ricardo in front of the Television Academy in Hollywood wears a variation of this outfit. 

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    Oops!  While looking for the cigarette case Lucy at first says ‘silfer’, then in the next breath corrects herself with ‘silver’. 

    This episode does something that is rare – it ‘dates’ itself.  Ricky’s silver cigarette case was a gift from his orchestra and is inscribed: “Merry Christmas to the boss from the boys. 1952″.  Although reruns and future marketability of television programs was not a concern in 1953, it would later become important  to keep shows feeling new and current by not rooting them in a specific time.  For example, a December 1962 “The Lucy Show” will do an entire New Year’s Eve episode without ever mentioning the year(s)!  

    Oops! By this point in the series, the Ricardos had moved from the 4th floor down to the third floor, to apartment 3B (which was later changed to 3D), which was next door to the Mertzes. Yet Ethel, upon leaving the Ricardos’ apartment with Fred, said they “might come up later." 

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    Ethel wears the chenille bathrobe she wears in many other episodes.  The robe turns up again on “Here’s Lucy” worn by Lucy Carter and guest-star Ann-Margret!

    We learn that Lucy’s good silver was given to her by Ricky’s mother.  

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    The original script had Madame X get away at the end, taking both Ricky and Fred’s suits along with her!  In the filmed ending, justice is served!  

  • “The Girls Go Into Business”

    (S3;E2 ~ October 12, 1953) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed September 11, 1953 at Ren-Mar Studios. Rating: 56.2/79

    Synopsis ~ Lucy and Ethel buy a dress shop behind their husbands’ backs, and soon find that it won’t be as easy as they anticipated.

    The was the first episode filmed for season three, although the second aired. It was also the first episode filmed in the show’s new studio, Ren-Mar Studios. The show had out-grown their previous filming location at General Service Studios.

    Lucy and Ethel weren’t the only women out shopping. On the day this episode was filmed, September 11, 1953, hundreds of women took to the streets of New York City to track down bargains as part of 1953 Dollar Days. 

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    This is one of the few times the off-screen story is more compelling than what was happening on TV.

    The episode was filmed during the week Lucille Ball went through her ‘red scare’ and was labeled a Communist by the House Un-American Activities Committee (HUAC). Back in 1936, to please her grandfather, she agreed to register as a Communist. Lucy never planned to vote for the Communist party, never followed their beliefs, nor participated in any of their activities. On the evening of September 11, 1953, Desi Arnaz nervously went out to welcome the studio audience. He explained how Lucy was in no way a Communist, and that he himself had left Cuba to flee Communism. He begged the audience not to believe everything they read in the newspapers. He then introduced Lucy with this famous quote: 

    “And now I want you to meet my wife, my favorite redhead, in fact, that’s the only thing RED about her and even that’s not legitimate.” 

    The studio audience gave Lucy a rousing round of applause, and in December of that year the “I Love Lucy” cast was invited to perform at the White House, President Dwight Eisenhower thereby confirming her innocence.

    The day after the filming, the Arnazes held a press conference at their Chatsworth Ranch. 

    For more about Lucille Ball and Joe McCarthy, who headed the HUAC, click here!

    Coming home from shopping, Lucy and Ethel bring their purchases into the bedroom.  The bedspreads are hobnail chenille Minuet Early American

    produced by Morgan-Jones. Lucy’s bedspreads are placed with reverse side up so the pattern reads better on camera. 

    This was not a casual choice. Morgan-Jones partnered with Desilu for the product placement, including permission to use Lucille Ball’s image in print advertising. 

    This episode introduces the Mayer Twins, Michael and Joseph, who would play Little Ricky for the next three seasons. They assumed the role from the Simmons Twins, Richard and Ronald Lee. As in previous seasons, the bolster of the crib is embroidered with the Lucy and Desi stick figures that were then part of the opening credits. 

    As Lucy and Ethel round the corner to Hansen’s Dress Shop to return their purchases, they pass the Morris Hull Book Shop.  Morris Hull (1906-89) was an author responsible for hundreds of pulp novels, although he usually wrote under the name Herbert O. Pruett. Cannery Anne (1936) was the only book published under his given name. 

    Oops!  The backdrop is sagging quite a bit just to the left of the mailbox!

    Hazel Pierce and Bennett Green, Lucy and Desi’s camera and lighting stand-ins, play a couple of passersby on the street. 

    After Mrs. Hansen agrees to sell the shop to Lucy for $1,500 (”I’ll take it.”) there is an obvious edit in the scene before the customers enter. 

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    The shop’s regular ‘customers’ (actually Mrs. Hansen’s co-conspirators) were played by Barbara Pepper (Grace) and Kay Wiley, both frequent extras on the show. In fact, both were also customers of the butcher shop where Lucy covertly sells her side of beef in “The Freezer” (S1;E29)

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    Mabel Paige (Mrs. Hansen) was born in New York City in 1880 and began acting at age 4. In the Southern states, she became a particular favorite and was dubbed ‘The Idol of the South.’ 

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    Between 1914 and 1953 she acted in more than 50 films. In her first silent movies she co-starred with a ‘pre-Laurel’ Oliver Hardy. Paige starred with Lucy in the movie Her Husband’s Affairs (1947) and played another character named Mrs. Hanson (an apartment building manager much like Fred Mertz) in The Mating of Millie (1948). Later that same year she was seen as Mrs. Lutz in Johnny Belinda. “The Girls Go Into Business” aired just four months before Paige’s death from a heart attack at the age of 73.

    Mrs. Hansen’s ‘tale of woe’ is that her mother is in the hospital in need of an operation, her grandmother wrecked the car, and their house burned down.  All this induces a guilt-ridden Lucy to bump the sale price from $1,500 to $3,000, the original asking price.   

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    Sitcom Logic Alert!  Lucy figures that based on the fact that the two customers bought $200 in merchandise in five minutes, they would make $2,400 an hour, and $19,000 a day!  Even Lucy can’t be naive enough to think that they will do that sort of business!  Although Mrs. Hansen says she has “a long lease” she never discloses what the rent for the store is – just the selling price for the inventory. Lucy also fails to account for overhead.  Lucy does all these figures in her head, but pauses a moment to figure out that ten percent of $3,000 is $300!

    Oops! Mrs. Hansen can’t need money all that much, since she leaves a bill lying on the floor!  

    Mabel Paige does a brilliant job of portraying a little old lady with a the heart of a cash register!  


    MRS. HANSEN:
    Oh,
    you’re the dearest, sweetest girls in all the world and how do you
    want to handle the down payment?

    LUCY: Uh, well, what did you
    have in mind?

    MRS. HANSEN (bluntly): Money.

    Leaving the shop as new business owners (and fulfilling the promise of the title), Lucy says “Saks Fifth Avenue, look out!” Saks Fifth Avenue is a chain of luxury department stores that opened their flagship store in New York City in 1867.  Their iconic beige basket weave gift boxes will be regularly seen on the show during season six. 

    Christening their newly-purchased boutique causes a minor rift between the girls. 

    ETHEL (about re-naming the shop): “I think it ought to be a combination of both our names, like Ethelu’s.”
    LUCY:Ethelu’s? Well, that doesn’t sound very good.”
    ETHEL: “Well, what would you suggest?”
    LUCY:Well, something that rolls right off your tongue like Lucyeth’s.”
    ETHEL: “Lucyeth’s? Well, that rolls right off your tongue, all right. You couldn’t keep it on your tongue if you tried.”

    Lucy isn’t excited about Ethel’s proposed name Ethelu for the dress shop but the name of Lucille Ball and Desi Arnaz’s production company is a portmanteau of similar construction – Desilu.  While it may seem silly to quibble about whose name comes first, this is Hollywood, where such things are so important that they are written into contracts.  Some stars would reject group photographs of themselves if they did not appear on the left because their name would not be listed first in the description.   

    The girls compromise by having two different signs. 

    While the girls are playing shopkeeper, Little Ricky’s usual babysitter Mrs. Trumbull is mentioned, but not seen on camera. 

    In this episode, Lucille Ball wears both styles of polka-dot print dress: the one with the bib collar, and the one with the pointed collar.  These two dresses will make dozens of appearances on the show and become iconic looks for Lucy. 

    A chance meeting with the boys outside the dress shop (the signs now flipped back to Hansen’s) finds Ricky and Fred returning from the drug store holding a carton of Philip Morris cigarettes. Desi makes sure the sponsor gets plenty of exposure by turning the box toward the camera and not carrying it in a paper sack. The boys walk off talking about their favorite subject – boxing. 

    Lucy disguises herself as a little old lady who has been in an accident to bilk more money from a possible buyer, a Mr. Ralph S. Boyer (a character we never see), which is also the real-life name of Vivian Vance’s brother-in-law.  

    All Lucille Ball’s ‘Little Old Ladies’ were strictly stereotyped depictions of senior citizens, something more appropriate to a vaudeville routine, than filmed television.  This sort of representation continued well into Here’s Lucy in the 1970s.  Click here to read about one such occurrence. 

    In the above screen shot, Lucille Ball opens her mouth so wide we can see her fillings!  These are doubtless the fillings that helped capture Japanese spies during World War II, a story that well may be apocryphal.  Decide for yourself by clicking on this link to read the story. 

    Emory Parnell plays the cop on the beat.  Although this is his only series appearance, the veteran character actor was in three films with Lucille Ball and seven with William Frawley.   

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    Mr. Boyer buys the shop for $3,500. Lucy and Ethel think they’ve made a nifty profit – until they boys tell them the building sold to developers for $50,000!   

    WTF? For some reason Lucille Ball has her hair in a completely different style for this final scene.  Did Lucy Ricardo have time to go to the beauty salon after signing the papers at the bank and before coming home to brag to the boys?  It is likely that this short scene was filmed at another time and added to the print later. 

    FAST FORWARD BUSINESS!

    Lucy and Ethel also go into business in “The Million Dollar Idea” (S3;E13)  selling Lucy’s family recipe for salad dressing.

    In “The Diner” (S3;E27), the Ricardos and the Mertzes also opened a business.  Like the dress shop, there is a disagreement about the name and the signs indicate the compromise: A Little Bit of Cuba and A Big Hunk of America.  

    Lucy and Viv Become Tycoons” (TLS S1;E2) selling their family recipe for caramel popcorn. 

    In a rehash of the argument in

    “The Girls Go Into Business,”

    Lucy wants to call it Carmichael’s Caramel Corn and Viv wants it named Vivian’s Caramel Corn.  The episode also features a nosy policeman. 

    Undaunted, the next year “Lucy and Viv Open a Restaurant” (TLS S2;E20) to make money, but find that customers aren’t coming.  

    Desi Arnaz’s curtain speech the night this episode was filmed, declaring that Lucy was not a communist, was recreated in the TV bio-film Lucy (2003) starring Rachel York as Lucy and Danny Pino (above) as Desi. 

  • “Ricky’s Life Story”

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    (S3;E1 ~ October 5, 1953) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed May 15, 1953 at General Service Studios.  Rating: 62.6/85

    Synopsis ~ Life Magazine does a story on Ricky, but Lucy’s not in it so she schemes to upstage Ricky during his big number at the club.

    This episode was filmed at the end of the season 2 and supposed to air on June 15, 1953, but was pre-empted for the “Ford 50th Anniversary Show” on CBS and NBC.  The episode was then saved to be the premiere of season 3. It was the 65th episode filmed, but aired 67th.

    The title is a pun on the word “Life” as the name of a popular American magazine.

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    Life Magazine was published weekly until 1972, as an intermittent special until 1978, and as a monthly again from 1978 to 2000. Life was a wide-ranging general interest magazine known for its photography. Founded in 1883, it was acquired by Time Magazine in 1936, forming the Time-Life Corporation. Although no longer in publication, the name is still used by Time.

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    In this episode, both Lucy and Ethel wear outfits that are repeated many times. Lucy’s polka-dot print and Ethel’s arrow-collar house dress.

    Magazines were the internet of the 20th century. They graced coffee tables on nearly all episodes of “I Love Lucy” and were frequently involved in the plot, as in this episode.  In return for favorable and frequent coverage by magazines, Lucy and Desi would thank them by using their publications on air.

    If the plot of this episode seems familiar, Lucy ended up on the cover of Look Magazine (a similar publication) in “Men Are Messy” (S1;E8).

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    On April 6, 1953, Lucy and Desi had been featured on the cover of Life, so they returned the favor and featured the magazine in this episode.

    RICKY: “We got more pages than the two-headed alligator!”

    The issue used on camera was dated May 11, 1953. The show was filmed just four days after it hit the stands. The cover featured model Gloria Barnes for an article “Denim Gets Dressy.” The issue also includes an article titled “A Look at the Future of Color Reception” that optimistically predicts that color compatible TV sets will probably be available by the end of 1954! The first time CBS TV viewers saw Lucy’s red hair on her own show was in the fall of 1965!

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    The back cover of the magazine on camera was altered because it originally had an advertisement for Lucky Strike, one of the main competitors of Philip Morris, the show’s main sponsor. During their sponsorship, script writers were even discouraged from using the word “lucky” in dialogue!

    “Life Visits an Orchestra Leader at Home”

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    Oops! The prop man who made the fake Life article forgot to change the subtitle of the original he used as a template. It incongruously says that Ricky Ricardo is a “pleasing and graceful type.” 

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    The photo of Lucy (“That’s a fine picture of my left arm!”) may actually be of Lucille Ball because the monogram on the blouse are the initials ‘LB’ (although it could be ‘LR’ as the lower part of the ‘B’ is blocked by the baby!). It could also be another person wearing Lucy’s blouse.

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    The episode opens with Lucy feeding Little Ricky and asking him to take a few steps, which (with Lucy’s help) he tries to do – greeted by assorted “ooohs” and “aahs” from the studio audience. This scene was usually cut in syndication as it contributes nothing to the plot, except to introduce the ‘new’ Little Ricky.

    This is the first time Little Ricky was played by the Mayer twins, Joseph and Michael, instead of the Simmons twins. The Mayer twins will continue in the role until the end of season five.

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    Oops! When Fred comes up to visit Ricky, he calls it LIFE’S Magazine. Then he makes himself comfortable by putting his foot up on the Ricardo sofa!  Manners, Fred!

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    The rest of the episode (not surprisingly) involves Lucy wanting to get into Ricky’s act.

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    He decides to hire her, and then over-rehearses her to the point of exhaustion so that she quits.

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    Louis A. Nicoletti, a long-time member of the Desilu company and frequent extra, plays the Dance Coach who reminds Ricky he still need a girl to sit in the balcony with a rose in her teeth while he sings.

    When Lucy gets home she finds the Mertzes babysitting for Little Ricky. Mrs. Trumbull is off visiting her sister.  Mrs. Trumbull’s sister (a character we never meet) will also be mentioned when the Mertzes move to Connecticut in season 6. She manages the apartment house for Fred and Ethel.

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    Fred spills the beans about Ricky’s plan to make Lucy regret wanting to be in the show, but naturally, Lucy has a scheme to upstage Ricky at his own game.

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    The performance at the Tropicana begins with a close-up of Nancy the harpist, allowing her a rare moment of attention center stage.

    “Lady of Spain,” a popular song written in 1931 by Tolchard Evans with lyrics by Erell Reaves (pseudonyms of Stanley J. Damerell and Robert Hargreaves). While Ricky performs, Lucy does magic tricks behind him, making him believe her applause is for his singing.

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    After “Lady of Spain”, Ricky launches into “The Loveliest Night of the Year.”  Although the music was first written in 1888, it was adapted for the movie The Great Caruso and sung by Mario Lanza in 1950. It became one of the most popular songs of 1951 reaching #3 on the Billboard charts.

    The instrumental version of the song is often associated with magicians and with flying trapeze acts. Here Lucy does a bit of both.

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    She is assisted by former vaudevillian Fred, who is in the fly space above hoisting her up on wires. This shot was done in the real Desilu soundstage catwalks. Naturally, William Frawley was not actually in control of Lucille Ball’s fate during the stunt!

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    When Ricky discovers what she’s been up to, he plays “Babalu” on her posterior while she is suspended in mid-air!

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    Editing Mistake! An American flag between the double doors on the balcony  suddenly appears half-way through Ricky’s act. After the paso dobles verse of “Lady of Spain,” there is a cut in the film before Ricky starts singing “The Loveliest Night of the Year.” It is likely that the flag was used by Lucy in another stunt, but that it was cut – either for time or a technical glitch. The rest of the episode is rather aimlessly paced and if the episode was running long, the scene between Lucy and Little Ricky might have been easily shortened.

    FAST FORWARD

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    The final sequence is very reminiscent of “Ethel’s Home Town” (S4;E15), when the gang upstage Ethel as she sings “Shortnin’ Bread” and “My Hero.”

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    Lucy was up on wires again when she played the Wicked Witch in “Little Ricky’s School Pageant” (S6;E10).

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    In “Danny Thomas’ World of Burlesque” (1965), Lucille Ball performs “The Butterfly Ballet” suspended on a wire above the stage and over the auditorium. For this act, Peter Foy, of the famous Foy Family (who did flying on Broadway for Peter Pan and other shows) were brought in to supply rigging and supervise.

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    Copies of this issue of LIFE must have been stored in the Desilu props closet because it showed up again, two years later, in “The Great Train Robbery” (S5;E3). Lucy claims to have just bought the magazines at the newsstand on the platform.

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    LIFE Magazine featured a photo of Lucy as Chaplin in the November 30, 1962 issue, a month before “Chris’s New Year’s Eve Party” (TLS S1;E14) first aired. This photo was later the cover photo of a special issue of LIFE called “Classic Faces”.

     

  • “Lucy Hires a Maid”

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    (S2;E23 ~ April 27, 1953) Directed by William Asher. Written by

    Jess Oppenheimer, Madelyn Pugh and Bob Carroll, Jr. Filmed on March 27, 1953 at General Service Studio. Rating: 67.8/91

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    Synopsis ~ When Little Ricky’s sleep schedule tires out Lucy, she hires a maid: the ‘Hazel-from-Hell’, Mrs. Porter.  When she proves to be too formidable an employee, Lucy and Ricky can’t find a way to fire her!

    “We have a garbage disposal and a washing machine and a television set – 21 inch!”

    Two days before this episode first aired (March 25, 1953), CBS (Lucy’s network) conceded victory to NBC / RCA in the development of color television standards. The two networks had been simultaneously working on bringing color broadcast and home sets to America.  Lucille Ball would not be seen in color on TV until 1962 – nine years later. 

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    Verna Felton (1890-1966) made her professional stage debut at the age of 10 as ‘Little Verna Felton,’ working extensively on stage. Felton was one of the most successful performers in radio, and soon went on to television. She played the persistent Mrs. Day on “The Jack Benny Show” (1955). She received two Emmy nominations for her role in the Desilu series “December Bride,” playing Hilda Crocker from 1955 to 1959 opposite Spring Byington as Lily. 

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    Desi Arnaz played himself on “December Bride” in February 1956. 

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    Earlier that season Felton was featured in "Sales Resistance” (S2;E17) playing Mrs. Simpson, a housewife who Lucy tries to sell a Handy Dandy vacuum cleaner.

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    But it was her association with Walt Disney Animation Studios for which she is best remembered. For Disney, Felton voiced three elephants: Elephant Matriarch and Mrs. Jumbo in Dumbo (1941), as well as Winifred in The Jungle Book (1967). 

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    She played two Queens: The Queen of Hearts in Disney’s Alice in Wonderland (1951) and Queen Leah in Sleeping Beauty (1959). 

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    Her more human characters included Aunt Sarah in Lady and the Tramp (1955) and – a rare non-Disney female – Pearl Slaghoople, Wilma’s mother on “The Flintstones”. 

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    She also voiced two wand-wavers: Flora in Sleeping Beauty and – perhaps most famously – The Fairy Godmother in Disney’s Cinderella (1950), where she introduced the song “Bibbidi-Bobbidi-Boo” to the world. 

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    It is funny to imagine the gruff, grim, Mrs. Porter cleaning the Ricardo apartment while singing “But the thingamabob that does the job is bibbidi-bobbidi-boo!"  

    Even her husband got into the Disney act, as the voice of Pluto the dog!  Felton was married to radio actor Lee Millar for six years when when they appeared together on Broadway in Appearances, a few months before the crash of ’29. 

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    They had one child together, Lee Millar Jr., (above) who made four appearances on “I Love Lucy,” most notably as Chip Jackson, the emcee who introduces the acts in “Lucy and the Dummy” (S5;E3).   

    Ironically, Verna Felton died of a stroke on December 14, 1966, just one day before the death of her most frequent employer, Walter Elias Disney.

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    At breakfast, Lucy catches the toast in mid air, just as Ricky is telling her what to ask the prospective new maid. This was one of Lucille Ball’s favorite comic bits and had already been seen in numerous episodes. After Lucy successfully grabs the bread mid-air, Ricky adds that she should ask the maid if she has a catcher’s mitt! 

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    On the kitchen shelf there are three white mugs with the names: Lucy, Ricky Jr. and Ricky on them (although the third mug remains mostly out of frame). The “L” in Lucy is written in Lucille Ball’s distinctive cursive handwriting. After Desilu was dissolved and the Arnaz’s divorce, the “L” would go on to be associated with Lucille Ball and Lucille Ball Productions.  

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    A lady of leisure now that she’s hired a maid, Lucy has time to read the May 1953 issue of Woman’s Home Companion. This is the same magazine she will be seen reading in “Lucy Wants New Furniture” (S2;E28). 

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    For lunch, Mrs. Porter serves Lucy a peanut butter sandwich (no jelly) on white bread! This gives Lucille Ball a good opportunity to make some hilarious facial expressions when trying to eat the sticky sandwich.

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    To convince Mrs. Porter to take the job, Lucy brags that they have a 21″ television set and a garbage disposal. While quite common in modern and West Coast dwellings, New York City apartments rarely if ever had disposals. Manhattan actually banned them for a time, fearing damage to the plumbing of pre-war buildings – like the Mertzes. 

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    In this episode, Little Ricky is played by the Simmons Twins, although his cry is voiced by Jerry Hausner, who usually plays Jerry the Agent. 

    Blooper Alert! When Lucy explains the "who gets up with the baby” compromise to Ricky, she flubs her line by saying “heard” when she meant “hears.” She corrects herself and that take made the final cut. 

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    Oops! Just as Lucy unfolds the legs of the card table, she falls asleep, then when the camera angle changes, there’s a set of numbers that mysteriously show up underneath the table.


    FAST FORWARD – GOOD HELP IS HARD TO FIND!

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    Naturally, Lucille Ball had a maid herself. Willie Mae Barker was more of a member of the family than a servant. In 1960, Lucy refused to have Willie Mae go around back to the servant’s entrance of her New York apartment, insisting she use the front door, despite the policy of the building. Desi even worked her name into the dialogue of “The Amateur Hour” (S1;E14). 

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    Lucy Ricardo pretended to be a maid to impress Fred’s vaudeville partner in “Mertz and Kurtz” (S4;E2, right) while Ethel pretended to be a maid to impress Tallulah Bankhead in “The Celebrity Next Door,” a 1957 episode of “The Lucy-Desi Comedy Hour.”  

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    Lucy Ricardo had encounters with hotel maids (left to right): Iva Shepard at the Beverly Palms Hotel (Hollywood); Maxine Semon at the Sands (Las Vegas); and Nancy Kulp at the Wimbelshire Hotel (London). 

    Juney Ellis played Richard Widmark’s maid in “The Tour” (S4;E30). 

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    In 1964′s “Lucy Gets Her Maid” (TLS S3;E11), Lucy Carmichael hires Mrs. Putnam (Kathleen Freeman), a maid who intimidates her and behaves more like the employer than the employee. Both maids dislike children, are overly concerned about their own meals, and demand to be addressed by their last names. As in 1953, Lucy ends up waiting on the maid, not the other way around.  

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    In order to afford Mrs. Putnam’s salary, Lucy and Viv must become maids themselves! 

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    On a 1964 episode of “The Danny Kaye Show” (S2;E7), without the use of costumes or scenery, Kaye and Ball perform a sketch about a married couple  forced to fire a maid named Brunhilde, who is monopolizing the care of their baby. Brunhilde is played by a shrill off-stage voice who only speaks German.

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    In The Affairs of Annabel (1938), Lucille Ball plays an actress who does on-the-job research for her next picture by taking a job as a maid. 

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    Ball also played a woman who went undercover as a maid in 1947′s Lured. 

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    Lucy played Janet, Jack Benny’s maid in “Jack Benny’s 20th Anniversary Special” (1970). 

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    Some miscellaneous maids from Lucy-coms!  Can you identify the performer and the episode in which they played the maid?  

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    Lucy the Maid was a short-lived character on the animated adult sci-fi series “Ricky and Morty” (2013-17).  Aside from the names Lucy and Rick(y), however, there is no association to “I Love Lucy”.  Perhaps the creators were fans? 

  • “Lucy Becomes a Sculptress”

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    (S2;E15 ~ January 12, 1953) Directed by William Asher. Written by Jess Oppenheimer, Madelyn Davis, and Bob Carroll Jr. Filmed November 7, 1952 at General Service Studios. This was the 15th episode to be filmed. Rating: 66.6/88

    This episode is based on Lucy’s radio show, “My Favorite Husband” episode #99, “Liz Becomes a Sculptress” broadcast October 7, 1950.

    Synopsis ~ Believing that her new baby should be surrounded by culture, Lucy takes up sculpting.


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    The episode begins with Lucy and Ricky looking through family albums.

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    The snapshots shown (in insert shots) are actually Lucille Ball and Desi Arnaz as babies.

    Two of the photos were mounted on the wall of their office at Desilu. They were labeled “Our President” (Desi) and “Vice President” (Lucille).

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    About one of Ricky’s photos, Lucy asks if they called him “fancy pants,” which was also the title of Lucy’s 1950 movie with Bob Hope.

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    A fifth photo of Lucy’s great-grandfather, who Lucy says was was a great artist, is not real, but actually a staged photo.

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    In reality Lucille Ball’s four great-grandfathers were unlikely to be artists. On his mother’s side William C. Orcutt was a Civil War vet and spent the rest of his life in poor hospitals, while Reuben Hunt was a working class hotelier. On her father’s side not much is known about George Durrell, but Clinton Ball descended from landed gentry in England. Lucy often said that there was some Ball blood in George Washington since his mother’s maiden name was Mary Ball. But Clinton Ball was also strict Protestant Fundamentalist and forbade any of his six children to dance – so an affinity for the visual arts is unlikely.

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    Some of the items seen in the art store scene are still available online! The unframed print on the easel is

    Oops! At the end of the art store scene, after Lucy walks off leaving the two art store scammers, there is a noticeable jump cut and a sudden round of applause before the men unceremoniously dump Lucy’s ‘creation’ back in the clay bin.

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    While being Lucy’s model, Ethel tells Lucy a story about how their friend Jane Sebastian’s baby was very overdue, and when Jane finally went to the hospital to have the baby, she ended up having twins. In real life Jane Sebastian was the name of Vivian Vance’s good friend. In 1944, Vance became godmother to her son, John, who went on to head the band The Lovin’ Spoonful. Although never seen on screen, Jane was mentioned in “Lucy and Ethel Buy the Same Dress” (S3;E3) and  “The Fashion Show” (S4;E19).

    Here Vivian Vance wears the ‘arrow’ collar dress Ethel has been seen in many times.

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    Lucy convinces Fred to model in a lot less than that! Fred is emulating The Discobolus of Myron (“discus thrower”), a Greek sculpture completed at the start of the Classical Period, figuring a youthful ancient Greek athlete throwing discus, circa 460–450 BC. The original Greek bronze is lost but the work is known through numerous copies.

    Ricky incorrectly calls him “Hercules Mertz.” Lucy wonders if Michelangelo had these troubles.

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    This episode allows a very pregnant Lucy to show off her skill at facial expressions instead of extreme physical comedy.

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    Oops! Lucy Ricardo is said to be only three weeks away from her due date. In the previous pregnancy episode she was six months pregnant. Three months went by in between episodes!

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    The art store clerk is played by Russian-born Leon Belasco (right) who had done three movies with Lucille Ball between 1939 and 1944.  He also appeared in three episodes of “The Lucy Show.” William Abbott, the shop owner, is played by

    Shepard Menken (left), who was seen in three other episodes: “The Adagio” (S1;E12), “Lucy Has Her Eyes Examined” (S3;E11), and “Paris at Last” (S5:18).

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    To impress the New York Times Art Critic, Lucy comes up with a plan to make a plaster cast of her head. When that fails, her head must stand-in!  Getting stuck in a bucket of plaster of Paris is quite similar to when Lucy got her foot stuck in a bucket of cement in “Lucy Visits Grauman’s” (S5;E1).

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    ETHEL: She put a lot of herself into this statue. 
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    Paul Harvey plays the art critic from the New York Times who visits the Ricardo apartment to assess Lucy’s talent. In this episode he gets to use his own surname. Harvey had previously appeared in seven films with Ball.


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    It is ironic that the half-hour series also ends with Lucy as a human sculpture when she poses as the Westport Minuteman in “The Ricardo’s Dedicate a Statue” (S6;E27).

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    Coincidentally, on the evening this episode was filmed (November 7, 1952), “Our Miss Brooks” (filmed by Desilu) aired an episode titled “Living Statues” which also starred Paul Harvey. Instead of clay, a sticky furniture finish caused people to get stuck – making them appear to be living statues. Lucy’s comic foil on radio Gale Gordon, appeared with Eve Arden and Richard Crenna, all of whom would make appearances on “I Love Lucy.”

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    In 1973, Lucy Carter takes up sculpting in “Lucy and Uncle Harry’s Pot” (HL S5;E21).

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    A statue of Lucy Ricardo in Jamestown, New York, (dubbed ‘Scary Lucy’) came under fire as bearing little resemblance to the star, and was replaced by a more suitable effigy. Another one, in Palm Springs, California, where the Arnaz family had a second home for many years, has escaped critique.