• THE SINCEREST FORM OF FLATTERY

    Lucille
    Ball’s outrageous stunts have inspired other shows to get laughs from
    the same unlikely situations. These are some of my favorite Lucy
    inspirations (in no particular order)…


    WILL & GRACE (1998-2006
    and 2016+)

    “Who’s
    Your Daddy?” (S9;E2 ~ October 5, 2017)
    Starring
    Debra Messing (Grace), Megan Mullalley (Karen)

    inspired
    by

    “The
    Lucy Show”
    “Lucy and Viv Put In a Shower” (S1;E18 ~
    January 28, 1963)
    Starring
    Lucille Ball (Lucy), Vivian Vance (Viv)

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    Debra
    Messing (Grace) bears a striking resemblance to Lucy, and has often
    admitted to being inspired by her. She Tweeted in 2017: ”You [Lucy] changed the rules of the game for women in comedy and inspired
    millions of little girls who wanted to make people laugh.”
     It is
    no wonder then, that scenes with her co-star Megan Mullalley (Karen)
    feel like the funniest antics of Lucy and Ethel. In this instance,
    the two recreate the time Lucy Carmichael and Vivian Bagley installed
    a home shower – and couldn’t turn off the water!  

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    Although the
    relationships are strictly 21st century, the foursome of Will & Grace and Karen & Jack often feels
    a lot like Lucy & Ricky and Fred & Ethel!


    BEWITCHED (1964-72)

    “Samantha’s
    Power Failure” (S5;E25 ~ March 20, 1969)
    Starring
    Elizabeth Montgomery (Serena), Paul Lynde (Uncle Arthur), Ron
    Masak (Buck)

    inspired
    by

    “I
    Love Lucy”
    “Job Switching” (S2;E1 ~ September 15, 1952)
    Starring
    Lucille Ball (Lucy), Vivian Vance (Ethel), Elvia Allman (Forewoman),
    Amanda Milligan (Candy Dipper)

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    Instead
    of candy, Samantha’s cousin Serena and her Uncle Arthur are sent to
    work in an ice cream shop where they are charged with dipping bananas
    in chocolate when they come down a conveyor belt. As with Kramer’s
    Candy Kitchen, the belt moves faster and faster as the scene goes on
    and neither one can keep up!  

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    In the end, Arthur, Serena, and Buck,
    (the boss putting the moves on Serena) are covered in chocolate just
    like Lucy and her candy dipper co-worker. In this case, the
    inspiration for the scene came from the creators themselves. William
    Asher, who was the director of “Bewitched” (and husband of its
    star, Elizabeth Montgomery), was also the director of “Job
    Switching.”
     Harry S. Ackerman, who produced “Bewitched” for
    ABC, was one of the original CBS executives to green light “I Love
    Lucy” in 1951.


    BUNGLE ABBEY (1981)

    Pilot
    (May 31, 1981)
    Starring
    Charlie Callas (Brother Charles), Graham Jarvis (Brother Virgil),
    Gino Conforti (Brother Gino), Peter Palmer (Brother Peter)

    inspired
    by

    “I
    Love Lucy”
    “Lucy’s Italian Movie” (S5;E23 ~ April 16, 1956)
    Starring
    Lucille Ball (Lucy), Teresa Tirelli (Grape Stomper), Ernesto Molinari
    (Vineyard Boss)

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    Perhaps
    no more bit of physical comedy is more recognizable than the sight of
    Lucy stomping grapes (and nearly drowning) in Italy. It is unsurprising that Lucille Ball, in her one solo outing as a director, started
    the pilot with grape stomping in a big vat. But that’s as far as
    the scene goes. 

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    Instead of a fight in the vat, the scene is capped off by the sight of the
    brothers emerging with purple feet. It was clear from this pilot
    episode that the show was not going to be picked up for series and
    only this episode was ever shown. This was part of Lucille Ball’s
    deal to work for NBC, a move that never amounted to more than one
    special and this pilot. Gale Gordon played the Abbot, but was not in
    this scene.  


    LAVERNE & SHIRLEY (1976-83)

    “The
    Diner” (S5;E25 ~ May 6, 1980)
    Starring
    Penny Marshall (Laverne), Cindy Williams (Shirley), David Lander
    (Squiggy), Michael McKean (Lenny)

    inspired
    by

    “I
    Love Lucy” 
    “The Diner” (S3;E27 ~ April 26, 1954)
    Starring
    Lucille Ball (Lucy), Desi Arnaz (Ricky), Vivian Vance (Ethel),
    William Frawley (Fred), James Burke (Mr. Watson)

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    No
    other female comedy team in the history of television has been so
    often compared to Lucy and Ethel as Laverne and Shirley. Add in their
    pals Lenny and Squiggy, you’ve got a reasonable facsimile of the
    Ricardos and Mertzes, especially when the plots pit men against the
    women. In this episode, which has the same exact title as its
    inspiration, Lenny has inherited a diner that he gives over to the
    girls to run. 

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    Just as Ethel was confined to the kitchen, so is
    Laverne. She even does a bit of business with a pop-up toaster,
    something that Lucille Ball often did. Both sets of ladies indulge in
    “diner lingo” and get overwhelmed by their new business ventures.


    THE MUNSTERS (1964-66)

    “A
    House Divided” (S2;E29 ~ April 7, 1966)
    Starring
    Fred Gwynn (Herman), Yvonne De Carlo (Lily), Al Lewis (Grandpa),
    Butch Patrick (Eddie), Pat Priest (Marilyn)

    inspired
    by

    “I
    Love Lucy”
    “Men
    are Messy”
    (S1;E8 ~ December 3, 1951)
    Starring
    Lucille Ball (Lucy), Desi Arnaz (Ricky), Vivian Vance (Ethel),
    William Frawley (Fred)

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    When
    Lucy declares that ‘men are messy’ she divides the apartment in two,
    drawing a literal line down the center with white ribbon. On “The
    Munsters” Herman and Grandpa are the ones seeking separation,
    drawing their line with white paint.  

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    On “I Love Lucy” the pair
    were forced to tear in half the last cigarette: “I’ll
    have Philip, you can have Morris.”  
    When
    Philip Morris was no longer a sponsor, the brief moment was cut and
    not seen again until the DVD release. 

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    The white line was resurrected when
    the Ricardos and Mertzes can’t agree how to run “The Diner”
    (S3;E27), drawing a line down the center that bisects a single stool.
    Naturally, a patron occupies that borderline seat and pits “A
    Little Bit of Cuba” against “A Big Hunk of America.”  


    MIKE & MOLLY (2010-16)

    “Poker
    in the Front, Looker in the Back” (S4;E5 ~ December 2, 2013)
    Starring
    Melissa McCarthy (Molly), Swoosie Kurtz (Joyce)

    inspired
    by

    “I
    Love Lucy”
    “The
    Tour”
    (S4;E30 ~ May 30, 1955)
    Starring
    Lucille Ball (Lucy), Vivian Vance (Ethel)

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    Although
    the plots of both episodes are very different, there’s no denying
    that when Molly and Joyce decide to scale the fence to their
    neighbor’s yard, they instantly recall Lucy and Ethel scaling Richard
    Widmark’s wall to get a souvenir grapefruit. In both cases there’s a
    dog on the other side!  

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    The resemblance is sealed when Molly gives Joyce a boost over the wall, just as Ethel did for Lucy. 


    CAR 54 WHERE ARE YOU? (1961-63)

    “Boom,
    Boom, Boom” (S1;E14 ~ January 14, 1962)
    Starring
    Fred Gwynn (Muldoon), Joe E. Ross (Toody), Gerald Haken (Katz the
    Butcher)

    inspired
    by

    “I Love Lucy”
    “The
    Freezer”
    (S1;E29 ~ April 28, 1952)
    Starring
    Lucille Ball (Lucy), Desi Arnaz (Ricky), Vivian Vance (Ethel),
    William Frawley (Fred)

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    The
    plots leading up to being trapped in the walk-in freezer vary, but
    the sight of icicles hanging off Officer Muldoon (Fred Gwynn) recall
    when Lucy Ricardo accidentally got trapped in her own home freezer
    and was discovered frosted over. Make-up expert Hal King was in charge of
    transforming Lucy into a human icicle.


    GREEN ACRES (1965-71)

    “The
    Deputy” (S1;E24 ~ March 16,1966)
    Starring
    Eva Gabor (Lisa), Eddie Albert (Oliver)

    inspired
    by

    “I
    Love Lucy”
    “The
    Handcuffs”
    (S2;E14 ~ October 6, 1952)
    Starring
    Lucille Ball (Lucy), Desi Arnaz (Ricky)

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    When Oliver is temporarily appointed Deputy of Hooterville, he demonstrates to Lisa how to use a pair of handcuffs. Then he realizes
    he’s lost the key!  This tethers the married couple by the wrist,
    just like when Fred Mertz handcuffed Lucy to Ricky when demonstrating
    his vaudeville magic act. The same kind of physical contortions that
    Lucy and Ricky engaged in just to get undressed for  bed were
    repeated when Lisa and Oliver had to get behind the wheel of a car!  

  • National Comedy Center Set To Open During Lucille Ball Fest

    National Comedy Center Set To Open During Lucille Ball Fest

  • MGM PARADE

    February 8, 1956

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    Directed
    by
    Leonard
    Spigelgass

    Written
    by

    David Greggory

    CAST

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    George
    Murphy
    (Himself
    / Host) was introduced as “Your Hollywood Ambassador of Good Will.”
    He started singing and dancing on Broadway at age 25. There he is
    credited with introducing Bob Hope to his wife Dolores. In Hollywood,
    he became Screen Actors Guild (SAG) President and was eventually elected
    US Senator. He was given a special Oscar in 1950. Murphy was in
    four films with Lucille Ball between 1934 and 1941. He starred with
    Desi Arnaz in The
    Navy Comes Through

    (1942) and Bataan
    (1943).
    In 1959, Murphy and Desi switched roles when Desi took a role in his
    own anthology series “The Westinghouse-Desilu Playhouse” and
    Murphy acted as guest host. He was also a performer in “The Desilu
    Revue”
    aired in December 1959.  

    Lucille
    Ball
    (Herself
    / Susan Vega in Forever
    Darling
    )

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    Desi
    Arnaz

    (Himself / Lorenzo Vega in Forever
    Darling
    )

    ARCHIVE FOOTAGE

    Nelson
    Eddy
    and
    Jeanette
    McDonald

    (as Paul Allison and Marcia Mornay from Maytime)

    Lena
    Horne
    (as
    Herself in Ziegfeld
    Follies
    )

    Charles
    ‘Chic’ Sale
    (as
    Abraham Lincoln from The
    Perfect Tribute
    )


    MGM
    Parade”

    (1955-56) was a weekly series on ABC designed to give viewers a
    glimpse into the movie making process at Metro Goldwyn Mayer (MGM).
    The
    30-minute program was one of their first TV programs and was produced
    by MGM’s trailer department, before the official creation of MGM
    Television.
    The opening theme was “That’s Entertainment” by Arthur Schwartz
    and Howard Dietz. Walter Pidgeon took over hosting duties from George Murphy for the
    final eight episodes.

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    Since
    it was first aired just one week before Valentine’s Day, the theme for
    this episode was love in all its forms. Romantic love is displayed
    between the characters portrayed by Nelson Eddy and Jeanette
    MacDonald singing “Sweetheart” from Maytime
    (1937). 

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    Patriotic love of country is embodied by Charles ‘Chic’
    Sale’s portrayal of Abraham Lincoln in excerpts from The
    Perfect Tribute

    (1935). Leila McIntyre was Mary Todd. McIntyre played Mary Todd Lincoln twice more in 1936: in both The Plainsman and The Prisoner of Shark Island.

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    A more literal use of the word love is presented as Lena
    Horne
    sings the song “Love” in a scene from Ziegfeld
    Follies

    (1945). Interestingly, Lucille Ball was also in this film, though it
    is not mentioned and she is not seen in the clip. Horne and Ball also were seen together in Thousands Cheer (1943), in which they both played themselves. 

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    Wedded bliss is
    displayed in real life as husband and wife Desi Arnaz and Lucille
    Ball
    present a scene from their upcoming feature film, Forever Darling (1956),
    in which they also played husband and wife.

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    On
    “I Love Lucy,” Ricky was under contract to MGM to make Don Juan, just like Lucy and Desi were for The Long, Long Trailer and Forever Darling. 

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    Forever
    Darling

    Synopsis:

    After five years of marriage, Susan (Lucille Ball) and Lorenzo (Desi
    Arnaz) have grown apart. Lorenzo is a chemist who has been working
    long hours on a new insecticide, making Susan feel neglected. Susan starts seeing her Guardian Angel (James Mason), who
    advises her to try to support her husband. So she agrees to go on a
    camping trip during which Lorenzo will be testing a new bug formula,
    even though Susan knows nothing about surviving outdoors.

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    Forever
    Darling
    was Lucy and Desi’s second and final film for MGM, the first
    being The
    Long, Long Trailer
    (1954).
    At the end of “Bon Voyage” (ILL S5;E11), Lucy and Desi filmed a
    tag encouraging viewers to get the record and see the film. 

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    The promo is set on board the SS Constitution, but intentionally vague about whether they were speaking as Lucy and Ricky, or as Mr. and Mrs. Arnaz. The tag was not part of the syndicated print of the episode. 

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    When talking about the film to George Murphy, Desi
    reminds home viewers that Forever
    Darling

    is in color. This is because “MGM Parade” was filmed and broadcast in
    black and white.  

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    The clip from Forever Darling is the scene where Susie and Lorenzo capsize their raft while Lorenzo is collecting insect specimens for his research. Naturally, this leads to an argument between the couple. Lucille Ball would often find humor in getting wet. 

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    The moment would be reprised when Lucy and Ricky’s rowboat sinks in “Lucy’s Summer Vacation” (LDCH 1959). Howard Duff and Ida Lupino were also on board.

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    Lucy Carmichael’s raft sank in the Thames River in “Lucy in London” (1966).  Her tour guide Anthony Newley also went down with the ship!

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    Murphy’s
    introductions and interviews were set in an office decorated with
    Oscars, plaques, and a lion puppet in a tux nicknamed ‘Little Leo’ inspired by the roaring lion that started every MGM film.
    Murphy and his guests would often converse with the puppet during the
    show. 

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    In “Ricky’s European Booking” (ILL S5;E10), Ricky Ricardo
    is seen recording the song “Forever Darling” with the Pied
    Pipers, further blurring the lines between Desi Arnaz, Ricky Ricardo,
    and Lorenzo Vega. 

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    Little Leo is sitting on a chair by the studio door
    and Ricky gives him a pat on the head as he leaves the room. Viewers
    of both CBS shows during the 1950s would have recognized Little Leo, but
    it is an obscure reference to most modern viewers. In some
    syndicated versions of the episode, the moment has been edited out.  

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    During
    the show, Murphy stands in front of an American Flag. At this point
    in America’s history, there were only 48 states, so the stars on
    the flag also only number 48 and therefore are differently
    configured. “I Love Lucy” and “The Lucy-Desi Comedy Hour”
    would both mention the statehoods of Alaska and Hawaii, with the
    Ricardos and Mertzes traveling to Nome to mark the occasion in
    February 1959.

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    In
    1956, Lucy and Desi were still playing the Ricardos, so it is a bit
    disorienting to hear Lucy refer to her husband as Desi instead of
    Ricky. During the light banter, however, it is clear that Lucy is the
    one in charge, a bit of role reversal from the domestic comedy of “I
    Love Lucy.”  

  • LUCY & HENRY FONDA ~ Part Two

    1975-1979

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    [For Part One – Please Click Here!]


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    The
    Dean Martin Celebrity Roast: Lucille Ball”
    (February
    7, 1975)

    Director: Greg Garrison
    Writers: Harry Crane, George Bloom,
    Tom Tenowich, Milt Rosen, Don Hinkley, Peter Gallay, Stan Burns, and
    Mike Marmer

    Starring: Lucille Ball, Henry Fonda, Dean Martin, Ginger Rogers, Gale Gordon, Vivian Vance, Bob Hope, Jack
    Benny, Milton Berle, Gary Morton, Don Rickles, Rich Little, Foster
    Brooks, Nipsey Russell, Phyllis Diller, Dick Martin, Dan Rowan, Ruth
    Buzzi

    TRIVIA

    Lucille
    Ball is visible excited to hear that Fonda is roasting her. He tells
    the story of how he and Lucy dated when she first arrived in
    Hollywood. Public speaking and comedy where not Fonda’s forte, but he
    delivers the material sincerely.  


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    The
    Dean Martin Celebrity Roast: Jimmy Stewart”
    (May
    10, 1978)

    Producers: Greg Garrison, Lee Hale
    Director: Greg Garrison
    Writers: Harry Crane, Stan Burns, David Axelrod, Jay Burton, Robert L. Mills,
    Mel Chase, Arthur Phillips, Martin Ragaway, Sol Weinstein, Howard
    Albrecht, Jack Shea, Larry Markes

    Starring: Lucille
    Ball, Henry Fonda, Dean Martin, James Stewart, June Allyson, Greer Garson, Red Buttons, Barry
    Goldwater, LaWanda Page, Eddie Albert, Foster Brooks, George Burns,
    Tony Randall, Don Rickles, Janet Leigh, Rich Little, Milton Berle,
    Jesse White, Orson Welles, Mickey Rooney, Ruth Buzzi

    TRIVIA

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    Henry Fonda talks about the films they did together. Fonda introduces and narrates film clips of Stewart’s career. Henry
    Fonda and Stewart first worked together on the film On
    Our Merry Way
    (1948).
    They also collaborated on How
    The West Was Won

    (1962), Firecreek
    (1968), and The
    Cheyenne Social Club

    (1970). The were frequently seen on TV awards shows and tributes.

    Lucille
    Ball and Jimmy Stewart never appeared together in a dramatic context.
    They often were guests on the same awards shows, tributes, and talk
    shows. The first was “Hedda Hopper’s Hollywood” (1960) and the
    last was Lucille Ball’s final public appearance on “The 61st Annual Academy Awards” (1989).  

    Fonda,
    Ball, and Stewart, were all neighbors in Beverly Hills. Lucy talks
    about his vegetable garden, a subject she has mentioned on other
    programs. Lucy jokes about what a respectful neighbor he is. She
    also ribs Stewart about his somewhat prudish reputation.

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    Lucy:
    “Next
    to Jimmy Stewart, Fred MacMurray is electrifying!”  


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    AFI
    Life Achievement Award: Henry Fonda”

    (March 15, 1978)

    Producers: Eric Lieber, George Stevens Jr.
    Director: Marty Pasetta
    Writer: Hal Kanter

    Starring:
    Henry Fonda, Lucille Ball, Jane Alexander, Richard Burton, Bette
    Davis, Kirk Douglas, Jane Fonda, Peter Fonda, James Garner, Lillian
    Gish, Charlton Heston, Ron Howard, Jack Lemmon, Fred MacMurray,
    Marsha Mason, Dorothy McGuire, Lloyd Nolan, Gregory Peck, Barbara
    Stanwyck, James Stewart, Richard Widmark, Billy Dee Williams

    TRIVIA

    The
    American Film Institue (AFI)
    is
    an organization that educates filmmakers and honors the heritage of
    the motion
    picture arts in the United States.
    It was founded in 1965 by a mandate from President Lyndon Johnson.
    Their annual life achievement award began in 1973 and was awarded to
    John Ford. The ceremony that honored Henry Fonda was the first and
    only one not to have a host / presenter.

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    Henry
    Fonda:

    “I
    dated Lucy once. I guess you could say I didn’t really plight my
    troth. I cry myself asleep a lot because if I had plighted by troth
    properly, they might’ve changed the name of that studio to Henrylu.”

    Lucy’s
    daughter, Lucie Arnaz, and her husband, Gary Morton, sit next to her
    in the audience.

    Film
    clips from two out of three film collaborations with Lucille Ball,
    The
    Big Street

    (1943) and Yours,
    Mine and Ours

    (1960), are included.


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    General
    Electric’s All-Star Anniversary”

    (September 29, 1978)

    Director:
    Dick
    McDonough
    Writers:
    Monty
    Aidem, Jeffrey Barron, Bob Howard, Paul Keyes

    Cast:
    John
    Wayne (Host), Lucille Ball, Henry Fonda, Albert Brooks, Alex Haley,
    Pat Hingle (as Thomas Edison), Bob Hope, Cheryl Ladd, Michael Landon,
    Penny Marshall, Denise McKenna, Donny Osmond, Marie Osmond, Charlie
    Pride, John Ritter, Red Skelton (as Old Man Watching a Parade),
    Suzanne Somers, Jimmy Stewart (as Mark Twain), Elizabeth Taylor,
    Leslie Uggams, Jimmie Walker, James Whitmore (as Will Rogers), Cindy
    Williams, Henry Winkler, Sha-Na-Na

    Synopsis:
    John
    Wayne hosts this 90-minute ABC variety show. He gives a capsulized
    running history of the past 100 years between musical numbers,
    vignettes, and vintage film clips. Leslie Uggams and the group
    Sha-Na-Na perform musical numbers and Albert Brooks does a routine
    about holding auditions to find a new national anthem.

    TRIVIA

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    Although
    video of this special is scarce, photographs show Lucille Ball
    interacting with host John Wayne and performing a fast-paced dance
    number. There are no photos or other records of Henry Fonda’s role in
    the celebration.  

    John
    Wayne also hosted a similar patriotic variety show, “Swing Out,
    Sweet Land,” in 1971. Lucille Ball did a serious monologue as the
    internal voice of the Statue of Liberty. Bob Hope and Leslie Uggams
    were also involved in both shows. Mark Twain was a character in both.

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    This
    special was ostensibly to mark the General Electric Corporation’s
    (GE) 100th Anniversary, which came as a surprise to many as it had just
    celebrated its 75th Anniversary in 1970!  Although the company was formed in 1895 by the
    merger of several smaller companies, GE eventually decided that its
    Anniversary should be marked by the day Thomas Edison himself formed
    the company in 1878. This change was primarily for advertising
    purposes – and this special was one of those marketing strategies.

    From
    1953 to 1962, GE sponsored the anthology series “General Electric
    Theatre” which, like “I Love Lucy,” was aired on CBS. It was
    hosted by future US President Ronald Reagan. Henry Fonda played clown
    Emmett Kelly in “The Clown” aired on March 27, 1955.

    In
    1952, Lucille Ball was featured in a print ad campaign to promote GE
    Ultra-Vision television sets.


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    America
    Alive!”
    (November
    9, 1978)

    America
    Alive!”

    was
    a short-lived hour-long NBC daytime show which featured consumer
    tips, relationship advice, entertainment news and reviews, and
    comedy, from its home studio in New York City as well as remotes from
    Los Angeles.

    Cast:
    Jack
    Linkletter (Host), Lucille Ball and Gary Morton (Co-Hosts), Henry
    Fonda (Guest)

    TRIVIA

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    While
    Lucy and Gary were in a California studio, Lucy was supposed to
    interview Henry Fonda, who was in their studio in New York. The
    following day, host Jack Linkletter infers that it wasn’t strictly an
    interview. Linkletter doesn’t specify what happened and there are no
    video records of the interview.  

    The
    following day, Lucy spent the entire hour taking questions from an
    audience of students at UCLA.  


    The
    36th
     Annual Golden Globe Awards”
    (January 27, 1979)

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    Lucille
    Ball was the recipient of the Cecil B. DeMille Award. Henry Fonda was
    in attendance to support his daughter, Jane Fonda, who won for Coming
    Home
    and
    received the Henrietta Award for World Film Favorite. Fonda was also
    a presenter. 


    SPEAKING OF HENRY….

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    In
    1971’s “Lucy
    & Carol Burnett: The Hollywood Unemployment Follies”
    (HL
    S3;E22) the ensemble sings “Hooray
    for Hollywood” with
    specially-written lyrics that mention Henry
    Fonda
    and
    his children Jane and Peter.

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    In
    1973’s “Lucy
    and Joan Rivers Do Jury Duty”

    (HL S6;E9), Lucy and Joan are on a deadlocked jury they compare to
    the film Twelve
    Angry Men

    (1957) starring Henry Fonda as the holdout juror.  

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    Lucy
    Moves to NBC”

    (February 8, 1980) kicks off with a tour bus driving through Beverly
    Hills and the tour guide’s voice announcing the homes they are
    driving past, including the Henry Fonda’s. When the bus reaches
    Lucille Ball’s Roxbury Drive mansion, Lucy gets out of the bus –
    having hitched a ride from after her downtown shopping trip. In real
    life, the Arnaz family actually did live in the same neighborhood as
    Henry and Shirlee Fonda as well as James and Gloria Stewart and Jack
    Benny and Mary Livingstone.

    Henry
    Fonda died in 1982.

    Shirlee Fonda: “She
    [Lucy] was always calling or coming over to see him when he was ill.
    And after he died, she was one of the ones who always included me in
    social gathering. When I gave that first party after Henry’s death, I
    said, ‘Lucy, you have to be there and help me get though this.’ And
    she was there for me, for 100%”

    Lucille
    Ball died in 1989.


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  • LUCY & HENRY FONDA ~ Part One

    1935-1968 

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    Lucille
    Ball and Henry Fonda were more than just co-workers. When Lucy first
    got to Hollywood, the two actually briefly dated. Lucy remembers,

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    “We
    worked long and hard, Ginger [Rogers] and I, in front of our mirrors.
    We used eye shadow, plenty of mascara, pancake [make-up], deep red
    lipstick, rouge, everything we’d been taught in the studio cosmetic
    department. Then we went out to Brentwood, that’s where the boys
    lived. My date was Fonda. Ginger’s date was [Jimmy] Stewart. Henry
    cooked the dinner, and after we ate, Ginger and the boys turned on
    the radio in the living room and Ginger tried to teach them ‘The
    Carioca.’ I was left doing the dishes. When I finished, we went out
    dancing at the Coconut Grove. Freddie Martin’s orchestra. There we
    were, Ginger and I in our long organdy dresses, looking just as
    summery and smooth as we could. The date stretched into daybreak.
    We’d had a hilarious, wonderful evening that came to an end at
    Barney’s Beanery. Well, it was dark and we went in and light when we
    came out. Hank and Jim took one look at us and said, ‘What happened?’
    We said, ‘What do you mean what happened?’ And Jimmy Stewart said,
    ‘Well, your nighttime makeup is on awful heavy for this time of the
    morning.’ And Henry Fonda said, ‘Yuk!’”

    In
    1975 Fonda told this story at “The Dean Martin Celebrity Roast”
    for Lucille Ball. Ginger Rogers was also in attendance. He added that
    “If
    I hadn’t said, ‘Yuk!’, if I’d behaved myself, they might have named
    that studio Henrylu, not Desilu.”

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    Perhaps
    it is a good thing that Fonda and Ball never married as genealogists
    point out that they are related – 8th cousins. The pair acted in three feature films together and made
    numerous television appearances opposite one-another. Curiously,
    although he was sometimes mentioned, Fonda never guest-starred on a
    “Lucy” sitcom.  


    image

    I
    Dream Too Much

    (1935)

    Producer:
    Pandro S. Berman
    Director:
    John Cromwell
    Choreographer:
    Hermes Pan
    Screenplay:
    Elsie Finn (story), David G. Wittels (story), Edmund North
    Songs:
    Jerome
    Kern
    and Dorothy Fields 

    Cast:
    Lily Pons (Annette Monard Street), Henry Fonda (Jonathan Street),
    Eric Blore (Roger Briggs), Osgood Perkins (Paul Darcy), Lucien
    Littlefield (Hubert Dilley), Lucille Ball (Gwendolyn Dilley)

    Synopsis:
    Annette
    Monard Street (Lily
    Pons)
    is an aspiring singer, who falls in love with and marries Jonathan
    Street (Henry
    Fonda),
    a struggling young composer. Jonathan
    pushes her into a singing career, and she soon becomes a star.
    Meanwhile, Jonathan is unable to sell his music, and he finds himself
    jealous of his wife’s success. Concerned about their relationship,
    Annette uses her influence to get Jonathan’s work turned into a
    musical comedy. Once she achieves this, she then retires from public
    life in order to raise a family.

    “Lucille
    replaced Betty Grable, an eighteen-year-old stock player… in the
    minor role of Gwendolyn Dilley, a bleached-blonde gum-chewer visiting
    Paris with her parents and little brother.”

    ~ Kathleen Brady, Lucille

    image

    Gwendolyn
    Dilley
    (Lucille
    Ball): "Culture
    is making my feet hurt.”

    TRIVIA

    At
    this point in her career, Lucy was a platinum blonde. She had dyed it
    from her natural mousy brown to get more attention from casting
    agents and producers. She did not begin coloring her hair its
    trademark red until the technicolor film Du
    Barry Was A Lady
    in
    1943.

    A
    brief clip of Lucy in the film is included in “Hollywood the Golden
    Years: The RKO Story: A Woman’s Lot”
    (1987).  


    image

    The
    Big Street
    (1942)

    Producer:
    Damon Runyon
    Director:
    Irving Reis
    Screenplay:
    Leonard Spigelgass, based on the short story “Little Pinks” by
    Damon Runyon

    Cast:
    Henry Fonda (Little Pinks), Lucille Ball (Gloria Lyons), Barton
    MacLane (Case Ables), Eugene Pallette (Nicely Nicely Johnson), Agnes
    Moorehead (Violette Shumberg), Sam Levene (Horsethief), Ray Collins
    (Professor B)

    Uncredited
    actor Hans
    Conried

    played a waiter. On “I Love Lucy” he played Harry Martin in
    “Redecorating” (S2;E8)
    and Percy Livermore in “Lucy Hires an
    English Tutor” (S2;E13)
    , both in 1952. He also did two episodes of
    “The Lucy Show,” both as her music tutor Dr. Gitterman in 1963.  

    ‘Queen
    of the Extras’ Bess
    Flowers

    made numerous uncredited background appearances on both “I Love
    Lucy” and “The Lucy Show.”  

    Uncredited
    actor Gil
    Perkins

    (Mug) later turned up on a 1970 episode of “Here’s Lucy”
    (S2;E21)
    .  

    TRIVIA

    During
    filming, Lucy’s new husband Desi
    Arnaz felt
    so insecure about leaving Lucy and Fonda alone together that he’d often
    pop by the set to keep an eye on them. His paranoia so exasperated
    director Irving Reis that he finally banned him from the set.

    This
    was Lucille Ball’s favorite of her nearly 80 films. She felt her
    performance was unjustly ignored by the Academy.

    image

    Damon Runyon also created the source material for the hit Broadway musical Guys and Dolls (1950), which starred Robert Alda, who went on to make several appearances on “The Lucy Show.” The two stories share the character of Nicely Nicely Johnson. When the film version was made by MGM in 1955, Lucy and Desi were also under contract to the studio. A brief clip of the film was inserted into the middle of an episode of “I Love Lucy” called “Lucy and the Dummy” (S5;E3), although the clip was removed after its initial airing. Further, when Lucille Ball first came to Hollywood, before becoming a contract player at RKO, she worked for Sam Goldwyn as one of the Goldwyn Girls. In Guys and Dolls, the Hot Box Girls are played by the Goldwyn Girls.

    image

    Gloria
    Lyons
    (Lucille
    Ball): “Love
    is something that gets you one room, two chins, and three kids.”

    A
    brief clip from the film is seen in “Lucy and Desi: A Home Movie.”


    image

    The
    Good Years”

    (January 12, 1962)

    Produced
    by:

    Leland Heyward
    Directed
    by:

    Franklin L. Schaffner

    Cast:
    Lucille
    Ball, Henry Fonda, Mort Sahl, Margaret Hamilton (Narrator)

    Characters included Teddy Roosevelt, Sandow the Bodybuilder, the Wright Brothers, J.P. Morgan, Lizzy Borden   

    image

    TRIVIA

    This CBS special was billed as ‘Lucille Ball’s return to television’ after leaving Lucy Ricardo behind in April 1960. It would be several more months before the debut of “The Lucy Show” in Fall 1962.   

    image

    Based
    on a best-selling book by Walter Lord first published in 1960 about the years leading up to World War One,
    the special was a hodge-podge of sketches and musical numbers about
    the time period 1900 through 1920.

    image

    Mort
    Sahl:

    “Lucille Ball came into rehearsal. She had a later call and a lot
    of doubts about the script.”

    image

    The
    90-minute special was a critical failure and has largely been
    forgotten. There are few photographs and video copies are held at the Museum of Broadcasting. 


    All
    About People”
    (1967)

    Director:
    Saul
    Rubin

    Narrators:
    Lucille
    Ball, Henry Fonda, Jack Benny, George Burns, Carol Channing, Eydie
    Gorme, Charleton Heston, Eartha Kitt, Burt Lancaster, Edward G.
    Robinson

    TRIVIA

    This
    was a 30-minute black and white documentary made by the United Jewish
    Welfare Fund about its history. 

    After marrying Gary Morton (nee Morton Goldapper), Lucille
    Ball was active in Jewish charities. On December 9, 1961, Lucy had appeared on the “Twelve
    Star Salute to the Federation of Jewish Philanthropies.” 

    Burns, Benny, and Gorme, all
    later made appearances on “Here’s Lucy.” Edward G. Robinson did
    a cameo on “The Lucy Show.”  

    Although Ball and Fonda are both involved in the project, they likely recorded their narration separately. 


    image

    Yours,
    Mine and Ours 

    (1968)

    Producer:
    Robert F. Blumofe
    Director:
    Melville Shavelson
    Screenplay:
    Melville Shavelson and Mort Lachman, with story by Bob Carroll Jr.
    and Madelyn Davis (Lucy’s TV writers), based on the book Who
    Gets The Drumsticks?

    by Helen Eileen Beardsley

    Cast:
    Lucille Ball (Helen North Beardsley), Henry Fonda (Frank Beardsley), Van
    Johnson (Darrel Harrison)

    Nancy
    Howard

    (Nancy Beardsley) made three appearances on “Here’s Lucy.” Tim
    Matheson

    (Mike Beardsley) made an appearance on a 1972 “Here’s Lucy” playing Kim Carter’s boyfriend. 

    Uncredited
    extras
    Leon Alton, Paul Bradley, Charles Cirillo, George Boyce, Paul
    King, Joseph LaCava, and Leoda Richards all made numerous background
    appearances on “The Lucy Show” and “Here’s Lucy.”

    Synopsis: A widower with ten children falls for a widow with eight, and they must decide about forming a huge, unconventional family.

    TRIVIA

    Jane Fonda claimed that her father was deeply in love with Lucy and that the two were “very close” during the filming of Yours, Mine and Ours but that Lucy wasn’t in love with him.

    After
    purchasing the rights to the book the film was based on, Lucille Ball
    became very close to the real Beardsleys and even treated the whole
    family to a vacation at Disneyland. 

    In
    1959, Lucille Ball and Desi Arnaz, still affiliated with MGM, were
    going to star as Frank and Helen Beardsley but the studio had trouble
    with the casting until the late 1960s.
    In addition, their marriage was then on the rocks, a situation which
    would have made working together on the optimistic comedy somewhat
    problematic.

    Lucy’s
    old friend John Wayne was initially considered to play Frank
    Beardsley. The role was cast with Fred MacMurray, but he was
    replaced by Henry Fonda.  

    image

    Frank
    (Henry Fonda): “I
    don’t quite understand. Am I being stupid?”
    Helen
    (Lucille Ball):
    “No,
    you’re being a man. Which is sometimes the same thing.”

    Lucille
    Ball co-produced
    the film under her company, Desilu Productions. When the film became
    a surprise smash hit grossing over $17 million on a $2.5 million
    investment, she hadn’t anticipated the film’s huge box-office success
    and failed to provide a tax shelter for her personal profits,
    resulting in most of her earnings going toward taxes.

    image

    The
    success of the film led to Lucy being considered to play Mrs. Brady
    in “The Brady Bunch,” a TV sitcom with a similar story of a
    blended family. Lucy decided to do her own sitcom, “Here’s Lucy,”
    instead.

    In
    1968, Van Johnson guest starred on “Here’s Lucy” as both himself
    and an impostor look-alike in “Guess Who Owes Lucy $23.50” (HL
    S1;E11). The dialogue contained references to Yours,
    Mine and Ours
    and
    their co-star Henry Fonda.

    image

    Van
    Johnson Impostor:
    I
    loved working with that kooky redhead.”
    Lucy
    Carter
    :
    Personally,
    I thought she was much too young for Henry Fonda.”

    Johnson
    was in the cast of Too
    Many Girls
    ,
    the film which introduced Lucy to Desi in 1940. Johnson also
    guest-starred on “I Love Lucy” in “The Dancing Star” (S4;E27) in 1955.


    Click Here for Part Two: 1975 to 1979!

  • The Cuban and the Redhead, a new musical about Desi Arnaz and Lucille Ball, with book, music and lyrics by Robert Bartley and Danny Whitman. Starring 

    Anneliese van der Pol (Lucy)  and Storm Lineberger (Desi).  September 13 to 30, 2018, at Pegasus Theatre, Dallas, Texas. 

  • Lucie Arnaz and Laurence Luckinbill find family in Palm Springs

    Lucie Arnaz and Laurence Luckinbill find family in Palm Springs

  • CBS ON THE AIR: A CELEBRATION OF 50 YEARS ~ Part 2

    March 26 – April 1, 1978

    [For more background on CBS: On the Air, see Part 1.]

    To
    celebrate its fiftieth year of broadcasting, CBS devoted seven nights
    to a celebration of their history – nine
    and a half hours of air time: “CBS:
    On The Air – A Celebration of 50 Years.”
    The goal was to bring
    together more than 100 network stars, past and present, with Walter
    Cronkite and Mary Tyler Moore serving as overall hosts. Other stars
    and personalities stepped up to host nights they were associated
    with. The
    event was produced by Alexander H. Cohen and written by his wife,
    Hildy Parks.

    The Schedule:

    • Sunday,
      March 26 – “Night of 100 Stars” – co-hosted by Telly Savalas and
      Jean Stapleton.
    • Monday,
      March 27 – “Have a Laugh on Us” – with Lucille Ball, George
      Burns, Arthur Godfrey, and Bea Arthur.
    • Tuesday,
      March 28 – “Chills
      and Thrills with a Laugh Chaser” with Alan Alda, Garry Moore, and
      Phil Silvers.
    • Wednesday,
      March 29 – “Dreams
      Come True” with Dick Van Dyke, Buddy Ebsen, Cicely Tyson, and Danny
      Kaye.
    • Thursday,
      March 30 – “Join the Family” with Richard Thomas and cast members
      from “The
      Waltons”.
    • Friday,
      March 30 – “We’re
      Getting Personal” with Lauren Bacall, Eve Arden, Bert Convy,
      Richard Crenna, Bonnie Franklin, Jim Nabors, and Linda Lavin.
    • Saturday,
      April 1 –
      “A Rootin’, Tootin’, Hootin’ & Hollerin’ Salute to
      Cowboys and Clowns” with Carol Burnett, Carroll O’Connor, Art
      Carney, Isabel Sanford, Tony Randall, and Sherman Hemsley.

    Lucille Ball, who helped bring the television network to prominence in the 1950s, was part of the celebrations on Sunday as one of the 100 stars, and on Monday, the night she ruled on CBS with her three sitcoms. She was also briefly seen on the Saturday finale. 

    Like other network anniversary celebrations, “CBS: On the Air” has never been repeated nor has it been officially released on any format. However, The Paley Center for Media has more than 40 listings relating to the specials, including complete installments, clip compilations, and rough cut reels.


    Monday,
    March 27 – “Have a Laugh On Us”

    CAST

    Beatrice
    Arthur

    (“Maude”) starred opposite Lucille Ball in the 1974 musical film
    Mame,
    recreating the role she created on Broadway. Like Valerie Harper,
    she paid tribute to Ball in song at “The Kennedy Center Honors”
    in 1986.  

    Lucille
    Ball
    (“I
    Love Lucy” / “The Lucy Show” / “Here’s Lucy”) had been seen on NBC the previous evening in “A
    Tribute to ‘Mr. Television’ Milton Berle.”

    George Burns (“Burns and Allen”) and Lucille Ball appeared on many TV variety and award shows together. In 1966 he played himself on “The Lucy Show” and did a cameo as himself on a 1970 episode of “Here’s Lucy.”  

    Arthur
    Godfrey

    (“The
    Arthur Godfrey Show”)
    also hosted “Talent Scouts” on which Lucile Ball did a guest
    appearance in 1963. After a career lull, Ball guest starred him on
    “The Lucy Show” as himself in March 1965. 

    Mary
    Tyler Moore

    (Host), like Dick Van Dyke, invited Lucille Ball to guest star on her
    short-lived variety show, “The Mary Tyler Moore Hour,” in March
    1979.  


    The
    evening included clips from CBS shows:

    • Arthur
      Godfrey’s Talent Scouts”

      (1948-58)
      with
      Don Knotts and Lenny Bruce
    • The
      Goldbergs”

      (1949-57)
    • The
      George Burns and Gracie Allen Show”
      (1950-58)
    • I
      Love Lucy”

      (1951-57)
    • December
      Bride”

      (1954-59) filmed at Desilu
    • Father
      Knows Best”

      (1954-60) starring Robert Young and Jane Wyatt
    • Hennesey”
      (1959-62) starring Jackie Cooper and Don Rickles
    • The
      Andy Griffith Show”

      (1960-68) with Don
      Knotts and Ron Howard
    • East
      Side / West Side”
      (1963-64)
      starring George C. Scott and Cicely Tyson
    • Family
      Affair”

      (1966-71) starring Brian Keith and Sebastian Cabot
    • The
      Doris Day Show”
      (1968-73)
    • Maude”
      (1972-78) starring Bea Arthur and Bill Macy

    The “I Love Lucy” clip included is “Lucy and Harpo Marx” (ILL S4;E28) from 1955.  


    The
    highlight of the hour is a vaudeville-style song “What’s
    So Funny About Monday?”

    by Jerry Herman introduced by George Burns and performed by Lucille
    Ball and Bea Arthur. Four years earlier the pair sang “Bosom
    Buddies” (also by Jerry Herman) in the film Mame.

    As
    a baggy pants clown, Lucy sets off dynamite with the explosion
    triggering quick clips of her in “I Love Lucy,” and “The Lucy
    Show.” The song culminates in Lucy kicking Bea Arthur in the
    behind. They shake hands and Lucy’s hand comes off in Bea’s –
    which sets off a series of quick clips from “Maude.”  

    The
    vaudeville stage breaks away revealing an elegant pink and red
    ballroom with Lucy and Bea dressed in formal gowns and the backup
    dancers in tails. Naturally this glamorous finale ends with both
    ladies getting a cream pie in the face!

    Although Arthur was on the record as being critical of the film Mame, she held no animosity for Lucille Ball herself, who was the studio’s choice to play the role. 


    On
    Saturday evening, April 1, the final episode concluded with a reverse
    chronology of CBS history. From 1978 to 1928 the years are projected
    over still photos and video clips of shows from those years. A still
    from from “Lucy Visits Grauman’s” (ILL S5;E1) overlaps 1953…

    …and 1954.  The show was actually aired in 1955.  

  • CBS ON THE AIR: A CELEBRATION OF 50 YEARS ~ Part 1


    March
    26 – April 1, 1978

    image

    The
    origins of CBS date back to January 27, 1927, with the creation of
    the “United Independent Broadcasters” network. The
    fledgling network soon needed additional investors though, and the
    Columbia Phonograph Company, manufacturers of Columbia
    Records,
    rescued it in April 1927; as a result, the new network was renamed the
    Columbia
    Phonographic Broadcasting System 
    on
    September 18 of that year. Columbia Phonographic went on the air on
    September 18, 1927, with a presentation by the Howard L. Barlow
    Orchestra
    from
    flagship
    station
    WOR
    in
    Newark,
    New Jersey,
    and fifteen affiliates. This was the birth of CBS radio.  

    CBS’s
    involvement in television dates back to the opening of experimental
    station W2XAB
    in
    New York City on July 21, 1931. Its initial broadcast featured New
    York Mayor
    Jimmy
    Walker,
    Kate
    Smith,
    and George
    Gershwin.
    The station boasted the first regular seven-day broadcasting schedule
    in American television, broadcasting 28 hours a week.

    image

    To
    celebrate its fiftieth year of broadcasting, CBS devoted seven nights
    to a celebration of their history – nine
    and a half hours of air time: “CBS:
    On The Air – A Celebration of 50 Years.” The goal was to bring
    together more than 100 network stars, past and present, with Walter
    Cronkite and Mary Tyler Moore
    serving as overall hosts. Other stars
    and personalities stepped up to host nights they were associated
    with. The
    event was produced by Alexander H. Cohen and written by his wife,
    Hildy Parks.

    The
    music for the event was written by some of the greatest theatre
    composers of the time with the main musical theme written by Leonard
    Bernstein. “Member of the Family” was written by Jerry Herman.
    “Cowboys and Clowns” was written by Jule Styne.

    The
    event’s announcer was Dick Tufeld.

    The schedule:

    • Sunday,
      March 26 – “Night of 100 Stars” – co-hosted by Telly Savalas and
      Jean Stapleton
    • Monday,
      March 27 – “Have a Laugh on Us” – with Lucille Ball, George
      Burns, Arthur Godfrey, and Bea Arthur
    • Tuesday,
      March 28 – “Chills
      and Thrills with a Laugh Chaser” with Alan Alda, Garry Moore, and
      Phil Silvers
    • Wednesday,
      March 29 – “Dreams
      Come True” with Dick Van Dyke, Buddy Ebsen, Cicely Tyson, and Danny
      Kaye
    • Thursday,
      March 30 – “Join the Family” with Richard Thomas and the cast of “The
      Waltons”
    • Friday,
      March 30 – “We’re
      Getting Personal” with Lauren Bacall, Eve Arden, Bert Convy,
      Richard Crenna, Bonnie Franklin, Jim Nabors, and Linda Lavin
    • Saturday,
      April 1 –
      “A Rootin’, Tootin’, Hootin’ & Hollerin’ Salute to
      Cowboys and Clowns” with Carol Burnett, Carroll O’Connor, Art
      Carney, Isabel Sanford, Tony Randall, and Sherman Hemsley

    Although
    CBS attempted to bring together as many of its stars as possible, a
    few were just unable–or unwilling–to be involved. According to TV
    Guide, Cher and Amanda Blake were sick, while ABC refused to allow
    Cloris Leachman to participate in a special on another network.
    Supposedly, Charlton Heston declined to give CBS permission to use
    his likeness.  

    image

    Lucille
    Ball,

    who helped bring the television network to prominence in the 1950s,
    was part of the celebrations on Sunday as one of the 100 stars, and
    on Monday, the night she ruled on CBS with her three sitcoms.

    Like
    other network anniversary celebrations, “CBS: On the Air” has
    never been repeated nor has it been officially released on any
    format. However, The Paley Center for Media has more than 40 listings relating to the specials, including complete installments, clip
    compilations, and rough cut reels.

    Although they are not near each other on stage due to the alphabetical order of entrances, this is the last time Lucille Ball and Vivian Vance would be on the same television show.  Vance would make one more appearance on her own before her death in 1979. 

    Lucy
    Ricardo:
    What
    are you? The Cuban television network?”
    Ricky
    Ricardo:
    Yes.
    CBS. The Cuban Broadcasting System.”


    image

    Sunday,
    March 26 – “Night of 100 Stars”

    The
    115 (or so) stars were introduced to viewers by the night that they
    first enjoyed success, starting with Sunday. Lucille Ball enters
    during the second group (Monday) and is one of the first because the
    stars are introduced alphabetically. Vivian Vance ends the Monday
    night group. It takes nearly nine minutes to introduce all the
    “members of the CBS family.”  

    Here
    are the CBS Stars with professional connections to Lucille
    Ball:

    Sundays

    image

    Arlene
    Francis

    (“What’s My Line?”) was a panelist for Lucille Ball’s six
    appearances on “What’s My Line?” from 1954 to 1965.

    Alan
    Funt

    (“Candid Camera”) guest-starred as himself (and his evil
    doppelganger) on “Lucy and the Candid Camera” (HL S4;E14) in
    1971.

    Valerie
    Harper

    (“Rhoda”) was in the chorus of Wildcat
    (1960) on Broadway starring Lucille Ball. Harper joined Lucy on
    “Dinah!” singing “Hey Look Me Over” in 1976 and sang a musical tribute to Ball at “The Kennedy Center Honors” in 1987.  

    Ann
    Sothern

    (“Private Secretary”) was one of Lucille Ball’s closest friends
    from her days at RKO. Ball would always say that she would hang
    around the casting office asking if there were any roles Ann Sothern
    was too busy to do. She guest-starred as her “Private Secretary”
    character on the very first “Lucy-Desi Comedy Hour.”  In return,
    Lucy appeared on her next sitcom, “The Ann Sothern Show.”
    Sothern played Rosie, the Countess Frambois, in several episodes of
    “The Lucy Show.”

    Nancy
    Walker

    (“Rhoda”) did the 1943 film Best
    Foot Forward

    with Lucille Ball. 


    Mondays

    image

    Beatrice
    Arthur

    (“Maude”) starred opposite Lucille Ball in the 1974 musical film
    Mame,
    recreating the role she created on Broadway. Like Valerie Harper,
    she paid tribute to Ball in song at “The Kennedy Center Honors”
    in 1987.  

    Lucille
    Ball
    (“I
    Love Lucy” / “The Lucy Show” / “Here’s Lucy”)

    Ken
    Berry

    (“Mayberry RFD”) was spotted by Lucille Ball performing on stage
    and put under contract to Desilu for the Desilu Workshop. He played
    himself on a 1968 episode of “The Lucy Show.”

    George
    Burns

    (“Burns and Allen”) and Lucille Ball appeared on many TV variety
    and award shows together. In 1966 he played himself on “The Lucy
    Show”
    and did a cameo as himself on a 1970 episode of “Here’s
    Lucy.”
      

    Arthur
    Godfrey

    (“The
    Arthur Godfrey Show”)
    also hosted “Talent Scouts” on which Lucile Ball did a guest
    appearance in 1963. After a career lull, Ball guest starred him on
    “The Lucy Show” as himself in March 1965.

    Andy
    Griffith

    (“The Andy Griffith Show”) filmed his show on the Desilu backlot.
    Lucy interviewed Griffith on her radio show in 1965. In 1968, the two
    did a pantomime sketch on “The Tennessee Ernie Ford Special.” He
    finally teamed with Ball on “Here’s Lucy” in 1973. 

    Don
    Knotts

    (“The Andy Griffith Show”) played Lucy Carter’s “last blind
    date” on a 1973 episode of “Here’s Lucy.”  

    Art
    Linkletter

    (“The Art Linkletter Show”) was
    first mentioned on “The Lucy Show” in 1962 and would appear as
    himself
    four years later. Lucille Ball was his guest on “House
    Party”
    in 1964. Linkletter will also play himself on a 1970 episode
    of “Here’s Lucy.”   

    Danny
    Thomas

    (“Make Room for Daddy”) and Lucille Ball’s careers are forever
    linked. “Make Room for Daddy” was filmed at Desilu Studios and
    when it moved to CBS the characters did a cross-over episode of “The
    Lucy-Desi Comedy Hour,”
    exchanging homes with the Ricardos. In
    return, Lucy and Desi played Lucy and Ricky on an episode of “Make
    Room for Daddy.” When Thomas starred in a sequel titled “Make
    Room for Granddaddy”
    Ball guest-starred and did the same when he
    starred in the short-lived series “The Practice.” Thomas
    appeared as himself in a 1965 episode of “The Lucy Show” and as
    an eccentric artist on “Here’s Lucy” in 1973.

    Vivian
    Vance

    (“I Love Lucy” / “The Lucy Show” / “Here’s Lucy”) is best
    remembered as Lucy’s best pal Ethel Mertz on “I Love Lucy.”  She
    returned to play Vivian Bagley on “The Lucy Show” and Vivian
    Jones on “Here’s Lucy.”  The pair also were seen together on CBS
    in “Lucy Calls The President” in 1977.


    Tuesdays

    image

    Jamie
    Farr

    (“M*A*S*H”) was seen on “Lucy, The Rain Goddess” (TLS S4;E15)
    in 1966.

    Garry
    Moore
    (“The
    Garry Moore Show”) was also the host of “I’ve Got A Secret” on
    which Lucille Ball appeared in 1956 and 1961. In between, she was a
    guest on “The Garry Moore Show” in 1960.

    Phil
    Silvers
    (“The
    Phil Silvers Show”) played an efficiency expert on a 1966 episode
    of “The Lucy Show.” Lucy made a cameo appearance on “The Phil
    Silvers Show” in 1959.

    Red
    Skelton

    (“The Red Skelton Hour”) did five films with Lucille Ball between
    1938 and 1945, including
    DuBarry Was a Lady

    (1943). Skelton played himself on “Lucy Goes to Alaska” in 1959.


    Wednesdays

    image

    Steve
    Allen

    (“The Steve Allen Show”) was the guest-host or panelist for three
    of Lucy’s appearances on “What’s My Line?” and “I’ve Got a
    Secret.
    ”  He played himself on “Lucy Calls the President”
    (1977).

    Eva
    Gabor

    (“Green Acres”) made two appearances on “Here’s Lucy,” once
    playing herself.

    Danny
    Kaye

    (“The Danny Kaye Show”) appeared as himself on a 1964 episode of
    “The Lucy Show.” Before that, Ball guest-starred on two “Danny
    Kaye Specials.”

    Dick
    Van Dyke
    (“The
    Dick Van Dyke Show”) invited Lucille Ball to appear on his
    short-lived variety show “Van Dyke & Company” in 1976.


    Thursdays

    image

    Ellen
    Corby
    (“The
    Waltons”) played Miss Hannah, Lucy Ricardo’s high school drama
    teacher in “Lucy Meets Orson Welles” (ILL S6;E3) in 1956.  She
    also appeared in a 1963 episode of “The Lucy Show.”


    Fridays

    image

    Eve
    Arden
    (“Our
    Miss Brooks”) did a one line cameo as herself in “Hollywood at
    Last!”
    (ILL S4;E16) in 1955. Arden and Ball did two films together
    at RKO in the late 1930s.  

    Richard
    Crenna
    (“Our
    Miss Brooks”) played Arthur Morton, a variation on his character
    Walter Denton in “Our Miss Brooks,” on “The Young Fans” (ILL
    S1;E20) in 1952.  

    Jim
    Nabors

    (“Gomer Pyle USMC”) did an uncredited cameo as Gomer Pyle in
    “Lucy Gets Caught Up in the Draft” (TLS S5;E9) in 1966. Both
    shows were shot at Desilu Studios.


    Saturdays

    image

    Carol
    Burnett
    (“The Carol Burnett Show”) was a protege of Lucille Ball’s.  In
    1966 Lucille Ball and Zero Mostel were the stars of “Carol + 2”.
    Ball and Burnett would exchange appearances on each other’s shows.
    Carol made seven appearances on “The Lucy Show” and “Here’s
    Lucy,” while Ball did four installments of “The Carol Burnett
    Show.

    Art
    Carney
    (“The
    Honeymooners”) played
    Lucille Ball’s husband in the 1967 film A
    Guide for the Married Man
    .
    He also starred in Lucille Ball’s 1976 TV special, What
    Now, Catherine Curtis
    ?

    As well as her first special, Happy
    Anniversary and Goodbye
    in
    1974.

    Mike
    Connors

    (“Mannix”) played his iconic detective Joe Mannix on an episode
    of “Here’s Lucy” in 1971.  Lucille Ball was responsible for
    rescuing “Mannix” from being canceled early in its run.

    Fred
    MacMurray
    (“My
    Three Sons”) played himself in “Lucy Hunts Uranium” in 1958.

    Audrey
    Meadows

    (“The Honeymooners”) played Lucy’s sister on one episode of “Life
    With Lucy”
    (1986).  

    Tony
    Randall

    (“The Odd Couple”) played a mountain climbing executive on a 1971 “Here’s
    Lucy.”
     

    Betty
    White

    (“The Mary Tyler Moore Show”) was a life-long friend of Lucille
    Ball’s. The two made no dramatic appearances together, but did
    co-star on episodes of “Password.”  

    image

    On
    Saturday, April 1, the special ended with these same celebrities
    lined up on a elevated walkway outside CBS Television City. Lucille
    Ball appears behind the screen credit for director Clark Jones.

    image

    Next!  “Have a Laugh on Us!” ~ Part 2

  • RIP Roger Perry ~ Actor discovered by Lucille Ball and enrolled in the Desilu Workshop where he made his TV debut in the “Westinghouse-Desilu Playhouse” production of “Ballad of a Bad Man” co-written and hosted by Desi Arnaz as well as the “Desilu Revue” (both in 1959). He went on to be seen as Major Christopher in Desilu’s “Star Trek” (1967).  He was 85 years old.