WILDCAT

December 17, 1960

Wildcat is a musical comedy about Wildcat Jackson and her sister who come to oil country in 1912 to strike it rich. She runs into the prowess of Joe Dynamite, and a battle of the sexes and the oil tycoons ensues. 

Wildcat wasn’t written with the 48 year-old queen of comedy in mind so when she showed interest, the script by N. Richard Nash had to be radically re-written.

At the start of the 1960’s Ball’s career was taking a new direction. She was leaving her TV personae Lucy Ricardo (as well as her real-life husband Desi Arnaz) behind for newer horizons. It was their company Desilu that would produce Wildcat with Lucy having say over who would be cast as her co-star. After several of her first choices proved not available (including Clint Eastwood), she settled on Keith Andes.

Although Ball was not known for her singing (a fact she traded on in “I Love Lucy”) or her dancing (which she was far better at), she had the determination of Wildcat Jackson to attempt it eight times a week. 

Director and choreographer Michael Kidd – known for his athletic dances – would put Ball through her paces. The score was by Cy Coleman with lyrics by Carolyn Leigh, giving Ball the rousing anthem “Hey, Look Me Over!” and the tuneful “What Takes My Fancy.” 

The out-of-town critics were mixed, but obviously adored the red-headed star. The show was headed up the New Jersey Turnpike in trucks headed for Broadway when a serious blizzard stranded the caravan, causing the opening night to be delayed. 

With just two previews under their belt, the show opened at the Alvin Theatre (now the Neil Simon) on December 17, 1960. Box office sales were buoyed by audiences expecting to see Lucy Ricardo, not Lucille Ball as Wildy Jackson, so eventually Ball interpolated more and more of her trademark comic inflections into her character. 

Then Ball took ill. She left the show for a bit with the idea to return and continue the run. But upon her return she collapsed on stage. Producers decided to close the show for as long as it took her to recover and resume when her strength and health had returned. But the musicians union insisted upon payment during the hiatus, which made the wait financially unfeasible. 

All in all, Wildcat lasted 171 performances. It wasn’t Ball’s only musical, however. In 1974 she took on the title role in the film of Mame with mixed to poor critical reactions.

“Then I go to New York with the two children, my mother and two maids. We have a seven-room apartment on 69th Street at Lexington. I’ll start rehearsals right away for a Broadway show, ‘Wildcat.’ It’s a comedy with music, not a musical comedy, but the music is important. I play a girl wildcatter in the Southwestern oil fields around the turn of the century. It was written by N. Richard Nash, who wrote ‘The Rainmaker.’ He is co-producer with Michael Kidd, the director. We’re still looking for a leading man. I want an unknown. He has to be big, husky, around 40. He has to be able to throw me around, and I’m a pretty big girl. He has to be able to sing, at least a little. I have to sing, too. It’s pretty bad. When I practice, I hold my hands over my ears. We open out of town – I don’t know where – and come to New York in December.”  ~ Lucille Ball,  TV Guide, July 16, 1960

THE SCORE

Lyrics by Carolyn Leigh and Music by Cy Coleman

Act I

• I Hear – Townspeople
• Hey, Look Me Over – Wildy and Jane
• Wildcat* – Wildy and Townspeople
• You’ve Come Home – Joe
• That’s What I Want for Janie* – Wildy
• What Takes My Fancy – Wildy and Sookie
• You’re a Liar – Wildy and Joe
• One Day We Dance – Hank and Jane
• Give a Little Whistle and I’ll Be There – Wildy, Joe, The Crew
• Tall Hope – Tattoo, Oney, Sadie, Matt and Crew

Act II

• Tippy Tippy Toes – Wildy and Countess
• El Sombrero
• Corduroy Road
• You’ve Come Home (Reprise) – Joe

(*) Songs cut sometime after opening night.

THE CAST

Lucille Ball (Wildcat Jackson) was born on August 6, 1911 in Jamestown, New York. She began her screen career in 1933 and was known in Hollywood as ‘Queen of the B’s’ due to her many appearances in ‘B’ movies. With Richard Denning, she starred in a radio program titled “My Favorite Husband” which eventually led to the creation of “I Love Lucy,” a television situation comedy in which she co-starred with her real-life husband, Latin bandleader Desi Arnaz. The program was phenomenally successful, allowing the couple to purchase what was once RKO Studios, re-naming it Desilu. When the show ended in 1960 (in an hour-long format known as “The Lucy-Desi Comedy Hour”) so did Lucy and Desi’s marriage. In 1962, hoping to keep Desilu financially solvent, Lucy returned to the sitcom format with “The Lucy Show,” which lasted six seasons. She followed that with a similar sitcom “Here’s Lucy” co-starring with her real-life children, Lucie and Desi Jr., as well as Gale Gordon, who had joined the cast of “The Lucy Show” during season two. Before her death in 1989, Lucy made one more attempt at a sitcom with “Life With Lucy,” also with Gordon, which was not a success and was canceled after just 13 episodes. 

Keith Andes (Joe Dynamite) was born John Charles Andes in Ocean City, New Jersey, in 1920. Andes played Lucy Carmichael’s boyfriend Bill King on “The Lucy Show” in “Lucy Goes Duck Hunting” (TLS S2;E6) and “Lucy and the Winter Sports” (TLS S3;E3) and played Brad Collins in “Lucy and Joan” (S4;E4) co-starring Joan Blondell.  Andes took his own life in 2005 after being diagnosed with terminal cancer.

Valerie Harper (Dancer, right) became one of television’s most recognizable stars as “Rhoda” (1974-78) a spin-off of “The Mary Tyler Moore Show.” She appeared in  at “Kennedy Center Presents” honoring Lucy in 1986. She died in August 2019 after a long battle with brain cancer.

Paula Stewart (Janie) appears in the fourth of her six Broadway musicals between 1951 and 1965.  Her only series television appearance opposite Lucille Ball was in “Lucy and Harry’s Tonsils” (HL S2;E5) in 1969. In 2017, she published a memoir titled Lucy Loved Me, about her friendship with Lucille Ball.

Hal Linden (Matt, replacement) became one of television’s most recognizable stars as “Barney Miller” (1974-82). He appeared at an “All-Star Party for Lucille Ball” in 1984 and at “Kennedy Center Presents” honoring Lucy in 1986. 

• Howard Fischer (Sheriff Sam Gore)  
• Ken Ayers (Barney)
• Anthony Saverino (Luke)
• Edith King (Countess Emily O’Brien)
• Clifford David (Hank)
• HF Green (Miguel)
• Don Tomkins (Sookie)
• Charles Braswell (Matt)
• Bill Linton (Corky)
• Swen Swenson (Oney)
• Ray Mason (Sandy)
• Bill Walker (Tattoo)
• Al Lanti (Cisco)
• Bill Richards (Postman)
• Marsha Wagner (Inez)
• Wendy Nickerson (Blonde)
• Betty Jane Watson (Wildy Understudy)
• Dancers: Barbara Beck, Robert Bakanic, Mel Davidson, Penny Ann Green, Lucia Lambert, Ronald Lee, Jacqueline Maria, Frank Pietrie, Adriane Rogers, John Sharpe, Gerald Tiejelo
• Singers: Lee Green, Jan Leighton, Urylee Leonardos, Virginia Oswald, Jeanne Steele, Gene Varrone

MRS. MORTON 

Lucy met Gary Morton while doing Wildcat on Broadway. She put off their first date due to her rigorous performance schedule. Eventually, he showed up with a pizza just when Lucy was craving one. They married on November 19, 1961.

Comic Jack Carter served as best man at Lucy and Gary’s wedding in 1961.  A few weeks later he married Paula Stewart, who played Lucy’s sister Janie in Wildcat. He acted in “Lucy Sues Mooney” (TLS S6;E12).

“HEY LOOK ME OVER!”

On June 4, 1976 Lucille is joined by Valerie Harper and Dinah Shore on “Dinah!” to sing her signature song from Wildcat, “Hey, Look Me Over.”

When Lucille Ball was celebrated at “The Kennedy Center Honors” in December 1986, Valerie Harper, Beatrice Arthur, and Pam Dawber sang a song parody of the “I Love Lucy” theme expressing their affection for Lucy. The medley ends with a specially-tailored “Hey Look Me Over”. 

In “Lucy and Carol Burnett: Part 2″ (TLS S6;E15) on December 11, 1967, Lucy, Carol, and the ensemble perform “Hey, Look Me Over” with specially written lyrics to suit the episode’s theme of air travel.  

In “Lucy Meets Danny Kaye” (TLS S3;E15) on December 28, 1964, the opening of “The Danny Kaye Show” is underscored with the music to “Hey, Look Me Over.”

While David Frost is trying to sleep during a transatlantic flight, Lucy wears her headset and hums along to “Hey Look Me Over” while tapping it out on the glasses with her cutlery.  The scene is from “Lucy Helps David Frost Go Night-Night” (HL S4;E12) aired on November 12, 1971.

In “Lucy and Petula Clark” (HL S5;E8) in 1972, Lucy Carter leaves the office singing “Hey Look Me Over.”

On “Life With Lucy,” Lucy’s grandson Kevin plays on the YMCA soccer team The Wildcats. The name of the team is probably a reference to Lucille Ball’s only Broadway show.

In the second scene of “Breaking Up Is Hard To Do” (1986), an un-aired episode of “Life With Lucy”, Lucy comes down the stairs of the living room singing “Hey Look Me Over.” 

WILDCAT WILDCARDS

In April 1961, Lucille Ball played softball in Central Park for the Broadway Show League when she was appearing in Wildcat. Julie Andrews (starring in Camelot) was the catcher!  The catcher was Joe E. Brown. 

In the play Love! Valour! Compassion! Buzz, a gay musical theater aficionado (Nathan Lane on Broadway) breaks the fourth wall (a common conceit of the play) to tell the audience something personal about himself. 

The song title was also the title of a 2018 revue about rarely produced musicals at City Center in New York City.  Performer Carolee Carmello called it her “hair homage to Lucille Ball.” 

~ From the memoir Under the Radar by Clifford David, who played Hal in Wildcat